Joan Copons Paintings

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

Banks Of The River and The Houses of Alsace, French 1950s Oil on canvas 24 x 28.5 in. depicting a quiet canal scene with moored barges, a cluster of houses along the waters edge, and slender trees rising in the foreground. The sky is rendered in moody gray tones, contrasting with the earthy hues of the embankment and architecture. The work is signed lower center and retains an artist name plaque affixed to the frame 33x37x3in. Rene Charles Bellanger 1895-1964 French. Son of Charles Bellanger (1871-1947), a railway worker, and Marie Pervillé (1873-1960), René Bellanger...

Oil on canvas 2018 Signed Unique work Julien Wolf is a French painter born in 1981 in Strasbourg, France. In 2007, he graduated from the DNSEP Art section at the Strasbourg Decora...

Leigh Ann Van Fossan's "Secret Garden" (2023) is an original, handmade oil painting that depicts a path surrounded by colorful flowers and trees arching over. Van Fossan was born in...

Abstract cityscape indebted to Matisse's "View of Notre Dame."

Mid Century Expressionist oil on canvas seascape of the Mediterranean coastline at Cassis in the South of France. The painting is signed bottom left but as yet undeciphered. Title to the rear stretcher. Presented in a fine gilt and patinated custom wood frame. This stunning seascape captures the raw, untamed beauty of a rocky coastline with impeccable detail. The painting uses a rich palette of blues and earthy browns to depict the tumultuous waves crashing against rugged cliffs. The artist's skilful use of texture and brushwork brings the scene to life, with the churning sea appearing almost animated in its movement. The contrast between the cool, turbulent water and the warm, solid rocks creates a dynamic tension, drawing the viewer's eye along the coast. Unique to this piece is the artist’s ability to convey the mood of nature’s relentless power while also highlighting the serene beauty of the ocean. The careful layering of colours and precise composition make this artwork a captivating interpretation of nature’s untamed forces. Some of the composition and use of colours is reminiscent of the works of Achille-Émile Othon Friesz...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Theresa Bernstein Woodland and Stream, circa 1980 Signed Lower Right Oil on canvas 19 x 23 inches Theresa F. Bernstein was born in Philadelphia in 1895 to cultured, middle-class im...

Oniric Seascape is a beautiful mixed-media diptych that reimagines the ocean as an abstract cartography of color, texture, and movement. The artist blends collage, paint, and mark-m...

SALE ONE WEEK ONLY UNTITLED by Fanny Rabel a Mexican artist who was born in Poland in 1922 is a soul wrenching work depicting among other things, the children killed by Nazi bombing in Spain during the Second World War. The lavender and purple surrounding the seated female figure and the kneeling child suggest both grief for the innocents' deaths and the prayers being offered for an end to the carnage. The bright gold and red can be read as either explosions or the hopeful light of redemption after death. Like Picasso's Guernica from 1937, this painting from 1965 can stand as a powerful anti-war statement. Numerous key galleries and museums such as Morton Auctions, Cerro de Mayka have featured Fanny Rabel's work in the past. Her anti-Nazi and anti-Fascism politics resulted in her participation in a mural called Retrato de la Burguesía in 1940 for the Sindicato Mexicano de Electricistas building on Alfonso Caso Street in Mexico City. Rabel met a group of exiled Spaniards in Mexico along with Antonio Pujol, who invited her to take part in a mural project headed by him, David Alfaro Siqueiros, Joseph Renau, Luis Arenal, Antonio Rodríguez Luna and Miguel Prieto. The artist died in 2008. Fanny Rabel born August 27, 1922, in Poland born Fanny Rabinovich, was a Polish-born Mexican artist who is considered to be the first modern female muralist and one of the youngest associated with the Mexican muralism of the early to the mid-20th century. She and her family arrived in Mexico in 1938 from Europe and she studied art at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda", where she met and became friends with Frida Kahlo. She became the only female member of “Los Fridos” a group of students under Kahlo’s tutelage. She also worked as an assistant and apprentice to Diego Rivera and David Alfaro Siqueiros, painting several murals of her own during her career. The most significant of these is "Ronda en el tiempo" at the Museo Nacional de Antropología in Mexico City. She also created canvases and other works, with children often featured in her work, and was one of the first of her generation to work with ecological themes in a series of works begun in 1979. She is considered to be the first female muralist in Mexico. She was an assistant to Diego Rivera while he worked on the frescos for the National Palace and an apprentice to David Alfaro Siqueiros. Her most important mural is Ronda en el tiempo located in the Museo Nacional de Antropología, which was created from 1964 to 1965. She also created murals at the Unidad de Lavaderos Público de Tepalcatitlán (1945), Sobrevivencia, Alfabetización in Coyoacán in 1952 Sobrevivencia de un pueblo at the Centro Deportivo Israelita (1957) Hacia la salud for the Hospital Infantil de México (1982), La familia mexicana at the Registro Público de la Propiedad (1984) (which Rabel preferred to title Abolición de la propiedad privada) and at the Imprenta Artgraf. In collaboration with other artists, she participated in the creation of the murals at the La Rosita pulque bar (disappeared) and at the Casa de la Madre Soltera. She entered the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" shortly after it was established in 1942, taking classes with José Chávez Morado, Feliciano Peña and Frida Kahlo, with whom she became close friends. She changed her last name from Rabinovich to Rabel during her career. Rabel married urologist Jaime Woolrich and had two children Abel and Paloma Woolrich, both of whom became actors. The first exhibition of her work was in 1945 with twenty-four oils, thirteen drawings, and eight engravings at the Liga Popular Israelita with Frida Kahlo writing the presentation. In 1955, she had an individual exhibition at the Salón de la Plástica Mexicana. She had a large exhibition at the Museum of the Palacio de Bellas Artes to commemorate a half-century of her work. Her last exhibition was in 2007 at the Universidad Autónoma Metropolitana. Her work can be found in collections in over fifteen countries including those of the New York Public Library, the Library of Congress in Washington, D.C., the Royal Academy of Denmark, the National Library in Paris, the Casa de las Américas in Havana, the Benemérita Universidad Autónoma de Puebla and the Museo de Arte Moderno in Mexico City. A retrospective of her work after her death called Retrospectiva in Memoriam, Fanny Rabel (1922-2008) was held at the Museum of the Universidad Popular Autónoma del Estado de Puebla . She is considered to be the first modern female muralist in Mexico although she also did significant work in painting, engraving, drawing, and ceramic sculpture. Her work has been classified as poetic Surrealism, Neo-expressionism and is also considered part of the Escuela Mexicana de Pintura (the dominant art movement of the early to mid 20th century in Mexico) as one of the youngest muralists to be associated with it along with Arnold Belkin and José Hernández Delga. Rabel was more drawn to depicting mankind’s pain rather than happiness, sharing other Mexican muralists' concerns about social injustice. However, she stated to Leopoldo Méndez that she could not create combative works, with clenched fists and fierce faces, and she wanted to leave the Taller de Gráfica Popular. Méndez convinced her to stay, saying that more tender images are important to political struggle as well. Children with Mexican faces...

Oil on canvas Signed Unique work

Oil on canvas 2018 Signed on the back Unique work