Jason Horvath Tables

Pair of vintage, Eero Saarinen for Knoll, signed marble top side tables. The tops are round, 16" wide. The height is 20". These tables feature the rare Calacatta Gold marble, which h...

A handcrafted, sculptural side table having a patinated biomorphic bronze top floating atop an undulating wrought iron base.

Clean Lined Pair of Walnut Side Tables or Nightstands, attributed to Jens Risom, unsigned, American, circa 1960s. They have been cleaned and Danish oiled.

This low coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the low size. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still on going. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

Seemingly defying the laws of nature, this Danish-inspired design is composed of a razor thin metal top covered with oak veneer, atop an elegant wire base. The warmth of the wood grain adds a level of complexity balancing the minimalist base for a table that will leave your guests intrigued and your mama proud she raised someone with such good style. The offset base conveniently slides under the sofa making it the perfect accessory for those who have ditched the traditional desk...

This rare and whimsical Italian end table, crafted in the 1940s–50s, takes the imaginative form of a stack of antique books, rendered in hand-painted tole. With its lively palette of...

Mizmo is a 3 top, multi tiered coffee table featuring solid hardwood tops and metal base (shown in brass). This design works well on its own or...

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our A...

Set of three 19th century walnut stools from France with single plank tops which have beveled edges and simple aprons, supported on hand-turned legs and stretchers and ending in hand...

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our A...

Our new modern Art Deco inspired console table is lacquered in laguna and marine blue. The table features a shelf and top covered in handmade woven raffias and pieces of paper. This ...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...