Jackson Pollock Art

Edition of 128 Signed and numbered in pencil

Sylwia Jakubowska-Szycik is professor at the Academy of Fine Arts at the Faculty of Sculpture and Intermedia in Gdańsk, she conducts classes in th...

An original signed screenprint on white Arches paper by American artist John Chamberlain (1927-2011) titled "Flashback I", 1981. Hand pencil signed by Chamberlain lower right and numbered lower left. Limited edition: 43/175. (There were also 75 in Roman Numerals: 'I - LXXV'; plus some proofs). Comes from Chamberlain's 1981 "Flashback" series of eight screenprints. Printed by Topaz Editions Inc., Tampa, FL and published by Master Editions, New York, NY with their chop marks/blind stamps lower left. Arches watermark lower right. Sheet size: 28.25" x 20". Image size: 18.75" x 14.75". In mint condition. John Chamberlain, in full John Angus Chamberlain, (born April 16, 1927, Rochester, Indiana, U.S.—died December 21, 2011, New York, New York), American sculptor, painter, printmaker, and filmmaker whose Abstract Expressionist works were characterized by an emotional approach to concept and execution. Chamberlain studied at the Art Institute of Chicago (1951–52), where he began working in metals, and at Black Mountain College in North Carolina (1955–56). In 1957 he had his first one-man show in Chicago. His early pieces were made from welded iron rods, but he later used such materials as heat-shaped Plexiglass, paper, polyurethane, industrial rubber, brown paper bags, and aluminum foil before returning in 1974 to the use of auto body parts. His first sculpture to employ car parts was Shortstop (1957), which featured rusty fenders that he had found in the yard of painter and friend Larry Rivers. Chamberlain’s sculptures...

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

Jayson Lilley Please note that insitu images are purely an indication of how a piece may look. From Primrose Hill is a limited edition hand pulled screen print with gold leaf & ink printed on archival board by Jayson Lilley. Contemporary artist, Jayson Lilley, is available at Wychwood Art. Jayson Lilley has worked at the forefront of printmaking for many years. His approach to the modern landscape isunique and fresh, in both technique and materials. Lilley’s work is knownfor its urban and architectural focus, zooming in on familiar landmarks andreproducing iconic vistas and structures from the metropolis. Hisinnovative printmaking practice combines silkscreen, painting and collagetechniques to construct vibrant scenes that are always accompanied byexpansive skies and which play on salience and colour.Lilley’s most recentcollection explores some of London’s more natural vistas, as hecontemplates the relationship between nature and the urban landscape. Inthese pieces, he combines silkscreen print with copper leaf and handdrawing to dramatic effect.Lilley graduated from the University for the Creative Arts in 2000 with aFirst Class honours degree in Visual Communication. He had an award-winning career in design before focussing on his artwork, and hisbackground in design is ever apparent in his visual style and methodology.He has exhibited widely across the UK and internationally. Recentaccolades include being shortlisted for the Westmorland Landscape Prize2019 and inclusion in the Royal Academy’s Summer Exhibition 2019. Lilley’s works are held in collections across the world including London,New York, Japan, Hong Kong and Moscow. From Primrose Hill Limited Edition Print Edition of 39...

A very good impression of this color screenprint on white wove paper. Artist's proof, aside from the edition of 75. Signed and inscribed "A.P." in pencil by Stamos. Printed by Kelpra...

A very good impression of this color screenprint on Rives BFK. Signed and numbered 40/175 in pencil by Chamberlain. Published by London Arts, Inc., Detroit, with the blind stamp lowe...

Doug Aitken EveryThing, 2015 Mirror, Fibreglass & resin 92.5 x 119.5 x 12.5 inches Edition of 4 plus 2 AP's Provenance: NB: Available on sale

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Edition 3/25 Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio...

A very good impression of this large color screenprint on Arches. Signed, dated and numbered 139/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp...

A very good, bright impression color screenprint on J. B. Green paper. Initialed and numbered 106/150 in pencil. Printed by Kelpra Studio, London. Published by Marlborough Graphics, ...

A very good impression of this scarce screenprint on Arches. Signed, dated and numbered 14/75 in ink. Published by Marlborough Graphics, Inc., New York.