John Simmons Photography

'Quiet Moment' by Ed Feingersh Actress Marilyn Monroe relaxes on a couch in her hotel room at the Ambassador Hotel on March 24, 1955 in New York City, New York. A beautiful and mor...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Alonzo Hanagan, Lon of New York, Original Vintage Photograph of Dave Sheppard, circa 1950. This photograph and others of Sheppard were featured in Lon Catalogue #2X. Sheppard was a ...

Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 10) This artwork is offered by CLAMP, New York.

Gelatin silver print, vintage Studio stamp in red ink, verso 12 x 9.5 inches, sheet Robert Doisneau (1912-1994), along with Henri Cartier-Bresson, was a pioneer of photojournalism, ...

Paul Cadmus at Stone Blossom, NJ n.d. Titled, verso; Also stamped “Collection of Jon Anderson,” verso; Also stamped “Collection of Paul Cadmus,” verso Vintage silver print 7 x 5 ...

Edition of 45 Signed, titled, negative date, print date and numbered by Michael Kenna Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and a...

A photograph by Lawrence Schiller. ""Marilyn Monroe"" is a nude, figurative vintage silver gelatin photograph in black and white by American Post-War artist Lawrence Schiller. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. ""It was a time in which things happened awfully fast,"" Schiller says of the decade. ""It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future."" When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

Edition of 45 Signed, titled, negative date, print date, and numbered. Sepia toned gelatin silver print Michael Kenna's black and white photographs are powerful and alluring. Hi...

Edition 3 of 25 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...

Roxanne Lowit’s “Salvador Dalí, Janet Daly and A Recipient of a Kiss, New York, 1979” is a captivating work of limited edition fine art photography that captures the surreal glamour ...

Pete Townshend of The Who "If The Hat Fits" taken during an outdoor photo session Jackson, Mississippi August 2, 1967 Special co-signed limited edition, image selected by Pete Towns...