Jean-Léon Gérôme Art

Our very large gilt bronze figure by Jean-Leon Gerome (1824-1904) depicts Venus holding and leaning upon a Dionysian staff with pine cone finial as Cupid clambers up the staff. Based marked JL GEROME.

Beautiful bronze sculpture titled "Bathsheba at her Bath" depicting a nude woman standing gracefully on a green onyx base, bathing delicately poised with a little sponge in hand, gen...

Jean-Léon Gérôme (French, 1824 - 1904) 'La Joueuse de Boules' or ‘The Ball Player’ Gilt-bronze Signed 'J.L. Gerome' to the base and numbered '941G'. ...

Figure is a drawing realized by Jean-Léon Gérome (1824-1904). Good condition on a yellowed paper, included a white cardboard passpartout (37.5x55 cm). Stamp signed on the back of the little paper. Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living...

Composition is a drawing ealized by Jean-Léon Gérome (1824-1904). Good condition on a yellowed pper, included a white cardboard passpartout (37.5x55 cm). Stamp signed on the back of the little paper. Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist...

An exceptionally composed hammam scene comes alive in this composition by the master of the genre, Jean-Léon Gérôme. The splendid evocation of ladies lounging around the bath is offset by the steely gaze of Gérôme's primary subject, the white eunuch. Brilliantly conceived, the oil on canvas brings together Gérôme’s aptitude for narrative painting with his incomparable mastery of the highly finished Academic style. Among the most famous of Gérôme's bath scenes is his 1886 The Terrace of the Seraglio, which was sold at a 1998 Christie's auction for $1.3 million. The present composition offers another perspective on this same scene. It includes identical architectural elements — the striped arches, the domed roof, the fountain at the center of the bath — as well as the same models, one posed on the pool's edge while two others splash in the bath itself. Rather than the bathers, however, Gérôme has chosen to focus on an altogether more serious figure in this work. The figure of the eunuch — the only male allowed into a female bath — stands...

Jean-Léon Gérôme (French, 1824-1904) ‘Femme en priere’ Red crayon on paper Dedicated and signed ‘A Monsieur Mounot / JL. Gérôme’ 10.3/4 x 7.7/8 in. (27.3 x 20 cm.) Jean-Léon Gérôme ...

Etching, 1865-68, Image Dim: cm 12.5x10, Dim: cm 26.5x18, Passepartput Dim: cm 41 x 34 Original Etching, representing an Egyptian Smoker, created between 1865 and 1868. On laid pape...

Interesting pencil drawing by J.-L. Gérome. Good conditions except some minor folds on bottom of work. Prov.: Galerie du Rhône, Switzerland. This artwork is shipped from Italy. Unde...

Late 19th century French academic artist Jean-Léon Gérôme was best known in his lifetime for his paintings, but he achieved excellence in his sculptural work too, as evidenced in thi...

This fine, lustrous sculpted figure is by Jean-Leon Gerome (French, 1824-1904), the widely celebrated Academic French painter of the 19th century, who began to create sculptural work...

Signed J.L. Gérôme (lower right) Oil on canvas A young woman encounters a divine swan in this masterfully composed work by the great French painter Jean-Léon Gérôme. His subject is Leda, the mythological beauty who was ravished by the Greek god Zeus in the guise of a swan. Gérôme interprets the highly charged tale not as one of aggression, but rather welcome intimacy. Brilliantly conceived, the oil on canvas brings together Gérôme’s aptitude for narrative painting with his incomparable virtuosity for capturing the female nude. While Leda’s tale is one of seduction, the mythological anecdote plays a secondary role in this composition compared to Gérôme’s exploration of the female nude. Scenes of the bath were central to his output, likely inspired by his 1879 visit to the Grand Baths in Bursa. Filled with groups of female bathers naturally posed in various stages of undress, these Orientalist works – such as La Grande Piscine à Bursa shown to great acclaim at the Paris Salon of 1885 - are considered among the best of his oeuvre. Gérôme’s Leda embodies the inherent sensuality and academic idealism of these stunning compositions. Unlike his bath scenes, however, the present work is situated en plein air, which allowed Gérôme to demonstrate his aptitude for capturing the effects of light on his subject’s luminous white skin. Perhaps the greatest painter of flesh from his age, Gérôme’s masterful application of texture, color tones, and chiaroscuro brings his idealized subject to life on canvas. One of the most prominent French academic painters of the 19th century, Gérôme is today credited with fashioning an entirely new artistic ideology. One of the originators of the Orientalist style, Gérôme was also a stalwart defender of Academic painting, which was waning under the rise of Realism and Impressionism. Inspired by the year he spent in Rome with Paul Delaroche in 1834, he developed an insatiable appetite for traveling, and throughout his career, he traveled widely in Turkey, Egypt, and North Africa. His years exploring the Near East inspired his greatest Orientalist works, his Moorish and Turkish bath scenes. A sculptor as well as a painter, his female figures have the same classical precision of Ingres but are executed with a more pronounced sensuality and realism. Enjoying great popularity and success during his lifetime, he was actively courted and patronized by private collectors and nobility. Today, the majority of Gérôme's works are held in major museums, with very few remaining in private hands. Circa 1896 Canvas: 32 1/2" high x 29" wide Frame: 38" high x 34 1/2" wide Exhibitions: Art Pompier; Anti-impressionism: 19th Century French Salon Painting...