Janet Richardson-Baughman Art
A move to an 80-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it was not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children became adults, they were all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. Living on the farm allowed her freedom to indulge her love of animals including, the dogs that were so special to her. Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. When she went back on the farm, Janet discovered a new passion and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personality, he expected a lot from Janet and she grew above his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft.
Janet met a businessman and artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful enabling them to concentrate only on their artwork and discontinue the end of the sale of the business. It is difficult to believe when one sees her pastel, mixed media of pencil, oils, and collage landscapes have done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lived inspired her artwork. Interestingly, she also derived inspiration from her ceramics for her paintings although the two are quite different in style. Janet and John together raised and trained horses. In addition, she loved gardening and had a huge vegetable garden. She and her husband loved to cook. They enjoyed golfing together as well. They had three children. Janet Richardson Baughman died on October 29, 2014.
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Artist: Janet Richardson-Baughman
"Looking North 2, " Orange Landscape Pastel signed by Janet Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Looking North 2" by Janet Richardson-Baughman is a pastel drawing on paper, signed in the lower right corner. The work is framed and matted with acid-free mat board. This landscape ...
Category
Early 2000s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Crossroads A-73, " Hazy Pastel Landscape signed by Jan Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Crossroads A-73" by Janet Richardson-Baughman is a pastel landscape drawing. The landscape figures a yellow field in the foreground and a cluster of deep green trees in the middle ground, behind which the tiniest strip of water is visible in light blue. On the distant horizon, a dark green hill meets a serene blue sky.
Art size: 16" x 12"
Frame size: 29 1/2" x 25 1/2"
Framed to conservation standards. Matted with a cream-colored acid-free mat board and glazed in UV Clear Glass that filters 99% of UV Rays to inhibit fading. All this is housed in a traditional moulding in a gold finish.
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
1990s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Crossroads A-54, " Pastel signed by Jan Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Crossroads" is an original pastel drawing by Jan Richardson-Baughman. The artist signed the piece in the lower right and titled it in the lower left. It depicts a field with trees in the background.
16" x 12" art
33" x 27" frame
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
1990s Janet Richardson-Baughman Art
Materials
Pastel
"Colmar CA-3, " Framed Pastel Landscape signed by Jan Richardson-Boughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Colmar CA-3" is a pastel drawing on paper by Jan Richardson-Baughman. It is signed in pencil in the lower right corner and titled in the lower left, both of which are visible in the matting. The work is framed and matted with acid-free mat board. The image depicts rolling hills in shades that range from chartreuse to a dark forest green, dotted with trees and accented by a cloudy blue sky.
Art size: 22 1/2" x 36"
Frame size: 36 1/4" x 49 3/4"
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
Early 2000s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Wolf Lake I-5, " Pastel Landscape signed by Jan Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Wolf Lake I-5" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right and titled in the lower left, both in pencil. The work is framed and matted with an off-white acid-free mat and museum glass. This view of the edge of a forest is unique for its vibrant use of color. The field bears a spot of orange, while the mostly-blue sky includes a streak of violet just above the treeline. The trees blend together in yellows and greens with delicately-made lines to indicate their trunks and branches.
Art size: 22" x 22"
Frame size: 36 1/4" x 36 1/4"
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
Early 2000s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Crossroads A-67, " Pastel Landscape signed by Janet Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Crossroads A-67" by Jan Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right corner and titled in the lower left, both in pencil. The work is framed and matted with off-white acid-free mat board. The drawing depicts a landscape of what looks like a country road or field. Bright green grass populates the foreground with a puddle of blue water, while a barrier of brown separates the green from the yellow fields beyond. Red trees occupy the middle ground and background, while the cloudy sky is a soft shade of blue.
Art size: 16" x 12"
Framed size 29 3/4" x 26"
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
1990s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Looking North II-8, " Pastel Autumn Landscape signed by Jan Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Looking North II-8" by Janet Richardson-Baughman is a pastel landscape drawing. The work is framed and matted with acid-free mat board. The signature is in the lower right in pencil...
Category
Early 2000s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Wolf Lake A-18, " Pastel Landscape signed by Jan Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Wolf Lake A-18" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right corner and titled in the lower left, both in pencil. The piece is framed a...
Category
Early 2000s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Wolf Lake A-11, " Pastel Landscape signed by Jan Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Wolf Lake A-11" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right and titled in the lower left, both in pencil. The work is framed and matted with a white acid-free mat board. Though it seems contrary to the title, the main focus of the image is not a lake, but a yellow and gold field of grass that leads to a distant dark green treeline. The cloudy blue sky meets the horizon, and perhaps the darker line of blue above the trees is the far-off lake. With its restrained palette of yellow, green, and blue, it creates a send of calm.
Art size: 22" x 22"
Frame size 36 1/4" x 36 1/4"
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
Early 2000s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Crossroads A-38, " Pastel Landscape signed by Jan Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Crossroads A-38" by Jan Richardson-Baughman is a pastel drawing on paper. The work is framed and matted with an off-white acid-free mat board. It is signed in the lower right corner and titled in the lower left, both in pencil. The landscape drawing shows a country road starting in the lower left and heading off into a grove of trees in the center. Vivid green grass frames the lower right, offsetting the dark green and red of the trees, while the expansive blue sky takes up the top third of the image.
Art size: 16" x 20"
Frame size: 30" x 26"
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
1990s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
"Wolf Lake I-8, " Desert Pastel Landscape signed by Jan Richardson-Baughman
By Janet Richardson-Baughman
Located in Milwaukee, WI
"Wolf Lake I-8" by Janet Richardson-Baughman is a pastel drawing on paper. The signature is in the lower right and the title is in the lower left, both of which are in graphite pencil. The work is framed and matted with cream-colored acid-free mat board and museum glass. The drawing depicts a landscape in oranges, greens and blues and evokes a farm field just after harvest.
Art size: 22" x 22"
Frame size: 36.5" x 36.5"
A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers.
Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture.
Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.
Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her.
With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI.
Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...
Category
Early 2000s Contemporary Janet Richardson-Baughman Art
Materials
Paper, Pastel
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Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel.
The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso).
Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso).
From her November 15, 1996 NYT obituary:
Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio.
Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter.
During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945.
Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting.
From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say.
In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice.
In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg.
After eight months in a New York hospital, including five months in an iron lung...
Category
1990s Abstract Impressionist Janet Richardson-Baughman Art
Materials
Paper, Pastel, Watercolor
"Yellow Butterflies" - pastel drawing, nature, plants, still life, landscape
Located in Atlanta, GA
This piece is framed measuring 27.5 by 35 inches.
Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealis...
Category
2010s Contemporary Janet Richardson-Baughman Art
Materials
Pastel, Archival Paper
Surreal Landscape with Cliffs and Viaduct - 20th Century British Pastel
Located in London, GB
BRITISH SCHOOL
(20th Century)
Landscape with Viaduct and White Cliffs
Signed with monogram l.r.
Pastel
Framed
18.5 by 10 cm., 7 ¼ by 4 in.
(frame size 39.5 by 30 cm., 15 ½ by 11 ¾...
Category
Mid-20th Century Symbolist Janet Richardson-Baughman Art
Materials
Pastel
Siebe Johannes Ten Cate (1858-1908) A garden in Zurich, 1898, pastel signed
By Siebe Johannes Ten Cate
Located in Paris, FR
Siebe Johannes Ten Cate (1858-1908)
A Garden in Zurich, 1898
Signed, located and dated "Zurich 98" lower right
Pastel on paper
28.5 x 41.5 cm
in good condition, trace of a small t...
Category
1890s Impressionist Janet Richardson-Baughman Art
Materials
Pastel
$1,984
H 11.23 in W 16.34 in
Siebe Johannes Ten Cate (1858-1908) Bruges, windmill canal, 1894, pastel signed
By Siebe Johannes Ten Cate
Located in Paris, FR
Siebe Johannes Ten Cate (1858-1908)
Bruges, windmill canal, 1894,
Signed, located and dated 94 lower right
Pastel on paper
27 x 41 cm
in good condition, very fresh,
Framed under g...
Category
1890s Impressionist Janet Richardson-Baughman Art
Materials
Pastel
$2,225
H 10.63 in W 16.15 in
Winter landscape - XX century, Pastel figurative, Blue tones, Realism
Located in Warsaw, PL
Pastel on paper, 2000.
EDMUND MUC - Master of Fine Arts, specialized in sculpting. Lecturer at Fine Arts Departament of Jan Długosz Academy in Częstochowa ...
Category
2010s Other Art Style Janet Richardson-Baughman Art
Materials
Pastel, Cardboard
$481
H 12.6 in W 14.57 in
Untitled (Pastel #25), Pastel of Artist at Work
Located in Bryn Mawr, PA
A native of Philadelphia, John Pierce Barnes began his artistic training at the Philadelphia School of Industrial Design. He then attended the Pennsylvania Academy of the Fine Arts, ...
Category
Early 20th Century American Impressionist Janet Richardson-Baughman Art
Materials
Pastel
Siebe Johannes Ten Cate (1858-1908) Mill and sailboat in the moonlight, pastel
By Siebe Johannes Ten Cate
Located in Paris, FR
Siebe Johannes ten Cate (1858-1908)
Mill and sailboat in the moonlight,
Signed lower rigt
Pastel on paper
40 x 31 cm
Framed under glass : 52 x 44 cm
This landscape shows the out...
Category
1890s Impressionist Janet Richardson-Baughman Art
Materials
Pastel
$2,225
H 15.75 in W 12.21 in
Honfleur
By Frank Myers Boggs
Located in LE HAVRE, FR
Frank Myers Boggs dit Frank BOGGS (1855 – 1926)
Honfleur, 1921
Aquarelle et pastel sur papier
Dimensions de l'aquarelle : 39 x 25 cm
Signée et datée en bas à gauche
En parfait éta...
Category
1920s Impressionist Janet Richardson-Baughman Art
Materials
Paper, Pastel, Watercolor
Meadow Bloom
Located in Como, IT
John Sottocornola (1855 - 1917)
Meadow Bloom
Pastels on paper in gilded frame
Size: 30x45 cm (53x68 cm including frame)
Late 19th century
Giovanni Sottocornola was born in Milan on...
Category
Late 19th Century Janet Richardson-Baughman Art
Materials
Paper, Pastel
L’entrée d’un village animé de paysans en Artois
By Leon Lhermitte
Located in PARIS, FR
1905
Pastel on paper mounted on canvas
Signed lower left “L. Lhermitte”
Category
Early 1900s Realist Janet Richardson-Baughman Art
Materials
Paper, Pastel
Janet Richardson-baughman art for sale on 1stDibs.
Find a wide variety of authentic Janet Richardson-Baughman art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Janet Richardson-Baughman in crayon, pastel, paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Janet Richardson-Baughman art, so small editions measuring 26 inches across are available. Customers who are interested in this artist might also find the work of Frances Ashforth, Peggy Leonard, and Anne C. Weary. Janet Richardson-Baughman art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,700 and tops out at $4,900, while the average work can sell for $2,000.