Jonathan Adams Art

Artist: Adolf Sehring (Russian/German-American, 1930-2015) Title: "Reflections of the Jungle" Series: Wildlife *Signed by Sehring lower right Circa: 1995 Medium: Original Oil Paintin...

Tree Study & Field in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Pr...

A lively 1950s Mid-Century Modern Western landscape painting with cowboys wrangling cattle by famed Chicago artist, Francis Chapin. Most likely a working study for a larger painting...

Antique American impressionist portrait oil painting. Oil on canvas. Signed. Framed. Measuring 15 by 19 inches overall and 10.5 by 15 painting alone.

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

Alfred Grenfell Haigh British, (1880-1963) Braydon Oil on canvas, signed & dated 1913, further inscribed Braydon Image size: 22.5 inches x 29.5 inches Size including frame: 28.5 in...

A rare 19th-century oil by the aristocratic painter and distinguished collector, Count Charles Gaston Esmangart de Bournonville de Saint-Maurice. It depicts an equestrian gathering ...

Painted in 1922, this sensitive and beautifully observed portrait captures the quiet intelligence and loyal character of a liver-and-white Springer Spaniel. Seated with dignity on a ...

Léon Gérard Crépy Lille 1872 – 1944 French Painter 'Young Girl with a Jug' Signature: signed top left 'LG. Crepy' Medium: oil on canvas Dimensions: image size 46,5 x 38,5 cm, frame...

"Raquel" is an interior scene of a young woman, stretched out comfortably on a sofa, surrounded by flowers and fruit. She gazes placidly at the artist, who is portraying her dressed in a nightgown and a colorful dressing gown. Oil on canvas. 2003 Measurements: 90 x 200 cm / 35,43 x 78,74" The rich range of colors used and the relaxed gesture of the model envelop the atmosphere of comfort that prevails in the works of this author because, according to his words: “When I use a model I want her to be very comfortable, rested, calm and relaxed. I am not interested in movement in my work, as it always ends up too artificial for my taste and would interfere with the ambiance I am trying to create”. The flattened perspectives, the fractured surfaces, and the graphic stylizations refer to the cubism of Picasso and Juan Gris. There are echoes of Modigliani in the treatment of his female models and we can detect an homage to Gauguin and Matisse, in his playful and sensual manipulation of color. In 2003 Ediciones Sammer publishes in a deluxe edition the book Alfredo Roldán written by the sculptor David Gamella where a large part of his work is reproduced. This painting, Raquel, is reproduced on the cover of the book and also inside on a double page (294-295). ABOUT THE ARTIST Alfredo Roldán (Madrid- Spain, 1965) is a self-taught artist who, at the age of 22, began selling his works at street markets. In 1994 he won the award granted by the City Council of Madrid with the painting “El Baño Azul”, which now hangs in The Museum of Modern Art of Madrid. That year he began to work with the renowned British dealer...

Alfred Moginie Bryant British, (1855-1935) Sunshine Oil on canvas, signed & dated (18)90 Image size: 17.75 inches x 23.75 inches Size including frame: 26.5 inches x 32.5 inches A f...

Framed size: 32.5" x 44.5" Michael Lyne’s 'Mendip Hunt 'captures the vitality and tradition of the English countryside with a keen eye for movement and atmosphere. The painting depi...