David with the Head of Goliath, 19th Century Victorian Oil
By John Rogers Herbert
Located in London, GB
John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...
Oil
$28,843
H 26.25 in W 37.25 in D 3.25 in
Pair of 19th Century military oil paintings of volunteer rifle soldiers
Located in Nr Broadway, Worcestershire
**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 26.25 INCHES X 37.25 INCHES** Frederick Henry Howard Harris British, (1829-1901) Volunteer Rifl...
Canvas, Oil
$1,950
H 19 in W 27 in
19th century English artist painting a Swiss Lake landscape with boats cottages
Located in Woodbury, CT
English School, circa 1870 Continental Lake Landscape with Fishermen and Distant Mountains Oil on canvas Monogrammed lower left ES / EJ A finely painted mid–late 19th century Engli...
Canvas, Oil
$3,950
H 18 in W 22 in
19th century Dutch Fishing Boats by the shore with fisherman and Village beyond
By William Raymond Dommersen
Located in Woodbury, CT
William Raymond Dommersen Dutch, 1850–1920 Fishing Boats at the Shoreline, circa 1890 Oil on canvas Signed lower right A charming late 19th-century Dutch coastal scene by William Ra...
Canvas, Oil
$2,750
H 14 in W 16 in
Antique English Harvest landscape with corn stacks, dog and view of the sea
By Thomas Dingle Junior
Located in Woodbury, CT
Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...
Oil, Wood Panel
$3,450
H 19 in W 29 in
Early 20th century English River landscape with a family of Swans at Sunset
Located in Woodbury, CT
David Horatio Winder English, Early 20th Century River Landscape with Swans at Sunset, circa 1907 Oil on board Signed lower left A beautifully tranquil Edwardian river landscape by...
Oil, Board
$6,318
H 21.5 in W 29.5 in D 2.5 in
19th Century landscape oil painting of a Sussex harvest field at sunset
By Walter Williams
Located in Nr Broadway, Worcestershire
Walter Williams British, (1834-1906) Harvest Field at Sunset, Clayton near Brighton Sussex Oil on canvas, signed Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inc...
Canvas, Oil
$4,950
H 22 in W 25 in
English 19th century Fox hunter with hounds, hunter and rider in a landscape
By John Nost Sartorius 1
Located in Woodbury, CT
Attributed to John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-centu...
Canvas, Oil
$4,950
H 29 in W 37 in
19th century English Valley landscape with horses, people cottages
Located in Woodbury, CT
Kate S. Brodie English Landscape with Horses and Figures Oil on canvas Circa 1880 Signed lower right Original antique frame A finely observed Victorian English landscape by Kate S. ...
Canvas, Oil
$3,450
H 19 in W 29 in
Early 20th century English River landscape with a herd of Cows crossing a River
Located in Woodbury, CT
David Horatio Winder English, Early 20th Century River Landscape with Cows Crossing a River, circa 1907 Oil on board Signed lower left A tranquil and beautifully observed Edwardian...
Oil, Board
$8,006
H 17.75 in W 19.75 in D 3 in
19th Century Italian townscape coastal oil painting of Livorno, Gulf of Genoa
By Arthur Joseph Meadows
Located in Nr Broadway, Worcestershire
Arthur Joseph Meadows British, (1843-1907) Livorno, Gulf of Genoa Oil on panel, signed & dated (18)98, with signed & inscribed label on reverse Image size: 9.75 inches x 11.75 inches Size including frame: 17.75 inches x 19.75 inches An attractive townscape depicting fruit sellers at the port of Livorno, Italy by Arthur Joseph Meadows. The scene shows the view looking across from the harbour wall to the church of Santa Caterina...
Oil, Panel
$6,950
H 24 in W 20 in
Victorian woman with dog, cat, bird by thatch cottage door in English landscape
Located in Woodbury, CT
John F. Pasmore (British, 19th century) Young Woman by a Cottage Door with Cat, Dog and Bird, circa 1880 Oil on panel, signed lower left A finely observed late-Victorian genre paint...
Oil, Wood Panel
$6,950
H 34 in W 29 in
19th century English fisherman out fishing at sunset or sunrise, with boat
Located in Woodbury, CT
Ernest Peel Law (British, Late 19th Century) Circa 1890 Fisherman at Sunset Oil on canvas, signed lower right Ernest Peel Law’s Fisherman at Sunset is a masterful evocation of eveni...
Canvas, Oil
Sold
H 37.25 in W 28 in
Magnificent C19th Oil Painting of Babylonian Nobleman with a Hunting Cheetah
By John Rogers Herbert
Located in London, GB
John Rogers Herbert TA, HRI (1810-1890) The Hunting Cheetah Signed, inscribed and dated ‘J.R. Herbert R.A./Paris 1853’ (lower left) Oil on canvas 37 ¼ x 28 inches, 47 1/4 x 38 inches inc. frame In the original frame Provenance Thomas Agndew & Sons Sir Edward Bates, Gyrn Castle, North Wales This striking portrait shows a Babylonian nobleman returning from a hunting expedition with his cheetah and its catch - a gazelle - which, from its distinctly curved horns and dark body stripe, can be identified as a Thomson’s Gazelle. The painting is important in a historical context as it dates from the time when archaeological findings, and their dissemination around the Western world, ensured that public fascination with Mesopotamia reached its height. Herbert was a painter of portraits, historical genre and landscapes. His early work showed a preponderance of subjects derived from Italian history, following his visit to that country in 1836. These early compositions tend to be characterised by high drama and contraposto figurative groups, such as Pirates of Istria carrying off the Brides of Venice (1839). However during the 1830s he made contact with the Nazarenes, a German group of painters who cultivated a sharp-edged, flat style. Herbert’s aesthetic became more Nazarence in tendency (with its juxtaposition of decorative surfaces, The Hunting Cheetah, dated 1853, demonstrates the longevity of their influence). 1840 proved a seminal year for Herbert personally as he converted to Catholicism, much as a result of his friendship with the architect and man of letters Augustus Welby Pugin (1810-1852). It was Pugin who created the magnificent frame in which The Hunting Cheetah is presented. In the ensuring decades Herbert concentrated on religious subjects and submitted Pope Gregory Teaching the Boys to Sing (1846) as his Royal Academy diploma work. The same year he was one of the selection of artists chosen to decorate the interior of the New Palace of Westminster, and his contributions included nine Old Testament scenes...
Oil