Jean David Art

Jean David was a painter and designer, known for his contributions to the Romanian avant-garde and to the early modernist art of Israel (then recently founded). He was the first Israeli artist to be inducted into the illustrious Alliance Graphique Nationale in 1954. He had studied between 1927 and 1937 at various art academies in Paris. In 1929 he participated for the first time at a collective exhibition in Bucharest and in 1933 he had his first personal exhibition (in the same city). In the early '30s he was a member of the Surrealist group "unu" (meaning "one"). In 1942, he left Romania in a boat with 12 other Jews, including Theodor Brauner, the brother of Victor Brauner. After being captured by British authorities in Cyprus, he managed to reach Palestine in 1944. In 1949 he went to live in Jerusalem, where he was active in developing ceramic arts, sculpture works in copper, and artistic tapestry wall hangings under the auspices of the Ministry of Trade and Industry. Together with Marcel Janco, he founded in Israel the artist village known as Ein Hod. He also gained much reputation as a muralist and graphic and poster designer, having designed numerous posters and other works for the El Al air company, Maccabiah games, Zim shipping and The Israel tourist industry. David’s primary importance was in the design of posters. He used a wildly colorful decorative style in his art, which combined illustration, caricature, and national figures. In addition he designed wall hangings for “Maskit,” and also worked in the decoration of public buildings. His paintings had elements of Surrealism and included images from nature and landscapes. Similar in style to David Klein and the Polish Cyrk posters. Forms From Israel, Mounting Exhibition, USA, 1958 Artists: El Hanani (Sapozhnikow), Arie Azaz, Nehemiah Boris Carmi, Hanna Harag Zunz, David, Jean David Gumbel, Keiner Forcheimer, Julia Mansfeld, Al Merom, Peter Mayer, Jean Palombo...

Everything that is painted directly and on the spot has always a strength, a power, a vivacity of touch which one cannot recover in the studio"¦ three strokes of a brush in front of ...

As we were on partial lockdown here in France, I set up my kit at the bottom of my neighbour's paddock, and started doing some investigations into abstracting the landscape - basical...

Absolutely delighted that this floral abstraction was selected by the jury of the Paris Salon d'Automne for inclusion in their 2020 exhibition. This Salon was established in 1903, an...

With this figure painted directly from life, and then using reference photos, I made a deliberate effort to keep the colours muted and harmonious - hence the title - and I think I ha...

"A well spent day brings happy sleep." "” Leonardo da Vinci I really enjoy the freedom working with soft pastels brings. Their very nature, ie a blunt stick, dictates that you should use them as such, so I make sure that I work standing at the easel, stepping back frequently to ensure that I keep the liveliness of the lines interesting, and not getting too precious about any attempts at 'perfection' of the form. If I find myself tightening up too much, I can always take a look at some Degas...