Jean Fauré Center Tables

A large center table with bended top in oak hand finished to fit the shape. The base is made from hazel branches coated with coal that has been rein...

Center table, mahogany, lacquered mahogany, Italy, 1960s Multi-layered center table with modernist look. The table has a sculptural, yet open look which is achieved by the different...

French Art Deco table of chunky proportions with a thick top, raised on a curule base, joined by a stretcher. Varnished finish.

French brass horn dining table / center table signed by Alain Chervet. This outstanding rare French brass horn table with an oval glass top is signed by Alain Chervet, 1981. Our versatile French Hollywood Regency table can be used as a dining table, center table, desk or console table. A very rare design, possibly custom. Our French modern table...

Rainbow center table by Hatsu Dimensions: D 114 x W 127 x H 40 cm Materials: Plated stainless steel Hatsu is a design studio based in Mumbai that creates modern lighting that ...

For your consideration is this wonderfully stylish modernist centre table is the luxury woods of ebony Macassar which dates to the 1930s. There is a central drawer which is connected...

Splendid and rare lacquered wooden centre table of fine Italian manufacture, dating from the Art Deco period. The table is entirely made of solid and marvellous lacquered wood. There are two supporting legs, but they cover the entire depth of the structure; in between we see carved woodwork, which makes them elegant rather than heavy. Above we see a white lacquered tubular wooden frieze...

Object 046 Center Table by NG Design. Dimensions: D 70 x W 70 x H 40 cm. Materials: powder coated steel. Also available: All of objects available in different materials and colo...

Unique collin center table by Collector Dimensions: D 80 x H 35 cm Materials: Glass, oak, metal Other materials available. The Collector brand aims to be part of the daily life...

A Centre Table in the Manner of Andre-Charles Boulle By Charles-Guillaume Diehl Of rectangular form, constructed in Bois Noirci and cut brass, using complex arabesque designs in the manner of Jean Berain; rising from square tapering collared legs conjoined by a stylised stretcher of ‘X’ form issuing from a central tablet; having three drawers to the frieze. French, Circa 1860 Charles-Guillaume Diehl (1811–1885). Diehl was a German born cabinetmaker that worked and ran workshops in France from circa 1840 until 1885, specialising in small decorative cabinets...

Art Deco style marble travertine stone tables We can color match marbles to your project From dining tables to occasional end or coffee table ideas. Custom sizing available copying ...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...