Jorge Diego Etienne Decorative Objects

Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine Eclipse bowl from Kiwano. Expertly crafted and finished by hand, our travertin...

Handmade Crystal Pulegoso Murano glass blown vase with 16 transparent multicolored butterflies attached with magnet. Modern vase ideal for a modern and rustic classic environment, ...

Handmade Crystal Pulegoso Murano glass sculpture infinity with 21 in paste multicolored butterflies attached with magnet. Modern sculpture ideal for a modern and rustic classic environment, for everyone. This work was carried out in collaboration between the Made Murano Glass...

Handmade Murano glass blown vase with real 24kt gold leaf and multicolored dragonflies attached with magnet. The vase contains 14 dragonflies. Modern...

Beautiful vintage art glass bowl made by the famous Chribska Glasswork in former Chechoslovakia in the 1960s. There is an engraved mark '1414' a...

Handmade Crystal Pulegoso Murano glass blown vase with 16 multicolored butterflies attached with magnet. Modern vase ideal for a modern and rustic classic environment, for everyone...

Ceramic three-level fruit bowl originally designed by Marco Zanini in 1985 for Memphis Milano. The three geometrical shapes in three colors complete the idea of a trilogy. Marco Zan...

Vintage Brazilian modern bowl crafted in solid Jacaranda Rosewood by Jac-Arte. Maker: Jac Art Year: 1960s Origin: Brazil Style: Mid Century Modern Dimensions: 9.5" wid...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Beautiful post modern design by the well known architect Richard Meier. Measure: 10 inches.

A chiseled architectural, multifaceted, sculptural vase by prominent French sculptor Cesar Baldaccini (1921-1998) signed “Daum, France in shades of m...

Large vintage danish teak bowl by Nissen. Designer: Richard Nissen Manufacturer: Nissen Studios Year: 1960s Origin: Denmark Dimensions: 5" tall x 11" diameter.