Jan Pieter Verdussen Art

France 18th Century, Pastorale (Arcadian Landscape) Black chalk and heightenings of white gouache on blue-grey paper 19 x 31 cm Framed : 34.5 x 46.5 cm The atmosphere and the subje...

Joseph-Marie Vien (1716-1809) ‘Ambassadeur de Siam’ and ‘La Sultana Reine’ Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...

'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...

A beautiful 19th century copy by Giuseppe Rocchi of Baldassarre Franceschini's Sleeping Cupid, presented in a very attractive gilt frame with hand carved mouldings. A very peaceful i...

'Mgnaminia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches...

Italian School, 16th century Virgin and Child Pen, brown ink on paper 16.5 x 11 cm Unsigned Provenance: Private collection This sheet, attributed to the Italian school of the 16...

'Napoli' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Rembrandt van Rijn 1606-1669 Dutch Woman Bathing Her Feet in a Brook Etching on paper New Hollstein's 309, second state of II Signed and dated "Rembrandt f. 1658" (upper left) Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...

This summer landscape with horses grazing in a paddock under the rays of the sun beside a rural farmstead is a finely executed drawing in brown, signed lower right by Swedish female artist Ester Almqvist (1869-1934). A winding path leads the viewer into the composition, where buildings, fences, and vegetation define a cultivated countryside. Two horses stand quietly within the enclosed field, their forms rendered with spare yet assured lines. Above them, the sun shines from a clear sky, its rays spreading outward in rhythmic, hand-drawn strokes that cover all of the sky. The composition is built through a lively and vibrating pen line, where hatching and linear repetition create both texture and luminosity. The warm sepia tone unifies the scene, while the expressive draughtsmanship conveys a sense of immediacy and presence. The motif is elevated through a distinctly personal interpretation of landscape and light. Ester Dorothea Almqvist was born in 1869 in Bromma, Stockholm and died in 1934 in Lund, south Sweden. She emerged as a significant figure in Swedish art at the turn of the twentieth century, initially associated with the National Romantic movement, before later contributing to the introduction of modernist tendencies in Sweden through a highly individual synthesis of Neo Impressionist and Expressionist elements. Her early life was shaped by a religious and intellectually engaged environment. Almqvist lived her entire life with a physical disability caused by a spinal deformity, which limited her mobility but did not prevent her from pursuing an artistic career. Following her mother’s death, Almqvist broke with her earlier environment and relocated to Skåne, where she would spend the greater part of her professional life. The landscapes of southern Sweden became central to her artistic production and provided the basis for many of her most characteristic works. Her artistic education began at Tekniska skolan in Stockholm (1888–1891), where she received foundational training in drawing and design. She continued her studies through private lessons with the history painter Gustaf Cederström, but chose not to apply to the Royal Academy of Fine Arts. Instead, she pursued further training at Valand Art School in Gothenburg, where instruction was led by prominent artists such as Carl Larsson and Richard Bergh. She also studied for a period at the Konstnärsförbundet’s school (Artists' Association), under the guidance of Per Hasselberg and Bruno Liljefors...

Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...

In this double-sided red chalk study, Simone Cantarini offers us a double reflection on the theme of the Judgment of Solomon. This sheet reveals his precise style and his sense of de...

Roman School, 17th century, circa 1606 to 1630 Circle of Giovanni Baglione (Rome, 1566 to 1643/44) The Penitent Saint Peter, also known as Saint Peter and the Rooster Pen and brown...

Figure Studies Attriubted to Cornelis Schut (1597 - 1655) Flemish ink drawing on paper, inscribed on mount size: 4.75 x 7 inches private collection, France The painting is in overa...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely with our artists to take this positive and proactive step—helping collectors across the pond continue building their collections with confidence. Shizico Yi is known for her expressive and distinctive artistic style, particularly evident in her mesmerizing ink drawings. Rather than relying on photographs, Shizico paints life as the moments unfold, capturing consecutive mornings spent with her cherished cat, Sonny in a series of paintings and postcard projects. Created plein air and in situ, these scenes unfold over consecutive mornings, with Shizico's cherished cat as the captivating focal point. Set against the backdrop their garden plants, the artwork elevates daily routines into moments of awe and tranquil reflection. Offering a portal into the serene beauty of everyday life; the interplay the comforting presence of a feline companion and the natural surroundings create a captivating narrative that elevates the ordinary to the extraordinary. This Breakfast with Cat...

'India' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches con...