Jordan NIckel Art

Listing includes framing, free shipping to continental US and a 14-day return policy. Kate Moss by Annie Kevans 20 x 16 inch paper 16 x 20 inch image Archival pigment print Edition 15 of 50 Signed and edition on the front of the print Frame is in fair condition and is included for free due the condition issues. The print itself is in excellent condition. If you would like the print sent unframed the cost is the same. Please let us know if you would prefer to have us ship the print unframed. Artist Biography - Kevans’ paintings reflect her interests in power, manipulation and the role of the individual in inherited belief systems. She looks at alternative histories and how they relate to current issues and creates what she describes as ‘anti-portraits’ that may or may not be based on real documentation. She believes that, as her work is concept driven, sometimes the actual similarity to the person depicted in the work is irrelevant. This can be seen in her 'Boys' series which is not about portraying dictators as they really looked as children but rather about the notion of the ‘innocent child’ which has influenced images of children in art...

Bearbrick x Andy Warhol Foundation "Marilyn" 400% Vinyl Figure (set of two: 400% + 100%): 2021 Andy Warhol Marilyn Bearbrick figure trademarked & licensed by the Estate of Andy Warho...

Andy Warhol Bearbrick: Be@rbrick x Andy Warhol Foundation Muhammad Ali Vinyl Figures: Set of two (400% & 100%): Andy Warhol (after) Muhammad Ali collectible trademarked & lic...

Antique hand colored engraving of grass or Panicum Sanguinale by W.Curtis, circa 1820. Artwork was intended to be actual size of specimen. Original artwork on paper displayed on a w...

NICK SMITH - Peter Getting Out Of Nick's Pool Date of creation: 2022 Medium: Giclée and screen printed varnish on paper Edition: 127 Size: 78 x 76 cm Condition: Brand new, in mint c...

Artist: Keith Haring Title: Silence = Death Size: 39 x 39 in. (99.1 x 99.1 cm) Medium: Color Screenprint on Wove Paper Edition: HC 15 of 25 Year: 1989 Notes: Image Size: 33 x 33 in...

Artist: Keith Haring Title: Untitled (Plate 1) Size: 24 x 36 in. (61 x 91.4 cm) Medium: Lithograph of Arches Paper Edition: 23 of 40 Year: 1982 Notes: From a suite of six prints. S...

Manufacturer: Under Dogs, Portugal Edition Details: Year: 2020 Class: Art Print Status: Official Released: 10/14/20 Run: 50 Technique: Screen Print Paper: Keaykolour Pure White 300 g/m2 Size: 19.7 X 19.7 Markings: Signed & Numbered Effortlessly blending two seemingly-irreconcilable visual idioms, Add Fuel...

Jean-Michel Basquiat Bearbrick 1000% Vinyl Figure (Basquiat Crown): A well-sized (27 inch), sleek & elegant Bearbrick Basquiat statue piece, trademarked & licensed by the Es...

Screenprint in colours on Rives BFK wove paper Edition 17 of 150 60 x 80 cm (23.6 x 31.5 in) Signed, dated and numbered on front Artwork in excellent condition considering its age. B...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...

The Large seascapes, although not quite a series of drawings, were perfect testing grounds for the work I wanted to do, after drawing the first linear landscapes of the early years. ...