Jo Wallis Furniture

Our Mid-Century Modern Brutalist Ceramic Table Lamp has a beautiful brown glaze over the 3 dimensional, bas-relief design on the front an...

This Mid-Century Modern desk lamp features a red base and shade and a chromed arm. Both the arm and the shade are adjustable.

Mid-century pottery table lamp by Mobach, The Netherlands. Beautiful large pottery table lamp made in the middle of the last century by th...

Quality pair of patina cast Iron lamps, from "Laurel Lamp Company" in the style of brutalist. Mid Century Modern style. Described as an "original cast metal sculpture." In good condi...

Brutalist Mid Century Modern Table Lamp, Blackened Steel, One Available One of a pair having fine brutalist welded construction new wired without shade. Unmarked Richard Barr Brutalist lamps...

An elegant forged iron table lamp. France, c1950s. Brutalist style but with more elegant designed curves. Since re-wired and PAT Tested. Good vintage condition. L...

A gorgeous table lamp from the mid 50's. The lamp is partially glazed and was created by hand. Incredible design! Comes with fiberglass shade pictured, shade is not original to the l...

A 1960 table lamp designed by Jo Hammelborg .Frame of enameled metal and aluminum.Excellent condition.Free shipping.

Elegant and large full bodied hand crafted pottery table lamp attributed to Fantoni. 41.5 to the top of the shade, 31 to the top of the socket. 9 inches at the widest point. In excel...

Fabulous and large, 45 inches to the top of the shade. Torch cut and welded steel panels in a random rectilinear form. Sprayed black and in excellent vintage condition with minimal w...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Fabulous Mid-Century Modern lamp with a turquoise striped pottery base and long slender walnut neck. This lamp comes complete with its original burlap dru...