Jesse Hickman Sculptures

This steam-bent wooden sculpture is made of black walnut with a red sandstone base. The wood grain and the color are uniqueness of this sculpture. The wood has magnificent stripe patterns of paler and darker colors. The title, Toward the Sky, could have different meanings to humans during this hard period. One of them is to stay positive and keep hope. In some cultures, a heron symbolizes contemplation, vigilance, divine wisdom, and inner quietness. As a Chinese symbol, a heron represents strength, purity, patience and long life. In Africa, herons were thought to communicate with the Gods. The elegance and purity of the lines are reminiscent of Native American art from Western Canada.The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee...

"The Bigger Picture" is an abstract artwork by Stan Olthuis composed of acrylic paint on pine wood and reclaimed picture frame. The Bigger Picture measures...

Artist John Whitehead crafted four octahedrons from stepped layers of alternating, high-grade mahogany and walnut wood. The rotatable wood shapes are meticulously honed, balanced, an...

This steam-bent wooden sculpture is made of walnut with a granite base. The wood grain and the color are uniqueness of this sculpture. The wood has magnificent stripe patterns of paler and darker colors. One of them is to stay positive and keep hope. In some cultures, a heron symbolizes contemplation, vigilance, divine wisdom, and inner quietness. As a Chinese symbol, a heron represents strength, purity, patience and long life. In Africa, herons were thought to communicate with the Gods. The elegance and purity of the lines are reminiscent of Native American art from Western Canada.The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee...

Adolph T. DIODA (1915-1991) Birth place: Aliquippa, PA Lived in West Aliquippa, PA; Detroit, MI; Phila. & Jenkintown, PA Profession: Sculptor, educator Studied: Carnegie Inst Technol; Cleveland School of Art; Barnes Fnd., Art Student League New York, NY; also with John B Flannagan, New York. Exhibited: WMAA, 1939-40; Carnegie Inst., 1941; AIC, 1940, 1951; Sculpture Int., Philadelphia Mus. of Art, 1940-49; AA Pittsburgh, 1941-45; Carved in Stone, Bucholtz Gallery, New York, 1945; PAFA, 1946-47 & 1968 (prize, 1947); Philadelphia A. All., 1951; Carlen Gal., Philadelphia, 1951; 2-man exh. with William Kienbusch...

Abstract and stylised, the bent wooden sculpture is made of black walnut with a red limestone base. The sculpture represents a swan in movement on water .The swan symbolizes love, grace purity and sincerity. In Japan, a legend tells that the swan is a bird sent by the children as a peace messenger. The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee Chee...

Transponder 24" x 24.5” x 1” Transponder is a low relief wall sculpture made with bright orange latex washes on birch finished with satin lacquer. It is mounted on a MDF backer that...

"Clue #4" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #4 measures...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

We are pleased to announce that we have at the gallery this fabulous Large aluminum sculpture by Sanseviero titled "4 Large Red Boxes". It is painted on both the front and the back ...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Black nylon over panel keywords; use of common materials, assemblage, abstract sculpture, wall-sculpture, process-oriented, abstract art, line, form and color, black, monochrome scu...