James Shipton Paintings

Framed 15" x 18"( "Rolling Surf" by Steve Parker is 9" x 12" .Rolling Surf was painted along the Pacific Coast Coast in 2024. It is Oil on Canvas with a custom made frame. There ...

This framed 19.875" x 16" oil painting on canvas by Oklahoma-based artist James Cobb depicts a strand of river birch trees in freshly fallen snow. at the he...

This artwork "Sitting Nude" c.1990, is an oil painting on hardboard panel by noted American artist Howard Rogers, b.1932. It is signed at the lower right corner by the artist. The artwork (panel) size is 8.85 x 11.85 inches, framed size is 17.75 x 21 inches. Framed in original wooden gold and grey frame, with fabric liner and gold bevel. It is in excellent condition, the frame have very small minor restorations, practically invisible. About the artist: Howard Rogers wanted to be an artist for as long as he could remember. "I had no idea what an artist was when I was a kid," he laughs. "But I had a distant cousin who had gone to art school and I saw some of his drawings. They really impressed me." Born and raised in San Diego, California, Rogers now focuses on the future: "I kind of enjoy today and tomorrow and to heck with yesterday." While in high school, Rogers took some art classes and served as an apprentice sign painter, eventually becoming a journeyman. He was also a member of his high school track team, competing in the high jump, the hurdles and cross-country, as well as doing some bike racing. Following a stint in the Army, he began training for the Olympics in bike racing, trying out in 1948, 1952 and 1956. Today, "I ride a stationary bike in front of my easel three times a week." After trying out for the 1956 Olympics...

This artwork titled "Along the Shore, Staten Island, New York" 1937, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed and dated at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 16.25 x 20.25 inches. Framed in a wooden gold frame, with gold bevel and fabric liner. It is in excellent condition, especially considering the age. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...

Original Oil Painting signed by the Artist in the lower right corner.

"Eastern Plains of Colorado" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a view of the vast green plains of Colorado, with the famed su...

Bright winter landscape of an old mill in the snow by E. Harrison (American, 20th Century). Signed "E. H." lower left. Unframed. Image, 16"H x 20"L.

Choosing a contemporary English Impressionist figure painting inspired by Philip Wilson Steer, specifically capturing the Henley Regatta ...

Artist Comments
Artist Valerie Berkely presents a dreamy summer seascape. The warm color palette and gentle movements stir sun-soaked memories and carefree beach vacations. W...

The painting you described is a beautifully textured artwork that captures a tranquil lakeside scene. In the background, a charming cabin with a blue roof is nestled within a dense f...

**"The Flamenco" (Flamenco Dancer in an Interior)** James Durden (British, 1878–1964) Oil on canvas, 36 × 30 inches (42½ × 36 inches framed) Signed Lower Right A luminous and masterfully composed interior scene, this large-scale oil on canvas ranks among Durden's most ambitious and captivating works. A flamenco dancer, dressed in a richly tiered pink and green ruffled skirt, dark beaded bodice, and red hair ornament, stands with hands on hips in a moment of quiet confidence — poised between performance and repose. Her dark-eyed gaze is directed toward the light-flooded window, creating a compelling sense of psychological presence. The room itself is a tour de force of English interior painting: a crystal chandelier catches the diffused afternoon light filtering through gauze curtains; a gateleg table set with green-trimmed porcelain and a vase of pink hydrangeas anchors the foreground; a gilded Oriental screen glows warmly behind a teal wingback...

A wonderful impressionist Autumn pastoral scene of a glistening waterfall by the countryside. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed m...