Jean-Louis Deniot Bowls and Baskets

Large cup (bowl) by Jean Marais, in ceramic and signed, 1960s.

Jean Luce acid etched crystal glass bowl. Signed on the bottom with the etched monogram of the double ‘L’. Jean Luce (French, 1895-1964) Bio – “Trained as a ceramist and glassmake...

Contemporary Brass Bowl, Evil Eye Small with Semi Precious Inserts, Viya by Vikram Goyal Bowl in brass with semi precious inserts. Handmade in India. The collection reimagines a pr...

Farsta porcelain bowl witha green floral design.

Red glazed ceramic bowl by Jean Maubrou. Artist monogram under the base. Circa 1940-1950. Perfect original conditions. H : 3.5 x 5.9 inches. - A student of LACHENAL, Jean MAUBROU s...

Organically shaped bowl in Brazilian Jacaranda wood. Designed by Brazilian wood art icon Jean Gillon during the 1960s in a series for Italma and Georg Jensen in Denmark. Due to Cites...

Bowl with handle made of solid “imbuia” wood, designed by Jean Dobré for Tropic-Art. Brazil 1960s.

Danish glass bowl by Per Lütken designed for Holmegaard / Royal Copenhagen in 1995.  

Introducing our latest addition to our Brazillian smalls collection, this 1960's handle bowl by Jean Gillon for his Wood Art collection. Crafted from the finest jacaranda, it exudes ...

Vintage Stoneware Bowl with Sun Motif by Jean-Claude Taburet for HB Henriot (circa 1960s-70s). A strong and characteristic piece from Jean-Claude Taburet's long collaboration with the HB Henriot manufactory in Quimper, France, the oldest continuously active faïencerie in the country, tracing its origins to 1690. The coupe is worked in stoneware, its decoration incised into the clay body with a central sun motif, its rays spreading outward in the ancient manner common to Breton traditions, surrounded and framed by a series of stylised flowers. The incised lines have depth to them, shadow, the sense of a hand pressing deliberately into resistant material. It is a modest form in scale, but it carries the weight of a much larger object. The sun is not an incidental choice of motif. For Taburet, working in a region saturated with Celtic legend and ancient symbolic imagery, solar forms carried genuine cultural meaning — a continuity between the prehistoric standing stones of Carnac, the illuminated manuscripts of early Breton Christianity, and the modernist decorative tradition he was simultaneously engaged with. The result is a piece that feels rooted rather than merely decorative. The piece is in very good overall condition. It is signed to the underside with the HB Henriot Quimper...

Introducing a remarkable piece from the Jean Gillon's Wood Art collection: discover this elegant wood bowl, expertly fashioned from a single piece of Rosewood with meticulous attenti...

Designed by Jean Gillon and produced by Italma / WoodArt in Brazil during the 1960s, this sculptural bowl reflects the same material sensitivity and organic formal language found thr...