John Reilly Figurative Paintings

Acquiring a mid-20th-century Fauvist painting by Wilhelm Henning is an opportunity to own a piece of art that captures the vibrant spirit and expressive color palette of the Fauvist ...

Signed pointillist oil on panel figures in landscape by French neo-impressionist painter Yvonne Canu. This stunning piece depicts a couple resting under a parasol in a field of wildf...

A powerful Parisian cityscape by French master Lucien Adrion (1889–1948). Known for his vibrant Impressionistic crowd scenes, this particular work captures the sharper, more structur...

This atmospheric painting depicts Kornhamnstorg in Gamla stan during the quiet hours of evening. The scene unfolds along the waterfront where the historic square meets the water, wit...

Signed oil on board landscape circa 1904 by French Post Impressionist painter Maximilien Luce. The work depicts a view of Mereville, a former commune in the Essonne department in Île...

This vivid mid-20th-century landscape by professional British artist John Edwards (1914–2009) captures a stunning Cornish view with a rushing river beneath an old stone bridge. Paint...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Signed oil on board figures in landscape by popular French post impressionist painter Victor Charreton. The work depicts a mother holding her small child's hand as they walk towards ...

Signed oil on board seascape circa 1960 by English post impressionist painter Edward Brian Seago. The work depicts barges racing in the Harwich approaches - a busy deep water channel...

Mother and Daughter on Mediterranean Beach – Spanish Impressionist Oil Painting Artist: Gabriel Casarrubios Martín (Toledo, Spain, born 1953) Title: Mother and Daughter on the Beach Date: Circa 2000 Medium: Oil on board Dimensions: 22 × 27 cm (8.66 × 10.63 inches) Signature: Signed lower left Condition: Excellent Frame: Unframed Origin: Spain Style: Post-Impressionism, Spanish Impressionism A charming and luminous original Spanish Impressionist oil painting by Gabriel Casarrubios Martín, depicting a tender moment between a mother and her young daughter enjoying a sunny day on a Mediterranean beach. The composition captures the beauty of family life by the sea. A mother dressed in white sits on the golden sand beside her little daughter, whose bright pink summer dress and hat provide a delightful contrast against the turquoise and cobalt-blue waters. A white beach parasol rises behind them, while small sailing boats animate the distant horizon. Painted with energetic, spontaneous brushstrokes and richly textured oil pigments, this intimate coastal scene celebrates the exceptional light and vibrant colors of the Spanish Mediterranean. Casarrubios combines the immediacy of Impressionism with the expressive color and painterly freedom of Post-Impressionism. His confident application of paint creates a lively surface in which touches of lavender, pale blue, warm ochre, brilliant white and vivid pink capture the sparkling atmosphere of a summer afternoon. Particularly appealing is the emotional quality of the scene. Rather than presenting a formal portrait, the artist records a fleeting moment of maternal affection and childhood innocence, transforming an ordinary beach outing into a timeless celebration of summer, family and the Mediterranean way of life. The painting's luminous palette, expressive impasto and harmonious composition make it especially attractive to collectors of Spanish Impressionism, figurative painting, Mediterranean coastal art and European Post-Impressionism. Its intimate dimensions also make it an excellent choice for a coastal home, sophisticated Mediterranean interior, contemporary living space or carefully curated gallery wall. An evocative and highly decorative original oil painting that brings together the warmth of Spanish sunlight, the charm of seaside childhood memories and the enduring appeal of figurative Impressionist art. Artistic Inspiration The painting strongly evokes the celebrated Mediterranean beach scenes of Joaquín Sorolla, particularly his ability to capture dazzling sunlight, figures by the sea and the spontaneous beauty of everyday life. Its vibrant chromatic contrasts and expressive brushwork also recall the Spanish Impressionist tradition of Ignacio Pinazo and the rich Mediterranean palette of Hermenegildo Anglada-Camarasa. The free handling of color and atmospheric luminosity establish further visual connections with Pierre-Auguste Renoir and Claude Monet, particularly their intimate outdoor compositions and interest in the fleeting effects of natural light. Rather than imitating these masters, Casarrubios develops his own contemporary interpretation of the Spanish luminist and European Impressionist traditions. Artist Biography Gabriel Casarrubios Martín was born in Toledo, Spain, in 1953. He began his higher artistic studies at the Faculty of Fine Arts of San Fernando in Madrid in 1974 and graduated in Fine Arts from the Complutense University of Madrid in 1979. During his formative years, he participated in various painting, sculpture and engraving workshops, broadening his artistic interests and technical knowledge. He also spent time in Paris studying French Impressionism, an experience that contributed to his lifelong fascination with light, color and spontaneous painterly expression. Following his studies, Casarrubios settled in the Valle del Tiétar region, near the Gredos Mountains in Ávila, Spain. The extraordinary natural landscape of this area, with its mountains, valleys, rivers and warm atmospheric light, became an important source of inspiration for his artistic development. His work encompasses two distinctive yet complementary artistic directions: colorful Impressionist and Expressionist landscapes executed primarily in oil, and contemporary geometric compositions exploring simplified forms, symbolism and spatial relationships. Casarrubios acknowledges the influence of important Spanish painters, including Joaquín Sorolla, Ignacio Pinazo, Hermenegildo Anglada-Camarasa and Joaquín Agrasot. Their sensitivity to Mediterranean light, expressive color and naturalistic subjects is reflected in his distinctive approach to painting. Since 1991, he has been associated with the Canati Group, an artistic collective dedicated particularly to landscape painting. His exhibition career includes presentations at the Parque del Retiro in Madrid, the Centro de Arte Julián Simón in Toledo, Galería Altea in Madrid and international exhibitions in the United States. Notably, his work was exhibited at the John David Mooney Foundation in Chicago in 2000 and Galería Gaudí in Chicago in 2001, demonstrating his international artistic presence. His paintings are represented in private and institutional collections in Spain and abroad, including Europe, the United States, Argentina and China. Today, Gabriel Casarrubios Martín is recognized for his expressive brushwork, rich textures and colorful interpretations of the Spanish landscape and Mediterranean artistic tradition. European art with a Mediterranean soul. Spanish Impressionist Painting; Mother and Child Painting; Mother and Daughter Painting...

A perfectly Impressionistic work with beautifully loose, almost pointillist brushstrokes, focussing on the scintillating light and the remote hilltop atmosphere. Artist Frans Hog...

Signed oil on board landscape circa 1902 by French Post Impressionist painter Maximilien Luce. The work depicts a view of Mereville, a former commune in the Essonne department in Île...

Signed oil on board landscape circa 1910 by sought after Post-Impressionist painter Victor Charreton. Charreton was said to be the painter of colours and this piece, which depicts an...

Dick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Albert Malet (French, 1912-1986) Hand signed lower left. Verso inscribed with the title and artist name. Dimensions: 30 X 26 X 1 in. Work Size: 24 x 20 in. Oil on board landscape painting depicting an Impressionist rural scene with a fisherman beside a gently flowing stream bordered by trees. Rendered with soft atmospheric brushwork and naturalistic coloration characteristic of the artists landscape compositions. Albert Malet French Impressionist Painter and Leader of L'École de Rouen Albert Malet (1912–1986) was a French painter of landscapes, marines, and coastal views, celebrated as one of the leading figures of L'École de Rouen (the School of Rouen), a regional Post-Impressionist movement rooted in the light-filled tradition of Norman landscape painting. Born in Bosc-le-Hard, near Rouen, Malet was deeply influenced by the work of Jean-Baptiste Camille Corot, but his decisive artistic inspiration came from his teacher, the celebrated Rouen painter Robert Antoine Pinchon — himself a student of the Impressionist Albert Lebourg. Malet and Pinchon developed a close friendship that endured until Pinchon's death, at which point Malet succeeded him as head of L'École de Rouen. Circle of Rouennais Painters As a central figure of the School of Rouen, Malet painted regularly alongside its other leading artists, including Narcisse Guilbert, Marcel Couchaux, Pierre Le Trividic, Narcisse Hénocque, Gaston Sébire, and Maurice Louvrier, continuing the school's dedication to atmospheric, light-driven depictions of the Normandy countryside and the Seine. His work also attracted admiration from contemporary poets, including Philippe Tournaire, Pierre Laurent, Roger Vaccaro, and Olivier Costa de Beauregard. Malet was, in turn, an influential teacher himself; his pupil Isabelle de Ganay would go on to become the modern head of L'École de Rouen, carrying the tradition Malet had inherited from Pinchon into the present day. Exhibitions and Recognition Malet exhibited widely throughout his career, showing in Rouen, Paris, Germany, Algeria, and Japan, and participating in the Salon d'Automne. He was invited by the Salon de l'École Française to exhibit at the Palais de Tokyo in Paris, and won a gold medal at the Salon U.F.O.L.E.A. and a bronze medal at the exhibition for Artistes Français. He held memberships in the Comité des Peintres Normands and the Société des Artistes Rouennais, was vice president of the Société des Sciences, and was named a Knight of the Palmes Académiques. Malet's paintings were shown in major galleries around the world, and the President of France presented his work on several occasions as a diplomatic gift to visiting heads of state, including U.S. President Ronald Reagan. A Renaissance Sensibility Beyond painting, Malet held wide-ranging expertise as a meteorologist, botanist, and amateur astronomer, and was knowledgeable in precious metals and prehistoric fossils — interests that informed his close, naturalist's attentiveness to light, atmosphere, and landscape. Despite his considerable achievements, Malet remained known for his modesty, consistently encouraging his students and crediting the strengths of fellow artists. A major retrospective of his work was held at the Hôtel de Bourgtheroulde in Rouen in 2006. Keywords: Albert Malet, École de Rouen, School of Rouen painters, French Impressionist landscape, Robert Antoine Pinchon student, Normandy landscape painting...