Isidore Jules Bonheur Sculptures

Very large mid-century period bronze sculpture of a parrot perched on tree branch after after Jules Moigniez (1835-1894), measuring 53 by 24 by 12 inches. Apparently unsigned.

Wonderful Art Deco bronze sculpture on a black marble base by Angelo Basso, circa 1986. The piece depicts an elegant young topless woman dancing with whir...

Stunning English Bronze statue showing polo player on a bucking bronze Stands in at over two feet tall so an impressive work The patina to the bronze is superb and this is ready to d...

20th Century bronze depicting a saddled race horse. After Jules Moigniez (French, 1835-1894). Signed along the top by the hind legs. The bronze is...

Art Deco sculpture of two greyhounds, Soif du desert, by the French artist Jules Edmond Masson, edited by Max Le Verrier. Patinated Art metal on stone base, 1930. This model is i...

A self-taught artist, Piere-Jules Mêne (1810-1879) dedicated his entire career to making bronze statues, which were met with great success among both French and international clients...

Vintage horse trophy / statue / sculpture. Made of bronze featuring an oval marble base and plaque from the Dehere Member Guest Invitational tournament (combined net aggregate win) at Due Process Golf Club and Stables in Colts Neck...

Superb antique patinated bronze model of a pointer by Jules Moingiez. Outstanding cast and in pristine condition this shows a pointer at work in a most skillful way. The pointer aler...

Pair of finely chaste bronze and dore bronze of dog and cat. Very life like.

Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez. Additional information: Height: 19 cm Width: 34 cm Condition: excellent original condition Circa: 1870 Materials: bronze Book reference: Les Animaliers by Jane Horswell Page no. 237 About Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

Bronze alloy sculpture. Signed E. Blot, France, late 19th century. Orientalist style. Attributed to Anatole-Jean Guillot (1865-1911).

A mid-19th century bronze study of a standing horse dressed in a ladies side saddle by Jules Moigniez. Excellent hand chased detail. Signed J Moigniez to base. Dimensions: H 32cm W...