Jean Burkhalter Art

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

French Art Deco Artiste Lotfi Design.

Beautiful French Art Deco rug with a stunning decorative design in warm, earthy tones of brown, orange, yellow, and black. This exquisite piece is entirely hand-knotted with wool vel...

This incredible drop leaf dining table is a Mid Century Rustic European Style Craftsman Masterpiece. The design is truly eye catching. Featuring a pine plank top edged by a geome...

A quaint early 20th century farmhouse drop leaf breakfast table or console. A rectangular form made from pine with cut corners along the lea...

An unusually large version of Carl Malmsten’s “Härjedalen” drop-leaf table. Made of pine with two hinged leaves, allowing the table to be used in several sizes. Branded CM.

A very lovely Sheraton breakfast table with rectangular top with "D" shaped drop leaves over a centre-pedestal with turned column resting on reeded knees with splayed legs, and termi...

Artek drop-leaf table, design by Alvar Aalto. The table has cream linoleum top. The table is from around 1950s, in original condition, in really good shape and has beautiful patina o...

Vintage Danish teak drop leaf dining table 1950s Beautiful and very elegant Mid-Century Modern dining table with two drop leaves. This design is very much in the style of Børge Moge...

A Federal breakfast table in mahogany with a rectangular top and drop-leaves whose corners end in cyma curves, with inverted turned wooden fini...

Antique English Regency mahogany drop leaf pembroke breakfast table C.1820 A Regency mahogany pembroke breakfast table, the twin rectangular flap top above drawer raised on facett...

Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...