Jason Horvath Tables

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our A...

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our A...

This low coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the low size. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still on going. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

Elizabethan console table in mahogany wood, with marquetry along its legs and in the top, S. XIX. Restored with small marks according to the use and ag...

Clean Lined Pair of Walnut Side Tables or Nightstands, attributed to Jens Risom, unsigned, American, circa 1960s. They have been cleaned and Danish oiled.

A handcrafted, sculptural side table having a patinated biomorphic bronze top floating atop an undulating wrought iron base.

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our Argentina galleries are shipped directly to your address via air freight. • Simplified Customs Management: We handle the processing of export permits and the payment of customs duties. You will receive your purchase without additional paperwork or surprise costs. • High-Security Packaging: Following FedEx international standards, each piece is protected in custom-made wooden crates, designed to withstand 1-meter impacts and ensure the integrity of the object during transit. • Note for shipments to the USA: To comply with shipping company regulations and ensure delivery at the destination, a valid tax ID (EIN, SSN, or ITIN) is required. • Domestic US Shipping: For those pieces available in our United States storage, logistics are managed through 1stdibs. Personalized Restorations Our team of expert artisans offers restoration services tailored to your aesthetic preferences and design needs: • Cabinetry and Polishing: We perform polishing work on woods, allowing for transitions from light to dark tones (including deep black finishes). • Upholstery: We reupholster chairs and armchairs with fabrics or leathers of your choice, guaranteeing a high-quality finish. • Lighting: We adapt ceiling lamps by shortening smooth rods to adjust them to the height of your rooms. • Metal Treatment: * Restoration of chromed or silver-plated bronze pieces to their original state. o Chroming or silver-plating services for bronze objects. Personalized Quotes: We would be delighted to advise you and provide a quote for any intervention according to your personal taste. Console Art Deco Material: Wood and glass and gold Comte (1932-1960) was a design house and the most important manufacturer and importer of furniture and decorative objects in Argentina during the middle of the 20th century. Comte produced furniture in both the English and French styles of the 19th and 20th centuries.1 1932-1936: Training and early years The Comte company was founded in 1932 by Ignacio Pirovano, his brother Ricardo Pirovano and the architects José Enrique Tívoli and Mariano Mansilla Moreno. Later, Celina Pirovano, also an architect and wife of Ricardo Pirovano, would join Comte.2 The main creative force behind Comte was Ignacio Pirovano, who in turn was inspired by Jean-Michel Frank, whom he met in 1920, and his gallery located in Paris on his constant trips to this city. Ricardo Pirovano acted as president of the company and managed the administrative part of the company.3 During its first four years of existence, Comte was located at Avenida Roque Sáenz Peña 1129 and was dedicated to the import, execution and sale of fine furniture and decorative accessories,2 among which were found many pieces of European origin, for later sale. sale to his high society clientele in Buenos Aires. 1936-1942: Company growth On March 30, 1936, the company moved to 10792 Arenales Street and signed an exclusivity agreement with Jean-Michel Frank to produce his designs in the country.3 The French designer served as artistic director of the company. for an indeterminate period.3 At this stage the company specializes in furniture and decorations, carpets, wood coverings and in general everything related to the authorization of the most important works of large departments of the State, public and private companies, both from the country as well as from abroad.2 As examples we can mention the Llao Llao Hotel in Bariloche, Argentina, the Mar del Plata Casino, in Mar del Plata, Argentina and the Banco de la República del Paraguay in Asunción, Paraguay. During that period, several studios were opened: the first in 1937 located at 1164 Segurola Street, the second at 451 Paramaribo (current Fragata Sarmiento Street), quickly followed by new addresses at 1281 Avellaneda, 1536/40 Paseo Colón Avenue, 535 Darwin /43, Francisco Acuña de Figueroa 855 and Deán Funes 1832.2 This reflects the incredible growth of Comte and the company's production capacity. In 1939 Comte moved to 953 Florida Street, where it had an exhibition hall and sales to the public.2 1942-1960s: Expansion into other areas and final years On April 27, 1942, Comte was officially transformed into a Public Limited Company, with an authorized capital of m$n 600,000. For that year, it occupied the imposing premises on 936/40 Florida Street, where it would operate until the end of 1954, when it moved its commercial address to 1832 Deán Funes Street, where it had its industrial establishment.2 By 1946, it centralized all its operation in this last address, to which another location was added located at 1877.2 Luca Street. Consequently, with the experience acquired by organizing its aeronautical section and when the contracts corresponding to this section were suspended, it dedicated itself to preparing its plant for the lines of wooden cabinets in series specializing in cabinets for T.V., radios, transistor radios, combined, stereophonic, tables for sewing machines, among others.2 The company finally closed its doors sometime in the 1960s after the death of one of its founders, Ricardo Pirovano. Commercial items used Three types of commercial items were used by Comte: COMTE S.R.L., COMTE S.A. and COMTE S.A.I.yC. Initially the company was formed as an S.R.L. in the year 19322 (Limited Liability Company) dedicated mainly to the import of furniture from Europe. Around 1937, Comte expanded and formed a second company under the name S.A.2 (Sociedad Anónima) that would be used mainly for the manufacture of furniture and decorative objects under the exclusivity of both national artists (such as Alejandro Bustillo...

This rare and whimsical Italian end table, crafted in the 1940s–50s, takes the imaginative form of a stack of antique books, rendered in hand-painted tole. With its lively palette of...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

California Modern solid walnut beveled top side tables in the style of John Keal.

A pair of Paul McCobb for Calvin end tables-could also be night stands, with pull out tray. Very nice restored condition. Both signed underneath.

Set of three 19th century walnut stools from France with single plank tops which have beveled edges and simple aprons, supported on hand-turned legs and stretchers and ending in hand...