James Pollard Prints and Multiples

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

New York Graphic Society, Ltd. Printed by U.S.A. Measures 15 x 20 inches and is unframed. The piece is in Good Condition.

Nocturne is an original limited edition lithograph by the African American artist Hughie Lee-Smith printed using hand lithography techniques on archival Arches paper, 100% acid free. Nocturne is a mysterious, surreal stage-like theatrical scene featuring a dramatic deep midnight blue night sky with two young black women each wearing pink clothing...

"The Putting Green" - Figurative Landscape 20th century lithograph copy (restrike) of an original painting by British artist Douglas Adams (English, 185...

THE VISITOR is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Ar...

Royal Hotel - New Orleans 1920s Depression Art Lithograph in Ink on Paper Dramatic street scene with a man wearing a trench coat and hat by Robert J We...

A black and white, large-scale surreal mythical landscape of an ocean voyage, with a snake wrapped around a clock, a ship, Venus sculpture, greek ur...

Christopher Wool at Luhring Augustine, (Hand Signed), 2015 Double sided offset lithograph. Hand signed by renowned Minimalist artist Christopher Wool 24 × 19 inches Signed in blue i...

Jean-Pierre Cassigneul was born in 1935 and first exhibited his work at age 17. He went on to participate in various group exhibitions, including the Salon d’Automne in Paris, the Sa...

This original signed lithograph print by George Elbert Burr (1859-1939) features a serene winter landscape with snow-covered trees, capturing the tranquil beauty of nature in a crisp winter scene. Known for his etchings and prints, Burr’s lithograph technique beautifully reflects his mastery in portraying the delicate interplay of light, snow, and shadows in the landscape. The print is signed by the artist and is presented in a custom frame with archival materials for long-lasting preservation. The framed dimensions measure 15 x 17 ¾ inches, with the image size itself being 7 ¼ x 10 ¼ inches. About the Artist: George Elbert Burr was a prolific American artist born in Monroe Falls, Ohio, in 1859. From an early age, Burr showed a passion for art, creating his first etchings using zinc scraps found in his father’s hardware store. Despite limited formal training—attending the Art Institute of Chicago for only a short period—Burr developed a unique and impactful style, focusing on etchings, lithographs, and illustrations. His early works often reflected the rural landscapes of Missouri, which he sketched during his travels on a railway pass. Burr gained recognition as an illustrator, working with notable publications like Scribner’s, Harper’s, and The Observer. In 1892, he began a monumental project illustrating the Metropolitan Museum of Art’s catalog of Heber R. Bishop’s jade collection, completing approximately 1,000 etchings. From 1896 to 1901, Burr and his wife traveled extensively across Europe, capturing landscapes and scenes from Sicily to North Wales. In 1906, Burr moved to Denver, Colorado, where he created the Mountain Moods series and began to document the American Southwest. His work often featured the rugged beauty of the Arizona desert and the New Mexico landscape. Burr’s Desert Set...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 1/25 lower left in pencil. This print features small sketches of heads resting on forearms. Moore experimented with different angles, appearing to practice for the composition for Lullaby: Sleeping Head, which depicts a shadowy figure supporting the head of a sleeping woman. Lullaby: Sketches is a rare window into Moore’s process of composing an image. Delicate, single-line arms and hair reveal the sculptor’s equal talent as a draftsman. The imagery for Lullaby Sketches was inspired by Auden’s poem Lullaby. Lullaby was the first poem Moore read for this project, which begins: “Lay your sleeping head, my love / Human on my faithless arm; / Time and fevers burn away Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie, / Mortal, guilty, but to me / The entirely beautiful.” The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Lullaby Sketches is one of a group of lithographs...

American Trotting Horses No.1 is from the series “The World Of Currier And Ives as interpreted by Salvador Dali” published by Phyllis...