Jean-Baptiste Audebert Prints

Fantastic 18th Century Antique Hand-Colored Engravings depicting Greek Mythological scenes. This set of artwork is from J.B. Wicar. These matted and gold gilt...

Great images of monkeys Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

Two framed hand colored stipple engravings of parrots by Jacques Barraband published 1801-05. In beautifully matted and gilded frames. From Judy Cormier. One print with some foxing.

Set of 3 antique monkey prints titled 'Le Sajou Cornu', Le Coaita' and 'Le Sajou Brun'. Original old prints of a tufted capuchin, spider monkey a...

By Johannes Van den Aveelen and engraved by Holmice. Six views of Swedish royal residences. Hand colored engravings. Framed and matted.

From: 'Costumes of Various Countries' by Jacques Grasset de Saint-Sauveur, circa 1797. Hand colored engravings on paper. 'Hollandie', showing a mother and child in native costume fro...

Antique print titled 'MARION DE LORME' Original antique print of Marion Delorme. Marion Delorme (3 October 1613 – 2 July 1650) was a French courtesan known for her relationships with the important men of her time. She was the daughter of Jean de Lou, sieur de l'Orme, president of the treasurers of France in Champagne, and of Marie Chastelain. She was born in a wealthy family at her father's château near Champaubert. Initiated into the philosophy of physical pleasures by the epicurean and atheist Jacques Vallée, Sieur Des Barreaux, she soon left him for Cinq Mars, at that time at the height of his popularity, and succeeded, it is said, in marrying him in secret. She began hosting a salon, and was introduced into the life of being a courtesan. From this time Marion Delorme's salon became one of the most brilliant centres of elegant Parisian society. After the execution of Cinq Mars she is said to have numbered among her lovers and benefactors Charles de Saint-Évremond (1610-1703) the wit and litterateur, George Villiers, 2nd Duke of Buckingham...

Set of four Johann Wilhelm Weinmann's hand colored engravings of poppies. Framed in ebonized and water gilded Hogarth style frames. Beautifully framed.

Set of Four Hand-Colored Engravings after Holbein in Giltwood Frames

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin M...

Chirurgie plate LXVI, published in 'Recueil des planches du Dictionnaire de chirurgie' by H. Agasse, circa 1798. This book contains one-hundred thirteen extraordinary engravings deta...

Pair of hand colored engravings by Jacques Grasset de Sainte-Sauveur, 1797 Paris publication, 'Costumes de Different Pays', (Costumes of Different Countries). This pair depicting two...

Set of 6 Ottoman Costume Prints, Hand-Colored Engravings, 1767 Description: A highly decorative and cohesive set of six original hand-colored engravings depicting figures in Ottoman dress, published in London in 1767 by Thomas Jefferys, Geographer to His Royal Highness the Prince of Wales. These prints originate from the important 18th-century publication *A Collection of the Dresses of Different Nations, Ancient and Modern*, a work that reflects Europe’s growing fascination with global cultures and costume traditions. The engravings are based on designs after notable artists such as Holbein, Van Dyke, and Hollar, and combine ethnographic interest with refined decorative appeal. Each engraving presents a full-length figure in traditional Ottoman attire, rendered with clarity and elegance against a clean background. The garments—flowing robes, layered textiles, and distinctive headwear—are highlighted through delicate and well-preserved hand coloring. The set includes the following figures: Habit of the Greek Sultana, 1749 Habit of the White Sultana, 1749 Habit of the Black Sultana, 1749 Habit of a Turkish Lady of the Grand Seignior’s Seraglio, 1568 Habit of the Janesary Aga, or Chief Commandant of the Janissaries Habit of the Tchorbadgi, or Captain of the Janissaries, 1700 This grouping forms a harmonious and balanced composition, particularly suitable for a symmetrical wall display. With a consistent scale and palette, the set offers a refined decorative presence while retaining strong historical character. Such costume engravings are increasingly valued for their versatility in interior design, bridging 18th-century craftsmanship with contemporary decorative aesthetics. Interior mockups shown are for inspiration only. All prints are original antiques, not reproductions, and are sold unframed. Condition: Very good condition overall. Light age toning as expected. Occasional minor spotting in the margins. Strong impressions with original hand color. Plate marks visible. Framing tips: Best presented in identical dark walnut or ebonized frames with wide ivory mats. Hang as a symmetrical grid (3 × 2 or 2 × 3) for a refined and balanced wall composition. Technique: Engraving with original hand color Maker: Thomas Jefferys, London, 1767 Keywords: Ottoman prints, Ottoman costume, Turkish costume prints, Ottoman Empire art...

Antique anatomy print of the muscular system and venous system. This print originates from 'De Ontleedkundige Plaaten van B. Eustachius' published by J.B. Elwe. Artists and Engraver...

Nicely framed with marbled double matting and gilded and painted frames.