One of the most prominent French Academic painters of the 19th century, Jean-Léon Gérôme is today credited with fashioning an entirely new artistic ideology. One of the originators of the Orientalist style, Gérôme was also a stalwart defender of Academic painting, which was waning under the rise of realism and Impressionism. Inspired by the year he spent in Rome with Paul Delaroche in 1834, he developed an insatiable appetite for traveling, and throughout his career, he traveled widely in Turkey, Egypt, and North Africa. His years exploring the Near East inspired his greatest Orientalist works, his Moorish and Turkish bath scenes.
A sculptor as well as a painter, Gérôme’s female figures have the same classical precision of Ingres but are executed with a more pronounced sensuality and realism. Enjoying great popularity and success during his lifetime, he was actively courted and patronized by private collectors and nobility. Today, the majority of Gérôme's works are held in major museums, with very few remaining in private hands.
Find authentic Jean-Léon Gérôme paintings on 1stDibs.
(Biography provided by M.S. Rau)
Le Marabout: In the Harem Bath by Jean-Léon Gérôme
By Jean-Léon Gérôme
Located in New Orleans, LA
Jean-Léon Gérôme 1824–1904 French Le Marabout: In the Harem Bath Signed "J.L. Gerome" (lower left) Oil on canvas Jean-Léon Gérôme is widely regarded as one of the most important ...
Canvas, Oil
"Afternoon Along the Nile"
By Jean-Léon Gérôme
Located in Jacksonville, FL
Provenance: Property from an American Private Collection John Beard Jackson, Pittsburgh (1845-1908, 'one of the best known men of Pittsburgh', served in ma...
Canvas, Oil
Slack Tide, Polperro, Cornwall, England, Summer, 1904
By Harry Neyland
Located in Philadelphia, PA
Harry A. Neyland (American, 1877–1958) Slack Tide, Polperro, Cornwall, England, Summer, 1904 Oil on canvas, 20 x 18 inches FRAMED: 26 1/2 x 23 1/2 inches (approx.) Signed at upper ...
Canvas, Oil
$26,000
H 20 in W 22 in D 2 in
Landscape American Hungarian European Modernism 1938 Realism Long Island WPA era
By Stephen Csoka
Located in New York, NY
Landscape American Hungarian European Modernism 1938 Realism Long Island WPA era. The canvas measures 18” x 20". The artist signed the stretcher as well as the canvas. The scene depicts a spots in New York where Queens borders with Nassau county, Rosedale, which abuts the Five Towns. The border runs through Hook Creek, another painting we are currently offering. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...
Canvas, Oil
French Landscape by Jules Alexis Muenier
Located in Philadelphia, PA
JULES-ALEXIS MUENIER (French, 1863–1942) Landscape Oil on canvas, 25 1/2 x 21 1/4 inches FRAMED: 34 1/2 x 30 (approx.) Signed and dated at lower right: “J. A. MUENIER/1908” Provena...
Canvas, Oil
A farmstead on Long Island
By Frank Waller
Located in Philadelphia, PA
Frank Waller (American, 1842-1923) Farmstead, Long Island Oil on canvas, 13 x 21 inches FRAMED: 18 x 26 inches (approx.) Note: while this work is unsigned, it relates to a number o...
Canvas, Oil
A house in the country, probably near Morristown NJ
By Frank Waller
Located in Philadelphia, PA
Frank Waller (American, 1842-1923) House in the Country Oil on canvas, 10 1/2 x 20 1/4 inches FRAMED: 16 x 26 inches (approx.) Signed and dated at lower left: "Frank Waller Study 19...
Canvas, Oil
$480
H 15.75 in W 11.82 in
Swans and Reflections, by Alise Medina. Oil on canvas, 40x30 cm. Signed
Located in Riga, LV
Very often in my painting process I use photographs, sketches and I paint direct from the nature(in plein air). There are lot of excitement and impulses around; they can cover each o...
Canvas, Oil
$1,050
H 24 in W 30 in D 0.8 in
Beach, Coastal, Impressionism, Original Oil Painting, One of a Kind
Located in Granada Hills, CA
Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Impressionism Title: Beach Size: 24" x 30" x 0.8'' inch, ...
Canvas, Oil
$3,000
H 27.5 in W 23.5 in
"Still Life with Cherries, Grapes" Annie L. Morgan, Academic Fruit Still Life
Located in New York, NY
Annie L. Morgan Still Life with Cherries, Grapes, and Pomegranate, circa 1880 Signed lower left Oil on canvas 20 x 16 inches
Canvas, Oil
$2,500
H 12.25 in W 10.5 in
A small oil painting of Deer in a Forest, late 19th century
Located in Philadelphia, PA
Alice G. Gropper (late nineteenth century) Deer in the Forest Oil on canvas, 12 1/4 x 10 1/2 inches FRAMED: 14 1/2 x 16 1/2 inches (approx.) Inscribed on stretcher: (in ink) "Alice ...
Canvas, Oil
$12,000
H 91 in W 65 in D 3 in
Prosperous Family: Academic Figurative Painting by Mark Beard aka Bruce Sargeant
By Mark Beard
Located in Hudson, NY
Academic style figurative painting on canvas of a family and red tractor against a classic American farm field "Prosperous Family", painted by Mark Beard under his fictitious persona, Bruce Sargeant 84 x 58 inches unframed, 91 x 65 x 3 inches with a gold painted wood frame Excellent condition, ready to hang as is This Academic style figurative oil painting on canvas was painted by Mark Beard as Bruce Sargeant, a pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargeant. Here, the artist captures a blue collar American farming family in their field with an old red tractor. The man and woman stand stoically with their young child, dressed in simple white garments, perhaps to symbolize their purity. Rolling mountains...
Canvas, Oil
$1,800
H 37.41 in W 29.53 in
Spring in a city, by Alise Medina. Oil on canvas, 95x75 cm. Signed
Located in Riga, LV
Very often in my painting process I use photographs, sketches and I paint direct from the nature(in plein air). There are lot of excitement and impulses around; they can cover each o...
Canvas, Oil
$38,000
H 30 in W 50 in
Catcher Boat Painting, Marine Art, Signed, 30x50 Inches, Coastal Whaling Scene
By Jack L. Gray
Located in Marco Island, FL
Fangst Bat by Jack Gray The rough waters of the Scotia Sea are captured in this painting by famed marine painter, Jack Gray. The boat is a fangst bat or catcher boat used for whali...
Canvas, Oil
La Danse pyrrhique (Pyrrhic Dance)
By Jean-Léon Gérôme
Located in New Orleans, LA
This painting by Jean-Léon Gérôme entitled La Danse pyrrhique is among the most fascinating compositions ever composed by the Academic master’s hand. Gérôme’s iconic scenes of the East captivated a generation, and this work showcases all of the artist’s unparalleled talents. Set in the Ptolemaic period of Ancient Egypt, its depiction of the ritual Pyrrhic dance is vivid and striking. Beautifully painted and rich with detail, it represents the best of Gérôme’s famed Orientalist scenes. In La Danse pyrrhique, Gérôme gives us a dramatic rendering of this ancient war dance. Greek in origin, it was performed by costumed dancers armed with swords who completed a series of movements set to music pantomiming combat. Homer wrote that Achilles performed this dance in a show of respect and grief at the funeral of his friend, Patroclus. When Julius Caesar introduced it to the Roman Games, its popularity spread across the Roman Empire to include Egypt, where Gérôme’s composition is set. Gérôme visited Egypt for the first time in 1856, and he returned throughout the late 19th century when this work was created. Gérôme’s first-hand familiarity with this setting is evident in this piece, and his visual narrative is unlike any other. His paintings combine the rationalist style of historical paintings and the theatrical...
Canvas, Oil
Le Chef des Eunuques Blancs
By Jean-Léon Gérôme
Located in New Orleans, LA
An exceptionally composed hammam scene comes alive in this composition by the master of the genre, Jean-Léon Gérôme. The splendid evocation of ladies lounging around the bath is offset by the steely gaze of Gérôme's primary subject, the white eunuch. Brilliantly conceived, the oil on canvas brings together Gérôme’s aptitude for narrative painting with his incomparable mastery of the highly finished Academic style. Among the most famous of Gérôme's bath scenes is his 1886 The Terrace of the Seraglio, which was sold at a 1998 Christie's auction for $1.3 million. The present composition offers another perspective on this same scene. It includes identical architectural elements — the striped arches, the domed roof, the fountain at the center of the bath — as well as the same models, one posed on the pool's edge while two others splash in the bath itself. Rather than the bathers, however, Gérôme has chosen to focus on an altogether more serious figure in this work. The figure of the eunuch — the only male allowed into a female bath — stands...
Canvas, Oil
Leda and the Swan
By Jean-Léon Gérôme
Located in New Orleans, LA
Signed J.L. Gérôme (lower right) Oil on canvas A young woman encounters a divine swan in this masterfully composed work by the great French painter Jean-Léon Gérôme. His subject is Leda, the mythological beauty who was ravished by the Greek god Zeus in the guise of a swan. Gérôme interprets the highly charged tale not as one of aggression, but rather welcome intimacy. Brilliantly conceived, the oil on canvas brings together Gérôme’s aptitude for narrative painting with his incomparable virtuosity for capturing the female nude. While Leda’s tale is one of seduction, the mythological anecdote plays a secondary role in this composition compared to Gérôme’s exploration of the female nude. Scenes of the bath were central to his output, likely inspired by his 1879 visit to the Grand Baths in Bursa. Filled with groups of female bathers naturally posed in various stages of undress, these Orientalist works – such as La Grande Piscine à Bursa shown to great acclaim at the Paris Salon of 1885 - are considered among the best of his oeuvre. Gérôme’s Leda embodies the inherent sensuality and academic idealism of these stunning compositions. Unlike his bath scenes, however, the present work is situated en plein air, which allowed Gérôme to demonstrate his aptitude for capturing the effects of light on his subject’s luminous white skin. Perhaps the greatest painter of flesh from his age, Gérôme’s masterful application of texture, color tones, and chiaroscuro brings his idealized subject to life on canvas. One of the most prominent French academic painters of the 19th century, Gérôme is today credited with fashioning an entirely new artistic ideology. One of the originators of the Orientalist style, Gérôme was also a stalwart defender of Academic painting, which was waning under the rise of Realism and Impressionism. Inspired by the year he spent in Rome with Paul Delaroche in 1834, he developed an insatiable appetite for traveling, and throughout his career, he traveled widely in Turkey, Egypt, and North Africa. His years exploring the Near East inspired his greatest Orientalist works, his Moorish and Turkish bath scenes. A sculptor as well as a painter, his female figures have the same classical precision of Ingres but are executed with a more pronounced sensuality and realism. Enjoying great popularity and success during his lifetime, he was actively courted and patronized by private collectors and nobility. Today, the majority of Gérôme's works are held in major museums, with very few remaining in private hands. Circa 1896 Canvas: 32 1/2" high x 29" wide Frame: 38" high x 34 1/2" wide Exhibitions: Art Pompier; Anti-impressionism: 19th Century French Salon Painting...
Canvas, Oil