Jean-Claude Farhi Sculptures

"Glacoja is a unique centerpiece with a vivid colored heart, sculpted through technology and craftsmanship from a block of plexiglass. Excavated from the heart of a glacier, formed t...

Art deco sculpture circa 1930 in copper spelter. White bakelite arch all on a marble base black and onyx. Signed J De Rouncourt on the marble base. In very good condition, note some ...

Blanck marble sculpture by Jean Frederic Bourdier white marble base Unique piece.

This is an amazing Pate de Verre Glass Sculpture by French Artist Claude Lhoste for DAUM France. Limited edition 186/250. In great original condition. ...

Claude Gaget Amazing large stoneware tree sculpture by the French artist. Original perfect conditions, signed at the base GAGET Brown and colored firi...

Terracotta sculpture by Jean Marais, the 3 faces, 1970. Jean Marais terracotta sculpture, the 3 faces, 1970. H: 32cm, D: 15cm

The Bonbon Chouval  (Horse Biscuit in Creole) was originally a traditional pastry from the island of Martinique. Carelessly shaped as a horse, the biscuits were sold on the village m...

This grand bronze sculpture, inspired by the works of Michel C. Clodion, depicts the mythological figure of Atlas bearing the weight of the world on his shoulders. The intricate deta...

An extraordinary bronze pear from the “Le Jardin Extraordinaire" by the collaborative French artists Jean-Claude Mazel and Yann Jalix. The large pear balances on a fruit box and has ...

A French 1970s Gold and bronze clam shell center peice sculpture with three large quartz and amethyst crystal clusters. Signed Biography: Claude Boeltz was born in Paris in 1937. The fourth generation in a line of artists, from his early childhood Boeltz was interested in disciplines as far ranging as sculpture, painting, ceramics, architecture, and blacksmithing. From the very start he was fascinated by what would become life long inspirations—anatomy and geology. His first apprenticeship was with the sculptor Henri Molins, which was followed by apprenticeships at the prominent Susse and Houdot foundries. His last was with Soudoun, under whose tutelage he was honored with the national “Best Worker in France” award. During these apprenticeships Boeltz took night classes at the Boule School, the Gambetta School, and at the Academy of Art in Paris. He would eventually take degrees from all three. On Sundays he went to museums, particularly the Louvre, where he sought out work in the Louis XIII - Louis XVI styles. He also spent long hours in study of the many artists he admired, such as Bersus, Meunier, Giacometti, Ponpon, Chipparus, Dali, Dajou, and Ruhlman. After these apprenticeships he tried to establish himself in the Riviera, where he befriended, and briefly collaborated with Picasso. Boeltz’s time in this vibrant community was, however, cut short—in the early 1960s he was called into the French military. While on tour in the Sahara he carved miniatures, and would carry them in his baggage from base to base. One that survived—a replica of the Arc d’triumph—was later offered to President Eisenhower on behalf of the French Army. Upon leaving the service Boeltz established a foundry in the Loire, and by the late 1960s his work, now enormously popular, was shown all over Europe. In the early 1970s he met the sculptor Cesar. The famous sculptor’s “compression” pieces inspired Boeltz to create the work for which he would soon become best known. Boeltz’s “exploded” bronze works were pieces plated with 24 karat gold made to look like liquid gold crystalized an instant after explosion. Boeltz augmented this unique medium with vibrant details, often with African emeralds, but with other stones or unusual materials as well. In his famous Cleopatra, dedicated to Elizabeth Taylor and installed in Georve V hotel in Paris, the artist employed metacrylite as a base and for its veil. The immediate success of these “exploded” works allowed Boeltz to build two foundries devoted largely to their creation, one in the Faubourg St. Honore’ in Paris, and the other in Fontenay Sous Bois. “Exploded” works from the foundries were presented and sold at Fred’s Jewelers...

CLAUDE FAVIER Sculpture in Bronze. Similar to Zuniga - A deeply moving figurative piece. Numbered 18/50 A compliment to many spaces, a wonderful decorative piece or sculpture on ...

Terracotta bust of L'Espiègle or La Rieuse aux pampres de vignes signed in point JBt CARPEAUX Carpeau property stamp, eagle stamp, numbered 1801. This model, representing Anna Foucart, the eldest daughter of Jean-Baptiste Foucart, a faithful friend of the artist, was created in 1865. Carpeaux himself distributed it in his studio on rue Boileau in Auteuil from 1868, and his heirs continued to publish it. Related bibliography: Michel Poletti and Alain Richarme, Jean Baptiste Carpeaux...