Jean Canneel Decorative Objects

An extremely hard to find Art Deco cubist panther by A. Notari, signed to the Panthers tail. Cast in cold painted spelter, resting on a multi-coloured marble and onyx base. A wonderf...

This is a plaster bust reproducing the Torso Gaddi, the famous fragmentary sculpture displayed in the Uffizi Museums in Florence, which inspired many great artists of the Renaissance...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Statuette of a naked woman sitting in patinated plaster of Paris; plaster of Paris, is a very resistant material, used since ancient times, it was used by the ancient Egyptians as a binder in the construction of the pyramids and is used in sculpture for its strength, the name is linked to the ancient quarries of Montmartre in Paris; the statue is a work of the famous Belgian sculptor and bronze artist Joseph Zomers which he executed between 1915 and 1920 and whose signature is on the pedestal. The woman is represented posing with ill-concealed malice and shows without reticence her body with a thin erotic veil, the artist has not executed the face precisely to accentuate a mysterious charm; it is a figure of harmonic proportions that takes into greater consideration the erotic connotations, however, a refined and elegant eroticism that presents itself in a courteous manner, subtle and suggestive but at the same time provocative and irreverent; the woman, in her most intimate dimension, as a naked presence, defenseless but seductive, becomes the embodiment of the poetic essence of the artist, the emblematic figure of his aesthetics. It is an object in perfect Art Nouveau style (Jugendstil), in fact, many artists of this current used eroticism as their work, portraying women as ethereal and fatal beings, letting themselves be inspired by "le beau sexe" thanks to their naked forms, soft and seductive. Joseph Zomers was born in Liege in Belgium in 1895 and died in 1928; he studied art in Maredsous (Belgium), many of his works are permanently exhibited at the Musèe de Liège; Zomers is well known for his public monument "Tchantchès" in Liege. This great work in stone and bronze is located in the Otremeuse district in Rue Pont-Saint-Nicolas; designed by Joseph Zomers, the statue represents a "hiercheuse", the name was given to the women who pulled the carts in the mine, a tribute to those valiant young people vilified and victims of the exploitation of women's labor, the woman holds aloft the puppet of Tchantchès. Tchantchès is the name given to a puppet that appeared in Liège in the 19th century. The popular character, Tchantchès became over time the archetype of the goodman of Liege, witty and good-natured, wise and subtle, quick to find resolutions and fertile in resources, when he is depressed, he recovers with a joke that reveals the popular Walloon citizen, mocking and sentimental. It was therefore fitting to erect a monument to these two popular and significant symbols of the proud city...

A Charles Lemanceau Art Deco glazed ceramic peacock for St. Clement, circa 1930 Marks: Lemanceau, St. Clement, 18-5/8 inches high (47.3 cm).  

ANDRÉ-VINCENT BECQUEREL silvered bronze circa 1930. 7 swallows on a weather vane mounted on a surfine black marble base from Belgium. Note 2 small chips on the marble . Total height...

This plaster sculpture is a reproduction inspired by different Roman originals depicting the renowned Roman Emperor Marco Aurelio. The Emperor is dressed...

A plaster copy of a muscular male torso. This a great decorative piece for your home or interior project, or for someone who is looking to start a collection.  

This is the bust of the Roman Emperor Caracalla modeled after a famous sculpture one displayed in the Vatican Museum. In Roman times this bust was a particularly innovative represent...

Biomorphic plaster sculpture on wood stand. One of a kind artist hand crafted, hand sanded plaster. Sits on stand, not attached - pictures...

Plaster sculpture of a reclining lion.

Art Deco Belgium black marble desk set This 3-piece desk consists of an inkwell (with the original brass insert) Penn holder and a rocker blotter. S...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular and elegant statue in spelter with marble base; the sculpture represents a young woman in a beautiful plastic and slender pose that holds in the left hand a laurel wreath and in the right hand a sheet of paper with an inscription, probably of scientific formula, in fact, the statue is the interpretation of "Science". The crown "triumphalis", precisely called "laurel crown", in Greek mythology symbolized wisdom and glory, it was the highest honor for a poet who had just graduated. Laurel was considered a sacred plant also by ancient Romans: it was venerated in particular by Apollo, god of the sun, music, poetry, sculpture, and painting. Precisely because of his countless knowledge, in fact, Apollo represented wisdom and intelligence. On the pedestal has been applied a scroll with the name of the sculpture itself and that of its author: Jean Charles Ruchot. It was made in spelter, with the technique of "lost wax", by the artist himself in his workshop in Romainville, a French commune located in the department of Seine-Saint-Denis, between 1900 and 1905. Jean Charles Ruchot, the refined and prolific artist, was active from 1890 until 1925, he produced classical works inspired by antiquity, then he was influenced by Art Nouveau, then by Art Deco, styles in which he expressed his greatest talent; he created many statues both in bronze and in spelter, he is also the author of many objects of decorative arts: lamps, sculptural groups for clocks and advertising objects. Spelter is a zinc-lead alloy that is aged to resemble bronze, but it is softer and can be easily melted and worked unlike bronze, composed of copper and tin, which melts between 850° and 1020°. Spelter has been used since 1860 to make objects that could compete with bronze, because of its great convenience and ease of use, this material had very strong dissemination and use when many sculptors and bronze Art Nouveau and Art Deco used...