Janne Schimmel Tables

This handcrafted end table/stool offers tranquility to any space. Hundreds of hexagonal bone chips are individually hand shaped and mounted on a wooden drum form to create this harmonious tone-on-tone patterned stool...

Atelier Jean Prouvé designed for the Lycée Fabert, Metz. France, 1930s. Lacquered metal base and turned plywood seat. All have markings on the underside. These wonderful stools also ...

Pillola table by Imperfettolab Dimensions: Ø 83 x H 22 cm Materials: Fiberglass Imperfetto Lab Who we are ? We are a family. Verter Turroni, Emanuela Ravelli and our children ...

Contemporary poney stool/side table designed by Christian Astuguevieille and made by hand of Natural Hemp Rope.  

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

Rediscovered in 1748, after being buried for almost two millennia under a blanket of lava and ash following the eruption of Vesuvius, Pompeii redefines our relationship with the past through its generative potential between reality and imagination. Defined by Goethe “An incredible place, worthy of peaceful thoughts”, Pompeii has the power to transform inanimate archaeological material into narrative matter, merging past and present in a relationship of reciprocity and interaction. Exploring the site, today as then, it is possible to admire the interiors decorated with frescoes that reproduce architectural partitions or that tell stories of myths and divinities, in rooms set up with marble elements that the owner used to display his most precious objects. The Pompeian frescoes were made according to different techniques with colors obtained from earth and minerals such as cinnabar (Pompeian red), ochres (Pompeian yellow), by oxidation processes of metals as in the case of cerulean or by the pulverization of roots and animal bones as in case of greens and blacks. DOMUS POMPEII is a capsule collection of five side...

This sculptural coffee table by Marcus Kingma treats furniture as a composed surface rather than a neutral object. The square top is built from irregular fragments of natural stone s...

Glazed ceramic table or stool by Marie-Lucie Trinquand, 2025. Artist signature under the base. 2025. Unique piece. H : 23.4 x 12.2 x 11.4 inches. - Born in 1960 in France, she live...

Listed price is for the Griffin stool / side table in either walnut, white oak, or ebonized oak. Prices exclude packing. This versatile piece works interchangeably as a side table or stool. Made from a hand sanded fiberglass shell and finished with a high-end automotive polyurethane gloss finish, it is lightweight and durable. The 1.5" solid lumber top tempers the clean architectural form with its warm organic...

A solid oak coffee table likely designed and produced in the Netherlands, c. 1970s. Light scuffing along outside edge of tabletop. Dry cracks in a few places throughout. Overall D...

The design of this table does show similarities to the designs and productions of Rohé. It has some scratches and chiploss to the glass top from use and the metal frame shows signs o...