Skip to main content

Jean-Baptiste-Camille Corot Paintings

French, 1796-1875
Corot was a French landscape and portrait painter as well as a printmaker who is considered a great master of landscape painting in the 19th century. A pivotal figure in landscape painting, his vast output (over 3,000 paintings) simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. In the spring of 1829, Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830. The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870.
to
1
Overall Width
to
Overall Height
to
1
1
1
1
1
13
763
761
754
636
1
Artist: Jean-Baptiste-Camille Corot
Jean-Baptiste-Camille Corot (French, 1796–1875) – Landscape with Figures and Cat
Jean-Baptiste-Camille Corot (French, 1796–1875) – Landscape with Figures and Cat

Jean-Baptiste-Camille Corot (French, 1796–1875) – Landscape with Figures and Cat

By Jean-Baptiste-Camille Corot

Located in Jacksonville, FL

A charming 19th-century oil on canvas by renowned French artist Jean-Baptiste-Camille Corot, depicting a peaceful pastoral landscape. The composition features grazing cattle, a hay w...

Category

19th Century American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil

Related Items
Texas Longhorn and Sheep  Realism 20" x 16" oil  Bovine  Landscape Animals
Texas Longhorn and Sheep  Realism 20" x 16" oil  Bovine  Landscape Animals

Texas Longhorn and Sheep Realism 20" x 16" oil Bovine Landscape Animals

By Luke Autrey

Located in Houston, TX

Texas Longhorn and Sheep Realism 20" x 16" oil Bovine Landscape Animals The Duo is an 20 X 16 oil on canvas painting of a sheep and a longhorn who look as if they are in searc...

Category

2010s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil, Panel

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative
NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative

By Cecil Crosley Bell

Located in New York, NY

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

Category

1930s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Canvas, Oil

Channel Chop
Channel Chop

Channel Chop

By Nicholas Berger

Located in Greenwich, CT

American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve and excite viewers. Best kn...

Category

2010s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil, Panel

View from Land's End
View from Land's End

Willard DixonView from Land's End, 2026

$11,000

H 52 in W 47 in D 2 in

View from Land's End

By Willard Dixon

Located in Burlingame, CA

Willard Dixon is celebrated for contemporary landscapes that offer viewers a place of quiet reflection. Known for his luminous depictions of the American West, he captures space, lig...

Category

21st Century and Contemporary American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil

In Reflection
In Reflection

Nicholas BergerIn Reflection, 2026

$6,000

H 117.5 in W 28.5 in

In Reflection

By Nicholas Berger

Located in Greenwich, CT

Unframed Dimensions: 13 1/4 x 24 1/4 in. Framed Dimensions: 17 1/2 x 28 1/2 in. Nicholas Berger Biography American, b. 1949 Nicholas Berger’s career as an artist spans three decade...

Category

2010s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil, Panel

Distant Island
Distant Island

Distant Island

By Frederick Waugh

Located in Costa Mesa, CA

Frederick Waugh was a prolific seascape artist who generated 2,500 paintings of the sea and shore. Although it was never published, he penned a ten chapter book on marine painting. S...

Category

1920s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Canvas, Oil

London Round House-Mid-Century Industrial American Scene Oil Painting
London Round House-Mid-Century Industrial American Scene Oil Painting

London Round House-Mid-Century Industrial American Scene Oil Painting

By Jack Steele

Located in Marco Island, FL

A mid-century American Realist scene of children playing on the railroad entitled, London Round House. The chaotic scene of children rambunctiously playing is suspected to be set in...

Category

1940s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Canvas, Oil

Snow in the City, American Winter Scene Painting, Ornate Frame, Mid-Century Oil
Snow in the City, American Winter Scene Painting, Ornate Frame, Mid-Century Oil

Snow in the City, American Winter Scene Painting, Ornate Frame, Mid-Century Oil

By Clyde Singer

Located in Marco Island, FL

American life is captured in this Clyde Singer painting, Snow in the City (1954), where he depicts an everyday moment in the city. An ordinary scene, of a group of women making thei...

Category

1950s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil, Board

Under the Viaduct American Scene Social Realism WPA Era Mid-20th Century Modern
Under the Viaduct American Scene Social Realism WPA Era Mid-20th Century Modern

Under the Viaduct American Scene Social Realism WPA Era Mid-20th Century Modern

By Syd Browne

Located in New York, NY

Under the Viaduct American Scene Social Realism WPA Era Mid-20th Century Modern Syd J. Browne (1907-1991) Under the Viaduct 22 x 30 inches Oil on canvas. c. 1930s Signed lower left ...

Category

1930s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Canvas, Oil

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American
Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American

Located in New York, NY

Industrial Mural Study, Veterans Memorial Building, Santa Barbara WPA American Joseph Edward Knowles (1907-1980) "Study for Industry Mural, Veterans Memorial Building, Santa Barbara, CA" 19 1/2 x 50 1/2 inches Oil on board, c. 1930s. Estate stamp verso Framed: 27 x 60 inches The completed mural is currently hanging on the wall, part of the building actually, at the Veterans Memorial Building in Santa Barbara. A photo of the work insitu is included in the attached photos. BIO Joseph Edward Knowles was born in Kendall, Montana, on June 15, 1907. He grew up in San Diego, California. At age twenty, two years before the beginning of the Great Depression, he moved north to another town on the coast of California---Santa Barbara. There he began studying fine art at the Santa Barbara School of the Arts* (1927-1930), under the supervision of Frank Morley Fletcher, previously director of the Edinburgh College of Art. Fletcher, who was trained in portraiture, landscape painting, and woodblock* printing, was a great influence on young Knowles. It was there that Knowles learned the art of color woodblock printmaking, a medium in which he showed great skill. Not long after completing his studies with Fletcher, Knowles began teaching art. For a period of thirty years, from 1930 to1960, he taught at the Cate School in Carpinteria, California. In 1934-1935, Knowles traveled throughout Europe, further developing his artistic skills in England, France, and Italy. Upon his return, he continued to teach art at various schools and institutions: Cate School, Crane Country School, extension classes at the University of California at Santa Barbara (UCSB), and at the Santa Barbara Museum of Art (SBMA). Knowles also served as an art education consultant for the County of Santa Barbara. In addition, he was founding co-director and president of the Santa Barbara Fine Arts Institute (1969-1972), which later developed a specialization in photography and became the Brooks Institute of Photography. Knowles died at his home in Santa Barbara on September 8, 1980. Much of Knowles' watercolor work is associated with what has been termed the "California School*," a loose grouping of artists throughout the state that included such figures as Millard Sheets, Phil Dike, Dong Kingman, George Post, and the Santa Barbara painters Dan Lutz and Standish Backus, Jr. The California School artists, including Knowles, were known for their fresh, direct, spontaneous style of watercolor painting. Knowles and other members of the school found inspiration in nature and the built environment alike, emphasizing elements of design in their exuberant, boldly stated, colorful scenes from everyday life. While painting in a representational* manner, Knowles generally avoided photographic realism, preferring subjective interpretation of his subjects. In this, as well as in his experimental approach and vigorous brushwork, he displayed a strongly modern sensibility. Knowles often used the wet-on-wet watercolor technique as he painted seascapes and landscapes, mostly along the California coast. He also employed dry-brush* techniques in many of his paintings, often leaving some of the white of the watercolor paper exposed. Some of the latter depict trees and other forms in a broken and airy manner that recalls Cezanne. Knowles' colored woodblock prints are more reserved and exact in their draftsmanship than his paintings. Spare, clean, lyrical lines are drawn to illustrate floral motifs and boat scenes with a touch of asymmetry conjuring Japanese woodblock prints. His murals from the post-World War II period are considerably more modern in their approach and show an emphasis on design and color. PROFESSIONAL ORGANIZATIONS California Watercolor Society (1940 - 1955) Santa Barbara Art Association (Vice President - 1952) ONE-MAN EXHIBITIONS Golden Gate International Exposition (GGIE) - San Francisco, California San Diego Fine Arts Gallery (SDMA) - San Diego, California Santa Barbara Museum of Art (SBMA) - Santa Barbara, California Cowie Galleries - Los Angeles, California Gallery de Silva - Santa Barbara, California Bradley Galleries - Santa Barbara, California MURALS Westmont College - Ellen Porter Hall Mural - Santa Barbara, California Safeway Grocery (now Vons Grocery on West Victoria Street) - Exterior Tile Mosaic - Santa Barbara, California Santa Barbara Bank & Trust - Interior Mosaic Panels, Santa Barbara, California Santa Barbara Girls Club - Interior Mosaic Mural - Santa Barbara, California Ernest Righetti High School - Mosaic Mural - Santa Maria, California Shell Oil Company - Mosaic Panel - California Beckman Instruments, Corporate Headquarters - Mosaic - Fullerton, California STAINED GLASS WINDOWS, WALLS and PANELS Katherine Thayer Cate Memorial Chapel - Cate School, Carpinteria, California William S. Porter Memorial Chapel - Cottage Hospital, Santa Barbara, California La Rinconada Building - Santa Barbara, California ILLUSTRATIONS "California's Wonderful Corner: True Stories for Children from the History of the Santa Barbara Region," by Walter A. Tompkins (1962 & 1975) China Designs: Two sets of dinnerware for Winfield China...

Category

1930s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil, Board

Before the Deluge, Republican Headquarters before Landon lost to Roosevelt.
Before the Deluge, Republican Headquarters before Landon lost to Roosevelt.

Before the Deluge, Republican Headquarters before Landon lost to Roosevelt.

By Clyde Singer

Located in Marco Island, FL

In 1936, Alfred Landon and Frank Knox were the Republican candidates for President and Vice President. They were defeated in a landslide by Franklin Roosevelt. Clyde Singer captures ...

Category

1930s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil, Canvas

After The Shower-Mid-Century Street Scene Oil Painting.  Realist Urban America.
After The Shower-Mid-Century Street Scene Oil Painting.  Realist Urban America.

After The Shower-Mid-Century Street Scene Oil Painting. Realist Urban America.

By Clyde Singer

Located in Marco Island, FL

American life is captured in this Clyde Singer painting, After the Shower (1949), where he depicts a woman walking down the street after a storm with her umbrella in hand. An accompl...

Category

1940s American Realist Jean-Baptiste-Camille Corot Paintings

Materials

Oil, Board

Previously Available Items
"Soir dans une gorge Boisee" Jean-Baptiste-Camille Corot, Plein-Air Landscape
"Soir dans une gorge Boisee" Jean-Baptiste-Camille Corot, Plein-Air Landscape

"Soir dans une gorge Boisee" Jean-Baptiste-Camille Corot, Plein-Air Landscape

By Jean-Baptiste-Camille Corot

Located in New York, NY

Jean-Baptiste-Camille Corot Soir dans une gorge Boisee, 1850-55 Signed lower right Oil on board 13 1/2 x 9 inches Provenance: Dutilleux, Paul Tesse, etc. Quincy Adams Shaw Pauline S...

Category

1850s Impressionist Jean-Baptiste-Camille Corot Paintings

Materials

Oil, Panel

Le Gué aux Cinq Vaches (The Ford with Five Cows)
Le Gué aux Cinq Vaches (The Ford with Five Cows)

Le Gué aux Cinq Vaches (The Ford with Five Cows)

By Jean-Baptiste-Camille Corot

Located in New Orleans, LA

This ethereal landscape with its luminous atmosphere and light-drenched palette is a quintessential plein air masterpiece by the renowned French painter Jean-Baptiste-Camille Corot. Regarded by many as the first Impressionist, Corot's paintings served as the inspiration for an entire generation of artists. This example, entitled Le Gué aux Cinq Vaches (The Ford with Five Cows), offers a tranquil scene rendered in his mature style, composed at the apogee of his career after he abandoned the crisp brushwork and classical lines of his predecessors. Rather, the feathery brushstrokes and softened atmosphere of this charming tableau reveals the genius of this legendary artist and portends the revolutionary style of the Impressionists to come. Corot’s work occupies a space between old and new, traditional and modern, in the realm of 19th-century art history. Though he never broke with the traditionalists and academics who remained loyal to the Salon, his works possessed a unique individuality that set his oeuvre apart from other landscape artists of his age. As Etienne Moreau-Nelaton once said, he was “ the last of the classical landscapists and the first of the Impressionists.” His brushstrokes, bold and solid yet feathery and light, transformed the neoclassical landscape and altered plein air painting forever. Corot received a classical education in Rouen before embarking upon an apprenticeship in the family textile trade. The painting was his true passion and he soon devoted his entire life to perfecting his skill. Corot studied first with Achille Etna Michallon and Jean-Victor Bertin, both pupils of the leading historical landscape painter Pierre-Henri de Valenciennes. He visited the countryside of Rome and produced plein air studies, capturing the area’s natural beauty and classical antiquity. His fresh, starkly lit renditions reflect the debate of the day that sought to reconcile classically inspired idealizations with closely observed depictions of light and climate. He debuted at the Paris Salon in 1827, and continued to display there his entire life. As a result, many of these paintings were purchased by the state for provincial museums and by important collectors such as Emperor Napoleon III. For his enduring contribution to the arts, Corot was made a Knight of the Legion of Honor in 1846 and an Officer in 1867. At the Munich International Exposition of 1869, he was made a Knight of the Order of St. Michael. As seen in this extraordinary example, Corot’s work reveals a deep understanding of the French landscape. The dramatic distribution of light and shadow recalls the romantic compositions of Delacroix, while the overwhelming presence of nature pays homage to the influence of the great Barbizon artists. Quintessentially French, Corot’s oeuvre was profoundly influential both upon his contemporaries and later generations of artists. Today, Corot's paintings of idyllic landscapes are in high demand on the art market, with both museums and private collectors competing for his works. This important work is featured on pp. 188-189 of L'Oeuvre de Corot: catalogue raisonné et illustré, Paris 1905, Vol. III, by A. Robaut, with a drawing by Robaut, no. 1756. Circa 1865 Canvas: 9 3/4" high x 15 1/2" wide Frame: 14" high x 19 1/2" wide Provenance: Georges Petit, Paris, 1880, inv. no.6.624 (label on the reverse) Bernheim Jeune, Paris, inv. no.3522 (label on the reverse) Private collection, France Private collection, London M.S. Rau Antiques...

Category

19th Century Academic Jean-Baptiste-Camille Corot Paintings

Materials

Canvas, Oil

Jean-baptiste-camille Corot paintings for sale on 1stDibs.

Find a wide variety of authentic Jean-Baptiste-Camille Corot paintings available for sale on 1stDibs. You can also browse by medium to find art by Jean-Baptiste-Camille Corot in oil paint, paint, canvas and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Impressionist style. Not every interior allows for large Jean-Baptiste-Camille Corot paintings, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Henri Le Sidaner, Jean-Baptiste-Antoine Guillemet, and Emile Godchaux. Jean-Baptiste-Camille Corot paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $335,351 and tops out at $499,296, while the average work can sell for $417,323.