John Tuite Decorative Objects

A Fine Pair of Twin Handled George III Grand Tour Influenced Silver-Gilt Salts of Bath Form by William Fountain, London 1808. Each lined in gilt and finely tooled with leaf clasp ...

Carrying import marks for London in 1911 by Tiffany & Co., this graceful George V sterling silver bowl is of a circular form on a circular stepped foot. The body features a subtl...

Hallmarked in London in 1767 by Robert Albin Cox, this striking, George III, Antique Sterling Silver Basket, features pierced and punched bead decoration to the sides, shaped gadroon...

Pair of English Georgian brass-bound buckets, circa 1770. Buckets are well made, sturdy, and in excellent condition and completely original and intact. These handsome fine quality b...

George II bracket clock by Thomas Wagstaffe, London Ebonised bell top case surmounted by a hinged brass carrying handle standing on a raised plinth...

A pair (not identical match but from the same maker) peat or plate buckets. Mahogany and brass, outstanding construction, heavy and well made, with beautiful brass details. Made in E...

An exceptional, fine and impressive antique George V English sterling silver strawberry dish; an addition to our silver dining collection. This fine...

Hallmarked in London in 1733 by Ralph Maidman, this exquisite antique George II sterling silver sugar bowl is a rare and early example of Georgian tableware. The bowl is of classic c...

This important George III tazza is attributed to famed Scottish-Swedish architect Sir William Chambers. The magnificent piece features a base carved from statuary marble in the shape of a stylized dolphin, which relates to Chambers' extraordinary 18th-century architectural designs. A marvel of beauty and craftsmanship, the tazza is also inset with specimens of Derbyshire Blue John in both the plinth and bowl. Blue John is one of the most in-demand decorative stones in the world, and its inclusion in this piece elevates the tazza to a true Georgian masterpiece. Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains today. Because of its scarcity, most examples of Blue John furniture feature only small inset veneers. By contrast, this rare tazza features not one, but two substantial specimens of the stone. It represents some of the last ornamental wares created of such grand size and proportion, though other smaller examples still grace the stately British estates of Chatsworth, Hardwick, Kedleston and Haddon, among others. Not only does this tazza boast a highly rare material, but it was also designed by one of the most important architects and designers of the Georgian era. Sir William Chambers was a Scottish-Swedish architect based in London who was active during the reigns of Kings George II and George III. Celebrated for his combination of English Palladianism...

This pair of pottery plates in the "Old Chelsea" pattern features a vibrant central design of birds surrounded by pink, orange, and yellow roses, along with green leaves. A wide rim adorned with flowers encircles the central scene, and the edge is highlighted with brown trim. Marks: Over a royal crown "OLD CHELSEA Ceramic...

Hallmarked in London in 1853 by James & Nathaniel Creswick, this attractive, Victorian, Antique Sterling Silver Basket, features a cast border, pierced and engraved decoration to...

Pair of silver form George ll cast paktong candlesticks. The candle shaft rests on square base and fitted with a gadroon edged circular bobesh. Birmingham, England, circa 1750-60.