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John Ross Art

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Artist: John Ross
John Ross - Framed Contemporary Oil, Still Life of Fruit
By John Ross
Located in Corsham, GB
An original oil painting by John Ross. Signed to the lower right. Well-presented in a dark wood frame with a gilt-effect window and linen slip. On board.
Category

21st Century and Contemporary John Ross Art

Materials

Oil

BROADWAY
By John Ross
Located in Portland, ME
Ross, John American, (1921-2017), BROADWAY, Color Woodcut, 1957, Ed. 9/10, signed, titled dated and numbered in pencil, on a cream japan paper. 15-1/8 x 19-1/8 inches (image), 18 1/4 x 23 3/8 inches (sheet). A fine impression with strong, fresh colors, but with thin spots and adhesive residue in the left and right margins, well away from the image, resulting from careless removal from an earlier mount. This is one of Ross's most effective and striking prints, presenting New York City at night, under a moon and clouds...
Category

1950s John Ross Art

Materials

Woodcut

City of Dreams, Etching by John Ross
By John Ross
Located in Long Island City, NY
Artist: John Ross Title: City of Dreams Medium: Collagraph, signed, numbered, and titled in pencil Edition: AP Size: 38.5 x 27.5 in. (97.79 x 69.85 cm)
Category

1980s American Realist John Ross Art

Materials

Etching

Homage to the City - Night, Triptych Etching by John Ross
By John Ross
Located in Long Island City, NY
Artist: John Ross Title: Homage to the City, Night Medium: Collagraph Triptych, signed, numbered, and titled in pencil Edition: 4/25 Size: 29.5 x 22 in. (74.93 x 55.88 cm) Each
Category

1980s American Realist John Ross Art

Materials

Etching

Homage to the City - Day, Triptych Etching by John Ross
By John Ross
Located in Long Island City, NY
Artist: John Ross Title: Homage to the City, Day Medium: Collagraph Triptych, signed, numbered, and titled in pencil Edition: I 6/25 Size: 29.5 x 22 in. (74.93 x 55.88 cm) Each
Category

1980s American Realist John Ross Art

Materials

Etching

Gorge
By John Ross
Located in New York, NY
The collagraph technique was used to make the matrix for this intaglio print. This piece was created during the 1970's when the artist and his family visited the Southwest over many...
Category

Late 20th Century Contemporary John Ross Art

Materials

Intaglio

Canyon Floor
By John Ross
Located in New York, NY
This collagraph print was created during the mid-1970's when John Ross and his family were spending summers in the Southwest. Ross brought forward and mastered the collagraph. “A c...
Category

Late 20th Century Contemporary John Ross Art

Materials

Intaglio

Peak
By John Ross
Located in New York, NY
This collagraph was created by John Ross during the 1970's. Signed, titled and inscribed "Artists Proof" in pencil. The sheet size is 22 1/4 x 30" and image size is ...
Category

Late 20th Century Contemporary John Ross Art

Materials

Intaglio

Pueblo Ledge
By John Ross
Located in New York, NY
The printmaking intaglio technique called collagraph was used to make the matrix of this early to mid-1970's print. Inspired by his trips to the Southwest during this period, John R...
Category

Late 20th Century Contemporary John Ross Art

Materials

Intaglio

Phalanx
By John Ross
Located in New York, NY
This collagraph was created circa 1973. It is signed, titled and inscribed "1/75" in pencil. The paper size is 22 x 30 1/2" with the printed image 18 7/8 x 27 3/4.&q...
Category

Late 20th Century Contemporary John Ross Art

Materials

Intaglio

Sanctum
By John Ross
Located in New York, NY
Signed, titled and inscribed "Artist proof" in pencil. The paper size is 35 x 22" and the image size is 29 3/4 x 18 1/8." This collagraph was created during the...
Category

Late 20th Century Contemporary John Ross Art

Materials

Intaglio

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An allegorical, mid-century woodcut print titled, "Queremos Chuva!", or "We want rain!" (trans. from Old Portuguese) by Brazilian artist Isa Aderne (b. 1923). ...
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Sherman Rose House, Monterey California - Signed 1920's Landscape Etching
By Ferdinand Burgdorff
Located in Soquel, CA
Beautiful early 20th Century etching on vellum of the Monterey Bonifacio Adobe known as The Old Sherman Rose House, with climbing roses, by Ferdinand Burgdorff (American, (1881 - 1975), 1923. As in many of the artist's works, this piece conveys a mysterious and dark mood. Artwork has been professionally conserved. Titled, signed and dated lower edge. Archival mat and backing. Image size: 9.75"H x 11.75"W. Born in Cleveland, Ohio, Ferdinand Burgdorff studied at the Cleveland School of Art and in Paris with Rene Menard and Florence Este...
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Mariposa Nocturna II by Alan Reynolds, 1967
By Alan Reynolds
Located in Kingsclere, GB
Mariposa Nocturna II by Alan Reynolds, 1967 Additional information: Medium: woodcut 52 x 38 cm 20 1/2 x 15 in signed, dated, numbered and dedicated in p...
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V by Kim Lim, 1991
Located in Kingsclere, GB
V by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
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V by Kim Lim, 1991
V by Kim Lim, 1991
H 14.13 in W 12.75 in
III by Kim Lim, 1991
Located in Kingsclere, GB
III by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
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III by Kim Lim, 1991
III by Kim Lim, 1991
H 14.13 in W 12.75 in
IV by Kim Lim, 1991
Located in Kingsclere, GB
IV by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
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IV by Kim Lim, 1991
IV by Kim Lim, 1991
H 14.13 in W 12.75 in
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Category

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TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
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John Ross art for sale on 1stDibs.

Find a wide variety of authentic John Ross art available for sale on 1stDibs. You can also browse by medium to find art by John Ross in intaglio, etching, woodcut print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large John Ross art, so small editions measuring 26 inches across are available. Customers who are interested in this artist might also find the work of Gordon Grant, Neil Welliver, and Warrington Colescott. John Ross art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $850 and tops out at $5,500, while the average work can sell for $1,500.

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