Janne Schimmel Tables

This handcrafted end table/stool offers tranquility to any space. Hundreds of hexagonal bone chips are individually hand shaped and mounted on a wooden drum form to create this harmonious tone-on-tone patterned stool...

Atelier Jean Prouvé designed for the Lycée Fabert, Metz. France, 1930s. Lacquered metal base and turned plywood seat. All have markings on the underside. These wonderful stools also ...

Contemporary round dining table featuring a sculptural conical concrete base and a sophisticated satin-finished top. This grand iteration of our signature design serves as a commandi...

This hand-sculpted stool by Jacques Jarrige, part of his ongoing Meanders series, transforms a simple utilitarian object into a finely tuned sculptural form. Carved from solid oak an...

White and yellow glazed ceramic stool or coffee table by Mia Jensen. Artist signature at the base. 2024. H : 13.4' x 15'. - Born in 1981 in Denmark, lives and works in La Borne...

This simple round pedestal stands out when made in the rare and unique Rainbow Teakwood stone. An occasional piece, a side table, or a garden elem...

This pair of vintage 3-legged low stools or tables from the designer Alvar Aalto were first introduced in the 1930s. Both made circa 1955 and clearly having always lived their life t...

"Porsche Barrel (2019)" by Marc Boffin, bearing the distinction of being the 33rd within a limited edition of 100, stands as a captivating testament to the...

Allié is a two-in-one design — both a stool and an occasional table condensed into a small object with a ton of character. A totem of bold aesthetic, hands resting firmly on its hips...

A masterpiece of both cabinetmaking and mechanical engineering, this one-of-a-kind expanding table was crafted by the renowned cabinetmaker Samuel Hawkins of London for the Great Exhibition of 1851. Diminutive in size, the fascinating table was designed as a model to demonstrate Hawkins’ innovative patent screw movement to visitors of the Exhibition – six million people in total over five months. It was exhibited again a century later at the Victoria & Albert Museum during the Festival of Britain, an event intended “to symbolise two main qualities of the national character: realism and strength on the one hand, and, on the other, independence and imagination” (Catalogue of the Exhibition, 1951, p.117). To this day, the miniature masterpiece demonstrates the quest of English furniture makers to combine technical innovation with superb craftsmanship. Displaying exceptional ingenuity, Hawkins’ wind-out screw mechanism allowed one to extend the table’s base to accommodate concentric leaves with the simple crank of a handle. It is based on the inventive expanding table originally designed by Robert Jupe in 1835, which used a swivel mechanism to separate sections of the tabletop and allow for segmented leaves to be inserted. Hawkins’ tabletop, on the other hand, extends outwards directly from the center in order to accommodate additional leaves around its diameter. This unique design allowed the mechanism to also smoothly operate on rectangular tables, which could be wound out from the middle to allow for more table space. Hawkins was not alone in his endeavor to combine the technical merits of engineering and mechanics with the most artful pursuit of cabinetmaking. The first half of the 19th century saw a prolific increase in the popularity of applying new ideas to traditional furniture principles, which allowed furniture to serve many purposes. The resulting “patent” furniture was practical and refined, though few were as innovative as Hawkins’ prodigious design. Carved with the year of the Exhibition on the beautifully designed pedestal base, the table is a testament to the significance of this innovation. The model is mentioned in detail in the catalog of the Great Exhibition of 1851, the first international exhibition of industry, manufacturing, and science. Held at London’s dazzling Crystal Palace, its visitors were treated to exhibits from around the globe, including feats of engineering, innovations in industry, and marvels of design. Queen Victoria herself was a frequent visitor, along with her husband, Prince Albert, and others including Charlotte...

Rectangular coffee table with hand cast twisted bronze base and marble top.  

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The Licol Stool by R & Y Augousti is a part of their new Rattan capsule launch. The piece explores the brand's iconic DNA of bringing old world artisanal craft into a contemporary and utterly luxury feel. This stool is done in a blue rattan...