Jed Fielding Art

Albumen silver print from glass negative, 8 1/2 x 7 inches (215 x 178 mm). From the artist's series on sculptures on the grounds of Versailles. Annotated in Atget's hand in pencil o...

Nan Goldin Bea with a whip at The Other Side 1973 Gelatin silver print 14 x 11 inches; 36 x 28 cm Edition of 100 Signed, titled, dated, and numbered in graphite (lower right verso) ...

Roy Dean (1925-20020. Male Nude Study, ca. 1975-80. Original period print with artist studio stamp on verso. Print measures 5.25 x 9 inches; 13 x 17 inches fr...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Half Dome in Yosemite - Black & White Landscape Photograph Beautiful black and white landscape photograph showing the Dunes at Eureko Valley California by Jeff Nixon (American, ...

Beautiful black and white landscape photograph titled "Beaver-Downed Cottonwood, Stanislaus" by Jeff Nixon (American, 20th Century). "Titled Beaver-Downed Cottonwood, Stanislaus" lower left and on verso. Signed "Jeff Nixon" lower right. Unframed. 15"H x 12"W. Photograph: 9.5"H x 8"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton...

Stunning black & white landscape photograph with trees reflecting in water in the Sierra Nevada mountains by California artist Robert Werling. Signed on mat lower right: "Bob Werling." Presented in a silver metal frame. Image, 15"H x 19"W. Robert Werling was born in San Francisco, California in 1946 and realized an interest in art at an early age. While briefly attending a commercial art school, he found photography to be his medium and went on to obtain both a BA and an honorary MS from the Brooks Institute of Photography in Santa Barbara, CA. He also studied privately under Ansel Adams from 1966 to 1970 and Imogen Cunningham from 1969 to 1975. Through his affiliation with Adams, Werling came to know and work with other noted photographers. Brett Weston became his close friend and mentor and Marion Post Wolcott, relying on his darkroom expertise, entrusted her negatives to his printing genius. While creating an impressive number of his own fine art prints, Werling also lectured extensively and worked as an instructor for the Brooks Institute, the University of California, Santa Barbara, the Zone System Seminars and Workshops in the United States, and for the Werkschule fur Fotografie in Soltau, Germany. Werling has exhibited his photographs in over sixty one-man and group shows in both the United States and Europe. He was guest curator of photography for the Santa Barbara Museum of Art organizing VIVO, the Contemporary Japanese Photography and Brett Weston’s photographs...

"Sidewalk Club of the Motherlode" a Lithobrome photograh by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Sidewalk Club of the Motherlode" on verso. Image size, 11.25"H x 13.25"W. Between 1923 and 1932, his pictures were accepted at photographic salons in Amsterdam, Toronto, Rochester, Seattle, and Los Angeles. In 1927, a one-person exhibition of his bromoil prints traveled to camera clubs in Chicago, Akron, Cincinnati, and New York. In addition to bromoil, a process that yields pointillistic images, Blumann utilized such unusual processes as kallitype (Vandyke brown), lithobrome, and pastelograph (the latter two probably his own inventions) to create original photographs using chemical processes he invented. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Compelling 1970s black and white photograph of a contemplative woman leaning on a table into her crossed arms, beside a small teapot that casts a long sha...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...

Edward Weston (American, 1886-1958) Eggs and Slicer, 1930 Gelatin silver print, printed later by Cole Weston; signed, titled, dated and numbered '3E' by Cole Weston in pencil and 'Ed...

"The Glimmer Twins - Mick Jagger" Photography 40x30 in by Charlie Auringer Year: 1978 Edition of 50 Medium: Silver gelatin limited edition photographic print on paper Signed and num...

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. In 1980 Edward Ranney was awarded a grant from The Northern Arts Council of Great Britain to photograph throughout Cumbria, in Northern England, and to exhibit a selection of the resulting work at the Carlisle Museum and Art Gallery. The work extended into 1981, and the exhibition took place in 1982. This selection of photographs favors views of the open spaces of the hills, or fells, of Cumbria and Northumberland including Hadrian’s Wall, the fortified earthwork delimiting the northernmost Roman occupation of the British Isles. Born in 1942, educated at Yale University, internationally recognized landscape photographer Edward Ranney is the recipient of numerous awards and grants including NEA grants (1974 and 1982), a Guggenheim Memorial Fellowship (1977), and Fulbright Fellowships (1964 and 1993). His work is represented in public and private collections alike including The Museum of Modern Art, New York and San Francisco, The Museum of Fine Arts, Santa Fe and Houston, the Victoria and Albert Museum, London, and The Art Institute of Chicago. His photographic monographs...

sepia toned gelatin silver print framed dimensions are 21.5 x 17.5 inches Paul Kozal has been photographing for over 25 years. His award-winning photographs have been exhibited in n...

Edition 11 of 50 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains hi...