Travertine Eclipse Bowl

Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine bowl from Kiwano. Expertly crafted and finished by hand, our travertine bowls ...

Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine bowl from Kiwano. Expertly crafted and finished by hand, our travertine bowls ...

A substantial silver travertine bowl with unique structure rests atop a pedestal for a grand presentation of fruits and vegetables. Due to the nature of the material, each piece ...

Unique and Stunning Pet bowl made of travertine stone. Expertly crafted and finished by hand, our travertine bowls are a study in sculptural simplicity. Natural variations in the sto...

Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine Eclipse bowl from Kiwano. Expertly crafted and finished by hand, our travertin...

Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine bowl from Kiwano. Expertly crafted and finished by hand, our travertine vases ...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Meet marble bowl - Cristian Mohaded Dimensions: D 45 x H 16 cm Materials: white carrara marble top, Diorite base. It is a series of pieces made of different marbles, or in marble and metal, meeting and combining in two shapes with a very simple geometry, which vary in their proportions based on utility. Cristian Mohaded Industrial designer and Artist born in the Argentine countryside (Catamarca, 1980). He has graduated from the National Univerity of Córdoba, He shares part of the time between Buenos Aires and Milan. Nowadays, he is a prolific product, interior designer and art director, and known as benchmark in Argentina design. He is devoted to develop and design products for private clientes, national and international companies. Throughout his career as a designer he has also won several design awards and special mentions, also he participated in numerous national and international fairs and exhibitions. His works were show in Gallery S. Bensimon (Paris), DeisgnMiami (Miami), Valerie Goodman Gallery, 21st Gallery...

Long Segno bowl - Giorgio Bonaguro. Dimensions: D 38 x W 15 x H 11 cm. Materials: white carrara marble, glass. A collection that was born from the desire to recover marble processing waste: small portions of slabs with different thickness, otherwise unused, now become an elegant and precious base for small objects. Each element is characterized by a strong graphic sign, engraved in the stone, which acts as a guide to insert the borosilicate glass element which, according to diameters and heights, becomes a vase for flowers, a vase for plants...

Large Segno bowl - Giorgio Bonaguro Dimensions: D 28 x W 28 x H 11 cm Materials: Calacatta Oro marble, glass. A collection that was born from the desire to recover marble processing waste: small portions of slabs with different thickness, otherwise unused, now become an elegant and precious base for small objects. Each element is characterized by a strong graphic sign, engraved in the stone, which acts as a guide to insert the borosilicate glass element which, according to diameters and heights, becomes a vase for flowers, a vase for plants...

Lalique Volutes Opalescent Glass Bowl This plate measures: 8 wide x 8 deep x 3.25 inches high Great Vintage Condition We take our photos in a ...