John Henry Art

This dynamic table sized sculpture is created from sheets of steel, welded together in an abstract geometric pattern and then painted with an acrylic paint to enhance the surface. While the work adheres to a rigid, rational geometry, this sculptures suggest lyrical movement, apparent weightlessness and improvisation as the title suggests. Chris Hill Spirit welded steel, acrylic paint 16.50h x 11.50w x 7d in 41.91h x 29.21w x 17.78d cm CHI021 Chris Hill is a Santa Fe based sculptor. Chris was born in Port Arthur, Texas but grew up in small town North Mississippi. He began welding at age 18 at the Tennessee Valley Authority...

"Transfigure" by Mark Leichliter Abstract Sculpture 36x7x7" Stainless Steel 4/10 (blue in stock) ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in nearby Fort ...

JOAN MIRÓ (1893–1983) – “ITALIA 1969” Color Lithograph ⚜ Hand Signed and Numbered ⚜ Gilt Wood Frame PUBLISHED FOR ONE OF ITALY’S MOST IMPORTANT MODERNIST GALLERIES “Italia 1969” is...

THÉO TOBIASSE (1927–2012) – “LES SIÈCLES COULENT ENTRE NOS RÊVES” Lithograph on Arches Paper ⚜ Hand Signed and Numbered ⚜ Gilt Wood Frame A LUMINOUS MEDITATION ON MEMORY, INTIMACY, AND THE PASSAGE OF TIME From the acclaimed suite Un Chant d’Exil et de Lumière (A Song of Exile and Light), this richly saturated lithograph is one image from a series of six distinct compositions published in 1997 by Klim Art Publisher, Toronto, and printed by master lithographer Pierre Chave at his celebrated atelier in Saint-Paul-de-Vence. The multi-color lithographic process, employing up to twenty-three separate color passes, produces the extraordinary depth and chromatic intensity visible across the entire composition. Two figures sit together at a table, each holding a glass of wine. A samovar and two lit candles anchor the still life at center, surrounded by scattered fruit and a bowl bearing an olive branch. A vibrant rainbow canopy arcs across the upper portion of the image, while a dove takes flight at upper right. Behind the couple hangs a decorative tablet adorned with flowering branches and scrolled columns. The title, inscribed in the artist’s hand within the composition, translates as “The centuries flow between our dreams,” a poetic distillation of the suite’s overarching contemplation of generational memory passing through shared moments of intimacy. What initially reads as a warm, intimate gathering reveals itself as a layered reflection on heritage, belonging, and the rituals that connect one generation to the next. The samovar recalls Tobiasse’s Eastern European childhood, while the olive branch and candles carry associations of renewal and hope. The dove and rainbow reinforce themes of peace and covenant that recur throughout Tobiasse’s oeuvre. Rendered on heavy Arches paper with deckled edges, the print retains a tactile, handmade quality that complements its emotional warmth. Presented in a crosshatch gilt wood frame the work suits interiors that embrace color and narrative, from a Mediterranean-inspired living space to a collector’s library or a gallery wall dedicated to the School of Paris tradition. WHY COLLECT THIS WORK? ✓ Suite Provenance – One of six distinct compositions from Tobiasse’s acclaimed Un Chant d’Exil et de Lumière series, published in 1997 ✓ Master Printed – Produced by Pierre Chave in Saint-Paul-de-Vence using up to twenty-three color passes ✓ Hand Signed and Numbered – Pencil signed lower right, numbered 87/199 ✓ Rich Symbolic Composition – Dove, rainbow, samovar, olive branch, and candle layered with personal and cultural meaning ✓ Gilt Wood Frame – Crosshatch gilt finish, ready to display ARTWORK DETAILS: ▸ Title: Les Siècles Coulent Entre Nos Rêves (The Centuries Flow Between Our Dreams) ▸ Suite: Un Chant d’Exil et de Lumière (A Song of Exile and Light) ▸ Artist: Théo Tobiasse (1927–2012) ▸ Medium: Lithograph on Arches Paper with Deckled Edges ▸ Year of Creation: 1997 ▸ Signature: Hand Signed Lower Right in Pencil ▸ Edition: 87/199 ▸ Publisher: Klim Art Publisher, Toronto, Canada ▸ Printer: Pierre Chave, Saint-Paul-de-Vence, France ▸ Provenance: Michael Hittleman Gallery, Los Angeles ▸ Country of Origin: France ▸ Dimensions: — ◼︎ Image Area: 30.5 x 22 inches — ◼︎ Paper Size: 36 x 27.25 inches — ◻︎ Frame Size: 44 x 35 x 0.875 inches ▸ Condition: Excellent, commensurate with age ▸ Framing: Crosshatch Gilt Wood Frame, ready to display INCLUDED DOCUMENTATION: ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Théo Tobiasse (born Tobias Eidesas, 1927, Jaffa, Israel; died 2012...

"Pensive (Thoughtful)" Print 40 x 30 inch Ed. of 50 by Gerard Marti Lithograph Not framed. Ships rolled in tube Signed and numbered by the artist. “Pensive” is an elegant evening ...

HENRY MOORE (1898–1986) – "FOUR STANDING FIGURES" Color Lithograph on Wove Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A SCULPTOR’S MEDITATION ON THE STANDING FIGU...

THÉO TOBIASSE (1927–2012) – “THE VOICE OF MY BELOVED, BEHOLD” Lithograph on Japon Paper ⚜ Hand Signed and Inscribed Épreuve d’artiste ⚜ Minimalist Metallic Frame A SUMPTUOUS VISION...

Roger Phillips Kinetic Sculpture Painted iron and aluminum on walnut plinth base 44 1/2 inches high x 13 inches wide x 7 3/4 inches deep oger Phillips was born in New York City in ...

This dynamic wall sculpture is created from sheets of steel, welded together in an abstract geometric pattern. Muted shades of blue, grey, purp...

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

"Duet" by Mark Leichliter Abstract Sculpture 30 x 20 x 10" Powdercoated Steel on Stone Base signed and numbered 2/20 Shipping price includes the custom packing necessary for safe tr...

"Inclusion" by Mark Leichliter Abstract Sculpture 24x11x7" Stainless Steel Brushed and Powder Coated 1/10 ABOUT THE ARTIST: ​I was born in Loveland, Colorado and now reside in near...