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Jonathan Becker Landscape Photography

American, b. 1954

With a style at once impactful, reflective and irreverent, photographer Jonathan Becker belongs more to the artistic than the documentarian realm, masterfully capturing a theatrical sense of the unexpected as he offers glimpses into rarefied worlds.

Bea Feitler — the late, legendary artistic director responsible for vamping up Harper’s Bazaar and Rolling Stone in the 1960s and ’70s — gave Becker his first big break, in 1981, when she asked him to submit images for the relaunch of Vanity Fair.

Becker, who was 26 at the time, had already been the first Paris-based photographer for W magazine and had forged a close friendship with French-Hungarian Surrealist photographer Brassaï, who was then in his 70s. By this age, too, Becker had also developed an enviable reputation as a portrait photographer working on Andy Warhol’s Interview magazine and alongside Slim Aarons and Norman Parkinson at Town & Country, although he knew not to step on his famous colleagues’ toes. “I was a young little interloper,” he says. “I learned more by listening and watching those giants than by trying to engage in any direct interactions with them.”

The young photographer, who was moonlighting at the time as a New York City cab driver, hadn’t dreamed that the project would put his pictures on an equal footing with those of legends of the medium: Also contributing to this debut edition were some of photography’s most revered names, including Richard Avedon, Irving Penn and Helmut Newton, as well as rising star Annie Leibovitz, whose popularity had recently skyrocketed, thanks to her Rolling Stone cover picture of a naked John Lennon curled up alongside a fully clothed Yoko Ono.

That issue was a game changer in modern magazine publishing, with Vanity Fair setting the bar for engaging editorial and daring design for decades to come. It also signaled the making of a man: Becker’s talent for visual storytelling shone through in his avant-gardist tribute, and the magazine’s creative team kept him on, marking the start of his long career there.

As a regular Vanity Fair contributor, Becker operated in the highest echelons of society, traveling the world and immortalizing countless A-list movers, shakers and thinkers from the fields of fashion, culture and politics, not to mention royalty.

Becker's unconventional way of directing his eye is clearly instinctual, resulting in an unusual aesthetic that mixes perception, myth and reality in equal measure. This balance is most apparent in his famous black-and-white picture of Robert Mapplethorpe, taken in 1988 at the opening of Mapplethorpe’s retrospective exhibition at the Whitney, when the famed photographer was dying of AIDS. It is a group shot, showing various figures at different angles, in which Mapplethorpe, caught in profile and listening intently to a woman kneeling beside him, seems to stop time. The moment is heavy with emotion and also dreamlike. It is ineffably surreal.

Becker has given us Stephen King as a cross-eyed zombie (1980); Dustin Hoffman as a mischief maker, lounging on a stack of sun loungers at the Beverly Hills Hotel (2004); and Diana Vreeland as an aging Raphaelesque Madonna dressed in a voluminous black gown and sitting cross-legged in her famous red-clad living room at 550 Park Avenue (1979). The photographer, a lover of spontaneity who deftly plays with perspectives, keeps us intrigued with his open-ended narratives.

Find a collection of Jonathan Becker photography on 1stDibs.

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Artist: Jonathan Becker
La Chasse au Cerf, Normandie, France, September 1975
La Chasse au Cerf, Normandie, France, September 1975

La Chasse au Cerf, Normandie, France, September 1975

By Jonathan Becker

Located in New York, NY

La Chasse au Cerf, Normandie, France, September 1975 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed a...

Category

1970s Contemporary Jonathan Becker Landscape Photography

Materials

Archival Pigment

at the Darulaman Palace, Kabul, August 2003
at the Darulaman Palace, Kabul, August 2003

at the Darulaman Palace, Kabul, August 2003

By Jonathan Becker

Located in New York, NY

at the Darulaman Palace, Kabul, August 2003 X Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival Pigment Print Edition Nº 1 of 15 Certificate of Origin Signed and T...

Category

Early 2000s Contemporary Jonathan Becker Landscape Photography

Materials

Archival Pigment

Villa Cetinale, Siena, Italy, May 2012
Villa Cetinale, Siena, Italy, May 2012

Villa Cetinale, Siena, Italy, May 2012

By Jonathan Becker

Located in New York, NY

Villa Cetinale, Siena, Italy, May 2012 A moment at a storied property where centuries of history pile on Photographed by Jonathan Becker Contemporary ...

Category

2010s Contemporary Jonathan Becker Landscape Photography

Materials

Platinum

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Jonathan Becker landscape photography for sale on 1stDibs.

Find a wide variety of authentic Jonathan Becker landscape photography available for sale on 1stDibs. You can also browse by medium to find art by Jonathan Becker in archival pigment print, pigment print, platinum print and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Jonathan Becker landscape photography, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Amy Touchette, Stan Gaz, and Michael Huey. Jonathan Becker landscape photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $6,400 and tops out at $22,000, while the average work can sell for $13,750.