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Jean Oberlé Art

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The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne

The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne

By Maxime Lalanne

Located in Alamo, CA

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...

Category

Late 19th Century Jean Oberlé Art

Materials

Etching

Oreste e Pilade, 2e version

Oreste e Pilade, 2e version

By Giorgio De Chirico

Located in New York, NY

The Roman numeral edition of 25, aside from the Arabic numeral edition of 99. Signed, titled and numbered VI/XXV in pencil, lower margin. With the artist's blind stamp lower left. Pu...

Category

1970s Surrealist Jean Oberlé Art

Materials

Etching, Aquatint, Color

Alberto Giacometti Etching, 1956, Annette Facing Front
Alberto Giacometti Etching, 1956, Annette Facing Front

Alberto Giacometti Etching, 1956, Annette Facing Front

By Alberto Giacometti

Located in Washington, DC

Artist: Alberto Giacometti Title: Annette Facing Front Portfolio: Derriere le Miroir Tenth Anniversary Edition Medium: Etching Date: 1956 Edition: 2000 Frame Size: 19 1/2" x 14 1/4" ...

Category

1950s Modern Jean Oberlé Art

Materials

Etching

Pablo Picasso The Eye Etching, 1949, Cubist Style, Carmen X
Pablo Picasso The Eye Etching, 1949, Cubist Style, Carmen X

Pablo Picasso The Eye Etching, 1949, Cubist Style, Carmen X

By Pablo Picasso

Located in Washington, DC

Artist: Pablo Picasso Title: The Eye (Plate X) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signed and numbe...

Category

1940s Cubist Jean Oberlé Art

Materials

Etching

La Tauramachie Individuelle
La Tauramachie Individuelle

La Tauramachie Individuelle

By Salvador Dalí­

Located in Hollywood, FL

ARTIST: Salvador Dali TITLE: La Tauromachie Individuelle MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet EDITION NUMBER: XXV/C MEASUREMENTS: 25.5" x 20" YEAR: ...

Category

1970s Surrealist Jean Oberlé Art

Materials

Etching

Salvador Dali Color Etching, 1969, Woman with garter, from The Hippies
Salvador Dali Color Etching, 1969, Woman with garter, from The Hippies

Salvador Dali Color Etching, 1969, Woman with garter, from The Hippies

By Salvador Dalí­

Located in Washington, DC

Artist: Salvador Dali Title: Woman with the garter Portfolio: The Hippies Medium: Color etching on Arches wove paper Date: 1969 Edition: 43/145 Frame Size: 31" x 26 1/2" Sheet Size: ...

Category

1960s Surrealist Jean Oberlé Art

Materials

Etching

The Port Of Bordeaux, France In Winter: A 19th C. Etching by Maxime Lalanne
The Port Of Bordeaux, France In Winter: A 19th C. Etching by Maxime Lalanne

The Port Of Bordeaux, France In Winter: A 19th C. Etching by Maxime Lalanne

By Maxime Lalanne

Located in Alamo, CA

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), etched by Phillip Gilbert Hamerton after a drawing by Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. This etching is an excellent impression printed on thick chain-linked, laid, deckle-edge paper with wide margins, watermarked with a 2 in the lower left corner. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. The sheet measures 8.75" high by 12" wide. The print is in excellent condition. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...

Category

Mid-19th Century Jean Oberlé Art

Materials

Etching

Julian Opie Standing Couples Relief Print, Lydia and Garrett, Signed, Modern
Julian Opie Standing Couples Relief Print, Lydia and Garrett, Signed, Modern

Julian Opie Standing Couples Relief Print, Lydia and Garrett, Signed, Modern

By Julian Opie

Located in Washington, DC

Artist: Julian Opie Title: Lydia and Garrett Portfolio: Standing Couples Medium: Relief print with collage on archival Museum Board, presented in a sprayed white frame specified by t...

Category

2010s Contemporary Jean Oberlé Art

Materials

Etching, Screen

André Lanskoy - Composition - Original Etching
André Lanskoy - Composition - Original Etching

André Lanskoy - Composition - Original Etching

By André Lanskoy

Located in Collonge Bellerive, Geneve, CH

André Lanskoy - Composition - Original Etching From Dédale Edition: 190 Dimensions: 32 x 18 cm This etching is from the first series of etching Lanskoy made. Unsigned and unumbered ...

Category

1960s Abstract Expressionist Jean Oberlé Art

Materials

Etching

Eight Mortal Sins Complete Suite
Eight Mortal Sins Complete Suite

Eight Mortal Sins Complete Suite

By Salvador Dalí­

Located in Hollywood, FL

ARTIST: Salvador Dali TITLE: 8 Mortal Sins Suite Anger Avarice Dalinean Envy Gluttony Lust Pride Sloth MEDIUM: 8 Etchings SIGNED: Each piece is Hand Signed PUBLISHER: Jean Schne...

Category

1960s Surrealist Jean Oberlé Art

Materials

Etching

The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving

The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving

By Charles Wild

Located in Alamo, CA

A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819. The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...

Category

Early 19th Century Victorian Jean Oberlé Art

Materials

Aquatint

Previously Available Items
Jean Oberlé  - Au Jockey - Original Etching
Jean Oberlé  - Au Jockey - Original Etching

Jean Oberlé - Au Jockey - Original Etching

By Jean Oberlé

Located in Collonge Bellerive, Geneve, CH

Charles Martin - The Eiffel Tower - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris Jean Oberlé (13 January 1900, Brest - 2 March 1961, Paris) was a French painter who became a member of the French Resistance. Born in Brest in 1900, he illustrated a number of contemporary books and worked for different Parisian newspapers and magazines, of which le Crapouillot was the most important. He won the Prix Blumenthal in 1934. In 1940, he was at the BBC's Broadcasting House with Jean Marin when General de Gaulle made his famous speech on 18 June 1940 calling on the French to resist. During the Second World War, he became one of the main French speakers on the Free French broadcasts of the BBC. He created many of the famous slogans of the BBC Free French broadcast in particular: « Radio Paris ment, Radio Paris ment, Radio Paris est allemand» ("Radio Paris is lying, Radio Paris is lying, Radio Paris is German"). Books Images anglaises, ou l'Angleterre occupée, Hachette, 1942 ; "Jean Oberlé vous parle ... ", souvenirs de cinq années à Londres, avec sept dessins de l'auteur, La Jeune Parque, 1945 ; Pages choisies de Pierre Bourdan, introduction de Jean Oberlé, Magnard, 1951 ; Utrillo Montmartre, Hazan, 1956 ; La vie d'artiste (souvenirs)", illustrations de l'auteur, Denoel, 1956. Illustrations Les Nuits de Walpurgis, de Maurice Dekobra, avec 12 eaux-fortes de Jean Oberlé (Editions Baudinière, 1926) ; La Touraine, de René Boylesve, frontispice de Jean Oberlé (Editions Emile-Paul Frères, Portrait de la France n°4, 1926) ; La Pucelle de Belleville, de Paul de Kock (MP. Trémois, Paris, 1927) ; Amour, amour,…, de Pierre Veber (Les arts et le livre, 1928) ; La Vie de garçon, de Jean Galtier, avec 8 eaux-fortes et des illustrations de Jean Oberlé (Mornay, 1929) ; La Belle Amour, de Jean Galtier (Librairie Gund, 1945) ; Traversée de Paris, de Marcel Aymé, avec des gravures de Jean Oberlé (Édition de la Gallerie Charpentier, Paris, 1946) Le Capitaine Conan, de Roger Vercel (Monte-Carlo, Editions du Livre, 1946) ; Les Linottes, de Georges Courteline (Nouvelle Librairie de France, 1948) ; Couverture du n° de juin 1932 de Vanity Fair, représentant Paul von Hindenburg. Paintings Portrait du Général...

Category

1920s Modern Jean Oberlé Art

Materials

Etching

Jean Oberle art for sale on 1stDibs.

Find a wide variety of authentic Jean Oberle art available for sale on 1stDibs. Customers who are interested in this artist might also find the work of Yvon Taillandier, Sophie Susplugas, and Pierre-Joseph Redouté.

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