Johnny Karwan Art

"Wandering Bonanza 19" is an original Lost Object Series assembly with string by Amsterdam-based artist X-O (Hyland Mather) measuring 20in x 16in x 2in.

"Calligraphy" is an original mid-20th-century abstract painting by celebrated Denver artist Edward Marecak (1919–1993). Executed in mixed media on paper, the composition features dyn...

Monica DeSalvo’s “Cairns” is an 18 x 24 collage made up of a series of 4 individual 11 x 4.25 inch abstract collages with red, silver, chartreuse green, yellow, black, and blue on pa...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks in black and tan, accented by an orange line. Signed by the...

44.5 x 29.25 ins (113 x 74.3 cms) Edition of 108 Signature:Signed "R. Motherwell" in pencil lower left Inscriptions:Numbered in pencil lower left; some impressions have artist's chop mark lower left Publisher:The Juilliard School...

Conrad Marca-Relli Composition Lithography Mixed media on guarro paper Poligrafa Edition Numbered out of 75 and signed in pencil by the artist Circa 1977 76 x 56 Perfect condition ...

Marca-Relli - Composition 10 1977 Etching and aquatint on Guarro paper Signed and marked HC in pencil by the artist Work size: 62 x 43.5 cm With margin : 77 x 56,5 cm 1100€

Nails on painted wooden board by unknown artist inspired by Bernard Aubertin. W/frame

Matches on aluminum plate, work by unknown artist inspired by Bernard Aubertin. W/frame

Pastel, gouache and coffee on paper. Artwork size: 58 x 56 cm. Frame size: 78 x 76 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/37) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Conrad Marca-Relli Composition 5 2/75 Mixed media on guarro paper Poligrafa Edition Numbered out of 75 and signed in pencil by the artist Circa 1977 Œuvre : 62 x 43,5 cm 77 x 56,5 ...