Janne Schimmel Tables

This handcrafted end table/stool offers tranquility to any space. Hundreds of hexagonal bone chips are individually hand shaped and mounted on a wooden drum form to create this harmonious tone-on-tone patterned stool...

Atelier Jean Prouvé designed for the Lycée Fabert, Metz. France, 1930s. Lacquered metal base and turned plywood seat. All have markings on the underside. These wonderful stools also ...

Wood fired ceramic stool or coffee table by Mia Jensen. Artist signature under the base. 2025. H : 14.2 x 16.1 inches. - Born in 1981 in Denmark, lives and works in La Borne, Fran...

Contemporary poney stool/side table designed by Christian Astuguevieille and made by hand of Natural Hemp Rope.  

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Vintage Mid Century Brutalist in Design Handcrafted Oak Round Coffee Table. Made in the Netherlands in the 1950's / 60's period. Solid oak constructed round coffee table with jointed...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rare large square Peter Ghyczy coffee table from the 1980s. The table has been produced in very limited numbers and was part of a private collection of an employee of Peter Ghyczy hi...

Listed price is for the Griffin stool / side table in either walnut, white oak, or ebonized oak. Prices exclude packing. This versatile piece works interchangeably as a side table or stool. Made from a hand sanded fiberglass shell and finished with a high-end automotive polyurethane gloss finish, it is lightweight and durable. The 1.5" solid lumber top tempers the clean architectural form with its warm organic...

A solid oak coffee table likely designed and produced in the Netherlands, c. 1970s. Light scuffing along outside edge of tabletop. Dry cracks in a few places throughout. Overall D...

Wood fired ceramic stool or coffee table by Mia Jensen. Artist signature under the base. 2025. H : 13.8 x 17.5 x 17.9 inches. - Born in 1981 in Denmark, lives and works in La Borne...