David with the Head of Goliath, 19th Century Victorian Oil
By John Rogers Herbert
Located in London, GB
John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...
Oil
$4,439
H 23 in W 31 in
Fine Antique Oil Painting Scottish Mountain Landscape Loch with Cattle Watering
Located in Cirencester, Gloucestershire
Scottish Mountain Loch with Cattle and Rocky Foreground by Benjamin Williams Leader (British, 1831–1923) Signed and dated lower left, 1881. Medium: oil on canvas, framed. Framed: 23 ...
Oil
$3,756
H 16 in W 23.5 in
Fine 19thC. Welsh Mountain Lake Landscape Antique Oil Painting Figures by River
Located in Cirencester, Gloucestershire
Fine Welsh Mountain Lake Landscape Antique Oil Painting Figures by River by Benjamin Williams Leader (1831–1923) British signed and dated lower left corner Framed: 16 x 23.5 inches C...
Oil
$1,550
H 17 in W 23 in
Cherry Blossom Tree Mother & Child Cottage Garden Landscape Antique English Oil
Located in Cirencester, Gloucestershire
Cherry Blossom Tree and Figures in a Cottage Garden Landscape by Dolores A. Baxter Oil on canvas, framed. Framed: 17 x 23 inches Canvas: 15 x 21 inches Provenance: Private Collection...
Oil
$1,905
H 26 in W 36 in
19thC English Rural Farmyard Horse & Cart Country Landscape Oil Painting
Located in Cirencester, Gloucestershire
Victorian Rural Farmyard Horse and Cart Country Landscape Oil Painting English School, 19th century indistinctly signed and dated Oil on canvas, framed. Framed: 26 x 36 inches Canvas...
Oil
$2,322
H 20.5 in W 28.5 in D 2 in
Clymping, Sussex, 19th-Century British Landscape Painting
By John Horace Hooper
Located in Cheltenham, GB
This peaceful late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a rural scene at Clymping in Sussex. Hooper possessed a remarkable ability to t...
Canvas, Oil
$1,750
H 19 in W 22 in
Early 20th century Scottish Highland landscape, the Trossachs, Scotland
By Sidney Yates Johnson
Located in Woodbury, CT
Wonderful early 20th-century oil on canvas depicting a view of the Scottish highlands known as the Trossachs. Sidney Yates Johnson was an active painter during the late Victorian pe...
Canvas, Oil
$1,950
H 16 in W 23.5 in
19th century English Rural landscape with figures farming and harvesting
Located in Woodbury, CT
This captivating English Victorian 19th-century landscape by Henry Manders masterfully captures the timeless beauty and industrious spirit of rural life during the harvest season. Ma...
Canvas, Oil
$2,253
H 15 in W 20 in
Fine 19th Century British Marine Oil Painting Ships Tynemouth Priory & Castle
Located in Cirencester, Gloucestershire
Ships off Tynemouth Attributed to Henry Redmore (British, 1820–1887) Oil on canvas, framed Ascribed to label verso Frame: 15 × 20 inches Canvas: 13 × 18 inches Provenance: private collection, UK Condition: Good condition with age-related wear. Please refer to the photographs for further details. A fine British marine oil painting...
Oil
$1,331
H 13.5 in W 16 in
English 19th Century Coastal Fisherman Resting Beside Boats Nets & Lobster Pots
Located in Cirencester, Gloucestershire
Coastal Fisherman Resting Beside Boats, Nets and Lobster Pots Attributed to William Roxby Beverley (British, 1810–1889) Oil on canvas, framed Framed: 13.5 x 16 inches Canvas: 11 x 12...
Oil
$2,185
H 26 in W 22 in D 2 in
In Glen Tilt, 19th-century British Landscape Oil Painting
By Charles Leslie
Located in Cheltenham, GB
This late 19th-century oil painting by British artist Charles Leslie (1839-1886) depicts Glen Tilt, one of Scotland's most celebrated Highland valleys. A solitary figure stands bes...
Canvas, Oil
$2,622
H 29.5 in W 25 in
Fine British Victorian Landscape Cattle & Girl by Pond Sunset Golden Landscape
Located in Cirencester, Gloucestershire
Cattle by the Water’s Edge By Edmund John Niemann (British, 1813–1876) Oil on board, framed Signed, dated 1860 lower left Frame: 25 × 29 inches Board: 14 × 18 inches Provenance: priv...
Oil
$1,760
H 12 in W 14 in
19th century English landscape setting with cottage by a pond
By Charles Morris
Located in Woodbury, CT
19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...
Oil, Board
$1,750
H 19 in W 22 in
Early 20th century Scottish Highland landscape, the River Usk , Scotland
By Sidney Yates Johnson
Located in Woodbury, CT
Wonderful early 20th-century oil on canvas depicting a view of the Scottish highlands and the River Usk. Sidney Yates Johnson was an active painter during the late Victorian period ...
Canvas, Oil
$1,147
H 18 in W 23 in
Eilean Donan Castle Scottish Highland Loch Ancient Landscape Oil Painting
Located in Cirencester, Gloucestershire
Scottish Highland Castle Landscape Oil Painting of Eilean Donan Castle Signed by E. Baker (20th century) English Framed: 18 x 23 inches Board: 17 x 21 inches Medium: Oil on board, fr...
Oil
$7,500
H 28 in W 31.5 in
Oncoming Storm HMS Britannia, Victorian Maritime painting ala Richard B. Spencer
Located in Long Island City, NY
The English frigate, HMS Britannia faces on an oncoming storm in port with skiffs in the foreground. This late 19th Century maritime oil painting...
Oil
Sold
H 37.25 in W 28 in
Magnificent C19th Oil Painting of Babylonian Nobleman with a Hunting Cheetah
By John Rogers Herbert
Located in London, GB
John Rogers Herbert TA, HRI (1810-1890) The Hunting Cheetah Signed, inscribed and dated ‘J.R. Herbert R.A./Paris 1853’ (lower left) Oil on canvas 37 ¼ x 28 inches, 47 1/4 x 38 inches inc. frame In the original frame Provenance Thomas Agndew & Sons Sir Edward Bates, Gyrn Castle, North Wales This striking portrait shows a Babylonian nobleman returning from a hunting expedition with his cheetah and its catch - a gazelle - which, from its distinctly curved horns and dark body stripe, can be identified as a Thomson’s Gazelle. The painting is important in a historical context as it dates from the time when archaeological findings, and their dissemination around the Western world, ensured that public fascination with Mesopotamia reached its height. Herbert was a painter of portraits, historical genre and landscapes. His early work showed a preponderance of subjects derived from Italian history, following his visit to that country in 1836. These early compositions tend to be characterised by high drama and contraposto figurative groups, such as Pirates of Istria carrying off the Brides of Venice (1839). However during the 1830s he made contact with the Nazarenes, a German group of painters who cultivated a sharp-edged, flat style. Herbert’s aesthetic became more Nazarence in tendency (with its juxtaposition of decorative surfaces, The Hunting Cheetah, dated 1853, demonstrates the longevity of their influence). 1840 proved a seminal year for Herbert personally as he converted to Catholicism, much as a result of his friendship with the architect and man of letters Augustus Welby Pugin (1810-1852). It was Pugin who created the magnificent frame in which The Hunting Cheetah is presented. In the ensuring decades Herbert concentrated on religious subjects and submitted Pope Gregory Teaching the Boys to Sing (1846) as his Royal Academy diploma work. The same year he was one of the selection of artists chosen to decorate the interior of the New Palace of Westminster, and his contributions included nine Old Testament scenes...
Oil