Jonathan Adams Art

Title: Running Medium: Oil on canvas Size: 8 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Zhao Wang...

Antique Dog Painting of a Terrier: “The Shah” George Earl (England, 1824-1908) Circa 1870 Oil on canvas. 12 ¾ x 12 ¾ (21 x 21 frame) inches. Orig...

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

This painting, “Mighty Fishies,” is a 12x12 (see Mini Fishies as a pair) mixed media painting on canvas by artist Trip Park. Featured in the work are five fish that resemble sardines...

A beautiful signed and dated 1880 oil on canvas portrait of a terrier sitting on a chair, by Rupert Arthur Dent. Excellent quality work by this noted Victorian animal painter. Signe...

Clifton Tomson British, (1775-1828) Pysche Oil on canvas, signed, inscribed & dated ‘Nottingham 1825’ Image size: 24.75 inches x 29.25 inches Size including frame: 32 inches x 36.5 ...

Léon Gérard Crépy Lille 1872 – 1944 French Painter 'Young Girl with a Jug' Signature: signed top left 'LG. Crepy' Medium: oil on canvas Dimensions: image size 46,5 x 38,5 cm, frame...

This exceptional mid-19th century pastoral oil painting, after Eugene Verboeckhoven's celebrated composition "Passing the Brook," depicts a serene rural scene where cows and sheep cr...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In Perched #3, Elizabeth Rickert focuses on a single bird resting gracefully atop a stack of timeworn books, creating a moment of quiet observation. Painted in oil on canvas, the artwork combines the precision of wildlife realism with the calm structure of a traditional still-life composition. The bird appears alert yet relaxed, its presence bringing a sense of gentle movement to the otherwise still arrangement. Rickert’s brushwork carefully captures the fine details of the bird’s plumage and the textures of the aged book covers beneath it. Each book feels tactile and familiar, their worn edges and subtle lettering suggesting years of stories and history. The simplicity of the composition allows the viewer to focus on the delicate balance between subject and setting. The colour palette is warm and earthy, with soft reds, mossy greens, muted blues and warm ochres appearing throughout the stacked books. The bird’s feathers introduce striking accents of dark charcoal and glowing orange, providing a vivid focal point within the otherwise calm composition. Executed in oil on canvas, this original artwork highlights Elizabeth Rickert’s talent for combining wildlife realism with intimate storytelling. This original work is available for sale at Signet Contemporary Art and online. Artist Biography: Elizabeth Rickert is an award-winning contemporary realist artist based in the United States whose work is inspired by the quiet poetry of the natural world. Originally trained as a sculptor, she began her artistic career working in ceramics before expanding into drawing and painting. Over time, she explored pastels and eventually transitioned to oil painting, which has become her primary medium. Elizabeth’s background in sculpture continues to influence her artistic approach. Even as a painter, she observes nature with a sculptor’s eye—carefully studying the interplay of shape, form, light, and shadow. This sensitivity to structure and atmosphere is reflected in her compositions, which often feature detailed impressions of birds...

“Hold memory” is an original contemporary figurative painting by French artist Natalya Mougenot, depicting a woman in her everyday life seated in her living room while speaking on an...

A dynamic oil painting depicting a high energy horse race with abstract details and bursts of energy showcased with use of fast brush work and thick impasto oil paint. Jockeys, weari...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...