John Dugdale Photography

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

Photogravure on papier gravure Cartiere Enrico Magnani à la main, mounted on papier Cartiere Enrico Magnani à la main moulé-pressé paper, as issued. Inscription: unsigned and unnumbe...

Three Pears and an Apple, France, c. 1921: The Early Years 1900-1927, 1981 photogravure on BFK Rives Paper image size: 13 x 10 inches paper size: 20 x 15 1/4 inches Edition of 500

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges classical ideas about light and composition or still lifes with contemporary experiments of fresh color. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the bright red Bing cherries with their bright green stems are piled high into a silver goblet, gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Artist: Jonathan Singer, American Title: Star of Madagascar II Year: circa 2010 Medium: Photograph, signed in ink Image Size: 40 x 34 inches Paper Size: 46 x 35 in. (116.84 x 88.9 cm)

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the bright red tomato skins are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting. About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documen...

Climate change, traffic, construction cone dots a landscape of ice in this provocative museum matted Archival Pigment Print - photograph from Robert Von Sternberg who has lived and worked all his life in Los Angeles County, identifying human incursions into the natural world as a recurring theme at the heart of his photographic practice. Von Sternberg is drawn to capturing images of man intruding on nature more than any other and this is the visual thread that runs through the body of his work. Avid travelers, von Sternberg and his wife Patricia are especially fond of road trips, where the photographer delights in the offbeat side of the American touristic tradition. Far from focusing on the most canonical or scenic destinations, the artist seizes on the visual possibilities of overlooked roadside attractions and chance conjunctions. The surreal artificial lighting that illuminates the American nighttime often provides the "definitive photographic images - which sometimes also include the photographer himself. More often, though, von Sternberg captures scenes in which human figures are distant or absent. In this, his decisive moments are very unlike the densely populated ones pictured by Henri Cartier-Bresson. Still, Von Sternberg's roadside moments are crowded despite their ostensible vacancy. Through the roads, fences, signage, buildings, and all the other material structures of civilization, humanity marks the land; even in our bodily absence, we make our presence insistently known. Image captured digitally. Von Sternberg prints his own images on a 3880 Epson professional printer using archival Epson Ultrachrome pigment inks. Moab Juniper Baryta cotton rag paper stock, which is archival / 100 yrs. Papers are 13 x 19 inches. Outer dimension of the museum matting: 17 ½ x 23 ¼ inches. Robert Von Sternberg's photographs are collected worldwide and included in some of the world's most prestigious public and private institutions. 'Columbia Ice Field' is including in the permanent collections of the following Museums. Boca Raton Museum of Art, Boca Raton, Florida Norton Simon Museum, Pasadena, California Crocker Art Museum, Sacramento, California Princeton University Art Museum, Princeton, New Jersey Fred Jones Jr. Museum of Art, Norman, Oklahoma Fitchburg Art Museum, Fitchburg, Massachusetts Southeast Museum of Photography, Daytona Beach, Florida Mt. Holyoke College Art Museum, South Hadley, Massachusetts Laura Gallery, Lynchburg College, Lynchburg, Virginia Orlando Museum of Art, Orlando, Florida Wichita Art Museum, Wichita, Kansas Lismore Regional Gallery, Lismore, New South Wales, Australia University of Northern Iowa Art...

Contemporary still life photograph of domestic objects and gardening tools by David Halliday "Garden Chair", ed. 1 of 7, archival pigment print 29.75 x 20 inches unframed, 34 x 24.5...

McDermott & McGough Experiment upon the center of gravity made on a set of Dominoes from Sentimental Education, 1998 Photogravure 13 1/2 x 10 1/4 inches (image) 25 x 20 inches...

Rose in Blue Glass Vase Photograph of Found Objects Printed in Cyanotype 10" x 8" image on 14" x 11" paper, edition of 5 19 x 15 inches matted and framed Wire backing, ready to hang Signed on front Available in additional sizes Other available sizes: 20" x 16" image on 24" x 18" paper, edition of 5 40" x 32", edition of 5 Contemporary still life cyanotype photograph of delicate rose poised in a blue glass vase. David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

Printed plate number, Curtis's title, date, copyright, and photogravures by John Andrews and Son on recto. Photogravure on Holland Van Gelder tissue Known for his remarkable documen...