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José Luis Rey Vila Art

1900-1983

José Luis Rey Vila was a Spanish artist from Cadice. He studied at the School of Fine Arts of Cadice and Barcelona. In 1921, he returned from North Africa with an album of drawings against politics. In Barcelona, Vila worked as an illustrator and cartoonist for Ford and as an illustrator for several art magazines. In 1936, he participated as an artist in the Social Revolution. He realized a watercolor album Estampas de la revoluciòn española for international propaganda. Vila adopted the name of SIM to protect his family in Siviglia. His artistic style is characterized by strong and rigid outlines. In 1937, Vila moved to Paris (for the International Exposition). He opened his atelier in Buttes-Chaumont. He often traveled around Europe and exhibited his works in Paris and La Havana. Vila has never gone back to Spain.

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Artist: José Luis Rey Vila
Butler - Original Mixed Media (Ink and Watercolor) by J.L. Rey Vila
By José Luis Rey Vila
Located in Roma, IT
Butler is an original artwork realized by José Luis Rey Vila. Hand-signed on the lower right. Glued on cardboard. Very good conditions. Very fresh artwork representing a butler realized with rapid strokes of ink and watercolor. Very good conditions. Glued on cardboard. Very fresh artwork representing a horse with a horseman, the strokes are very rapid and shows a great quality of the artist. José Luis Rey Vila (Cadice, 1900 – Paris, 1983) was a Spanish artist from Cadice. He studied at the School of Fine Arts of Cadice and of Barcelona. In 1921, he returned from North Africa with an album of drawings against politics. In Barcelona, he worked as illustrator and cartoonist for Ford and as illustrator for several art magazines. In 1936, he participated as an artist in the Social Revolution. He realized a watercolor album...
Category

Late 20th Century Modern José Luis Rey Vila Art

Materials

Mixed Media

Women - Original China Ink and Watercolor by J.L. Rey Vila - 1950s
By José Luis Rey Vila
Located in Roma, IT
Soldiers is an original artwork realized by the Spanish artist José Luis Rey Vila, china ink and watercolor on paper. Hand-signed on the lower righ...
Category

1950s José Luis Rey Vila Art

Materials

Ink, Watercolor

Women - Original China Ink and Watercolor by J.L. Rey Vila - 1950s
By José Luis Rey Vila
Located in Roma, IT
Model is an original artwork in gouache realized by the Spanish artist José Luis Rey Vila. Good conditions. Very beautiful artwork representing a ...
Category

1950s José Luis Rey Vila Art

Materials

Watercolor, Ink

Girl - Original Pencil Drawing by J.L. Rey Vila - 1959
By José Luis Rey Vila
Located in Roma, IT
Girl is an original artwork realized by José Luis Rey Vila in 1959. Pencil drawing on paper. Hand-signed and dated by José Luis Rey Vila on the bac...
Category

1950s Modern José Luis Rey Vila Art

Materials

Pencil

Soldiers - Original Tempera and Watercolor by J.L. Rey Vila - 1950s
By José Luis Rey Vila
Located in Roma, IT
Soldiers is an original artwork realized by the Spanish artist José Luis Rey Vila in the 1950s. Tempera and watercolor on paper. Hand-signed in pen...
Category

1950s José Luis Rey Vila Art

Materials

Tempera, Watercolor

Policeman - Original Tempera and Watercolor by J.L. Rey Vila
By José Luis Rey Vila
Located in Roma, IT
Policeman is an original artwork realized by José Luis Rey Vila in the 1950s. Watercolor and tempera on paper. Unsigned. Very good conditions. Very...
Category

1950s Modern José Luis Rey Vila Art

Materials

Tempera, Watercolor

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Boston Abstract Expressionist Hyman Bloom Original Pencil Drawing Martin Sumers
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This is a unique artwork. This is an original Hyman Bloom drawing of fellow artist and his very good friend Martin Sumers.I believe this was drawn at the “variations of a theme” at Sumers gallery in NYC. The last two photos show a poster and a card from their shows. it is not included in this listing, it is just for provenance. Provenance: Acquired from the Sumers estate collection. Hyman Bloom (March 29, 1913 – August 26, 2009) was a Latvian-born American painter. His work was influenced by his Jewish heritage and Eastern religions as well as by artists including Altdorfer, Grünewald, Caravaggio, Rembrandt, Blake, Bresdin, James Ensor and Chaim Soutine. He first came to prominence when his work was included in the 1942 Museum of Modern Art exhibition "Americans 1942 -- 18 Artists from 9 States". MoMA purchased 2 paintings from the exhibition and Time magazine singled him out as a "striking discovery" in their exhibition review. His work was selected for both the 1948 and 1950 Venice Biennale exhibitions and his 1954 retrospective traveled from Boston's Institute of Contemporary Art to the Albright Gallery and the de Young Museum before closing out at The Whitney Museum of American Art in 1955. In a 1954 interview with Yale art professor Bernard Chaet, Willem de Kooning indicated that he and Jackson Pollock both considered Bloom to be “America’s first abstract expressionist”, a label that Bloom would disavow. Starting in the mid 1950s his work began to shift more towards works on paper and he exclusively focused on drawing throughout the 1960s, returning to painting in 1971. He continued both drawing and painting until his death in 2009 at the age of 9 Hyman Bloom (né Melamed) was born into an orthodox Jewish family in the tiny Jewish village of Brunavišķi in what is now Latvia, then part of the Russian Empire At a young age Bloom planned to become a rabbi, but his family could not find a suitable teacher. In the eighth grade he received a scholarship to a program for gifted high school students at the Museum of Fine Arts. He attended the Boston High School of Commerce, which was near the museum. He also took art classes at the West End Community Center, a settlement house. The classes were taught by Harold Zimmerman, a student at the School of the Museum of Fine Arts, who also taught the young Jack Levine at another settlement house in Roxbury. When Bloom was fifteen, he and Levine began studying with a well-known Harvard art professor, Denman Ross, who rented a studio for the purpose and paid the boys a weekly stipend to enable them to continue their studies rather than take jobs to support their families. He took Bloom and Levine on a field trip to the Museum of Modern Art in New York, where Bloom was impressed by the work of Rouault and Soutine and began experimenting with their expressive painting styles. In the 1930s Bloom worked sporadically for the Public Works of Art Project and the Federal Art Project (WPA), He shared a studio in the South End with Levine and another artist, Betty Chase. It was during this period that he developed a lifelong interest in Eastern philosophy and music, and in Theosophy. He first received national attention in 1942 when thirteen of his paintings were included in the Museum of Modern Art (MoMA) exhibition Americans 1942: 18 Artists from 9 States, curated by Dorothy Miller. MoMA purchased two of his paintings from that exhibition, and he was featured in Time magazine. The titles of his paintings in the exhibition reflect some of his recurring themes. Two were titled The Synagogue, another, Jew with the Torah; Bloom was actually criticized by one reviewer for including "stereotypical" Jewish images. He also had two paintings titled The Christmas Tree, and another titled The Chandelier, both subjects he returned to repeatedly. Another, Skeleton (c. 1936), was followed by a series of cadaver paintings in the forties, and The Fish (c. 1936) was one of many paintings and drawings of fish he created over the course of his career. Bloom was associated at first with the growing Abstract Expressionist movement. Willem de Kooning and Jackson Pollock, who first saw Bloom's work at the MoMA exhibition, considered Bloom "the first Abstract Expressionist artist in America." In 1950 he was chosen, along with the likes of de Kooning, Pollock, and Arshile Gorky, to represent the United States at the Venice Biennale. That same year Elaine de Kooning wrote about Bloom in ARTnews, noting that in paintings such as The Harpies, his work approached total abstraction: "the whole impact is carried in the boiling action of the pigment". In 1951 Thomas B. Hess reproduced Bloom's Archaeological Treasure in his first book, Abstract Painting: Background and American Phase, along with works by Picasso, Pollock, and others. Both de Kooning and Hess remarked on Bloom's expressive paint handling, a key characteristic of Abstract Expressionist painting. As abstract expressionism dominated the American art world, Bloom became disenchanted with it, calling it "emotional catharsis, with no intellectual basis." In addition, instead of moving to New York to pursue his career, he opted to stay in Boston. As a result he fell out of favor with critics and never achieved the kind of fame that Pollock and others did. He disliked self-promotion and never placed much value on critical acclaim. Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of rabbis...
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French Modern Drawing by Jean Hélion - Veil Homme
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Veil Homme 1947 drawing 26,9 x 21 cm Registered on the catalogue raisonné with inventory number : N°0252 cat. B sold without frame about Jean Hélion (April 21, 1904 – October 27, 19...
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20th Century Modern José Luis Rey Vila Art

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1950s Modern José Luis Rey Vila Art

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Previously Available Items
Don Quixote - Original Mixed Media by José Luis Rey Vila - 1958
By José Luis Rey Vila
Located in Roma, IT
Don Quixote is an original drawing artwork in mixed media realized by the Spanish artist José Luis Rey Vila in 1958. Hand-signed on the lower in pe...
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1950s Modern José Luis Rey Vila Art

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Mixed Media

Women - Original China Ink and Watercolor by J.L. Rey Vila - 1950s
By José Luis Rey Vila
Located in Roma, IT
Image dimensions: 22.5x27 cm. Women is an original artwork realized by the Spanish artist José Luis Rey Vila in the 1950s. China ink, tempera, and ...
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1950s José Luis Rey Vila Art

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Wood - Original Pastel and China Ink on Paper by J.L. Rey-Vila
By José Luis Rey Vila
Located in Roma, IT
Wood is an original artwork realized by the Spanish artist José Luis Rey Vila in 1939. Pastel and china ink on paper. Unsigned. Dated on the back. ...
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1930s José Luis Rey Vila Art

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Christ - Original Tempera and Watercolor by J.L. Rey Vila
By José Luis Rey Vila
Located in Roma, IT
Christ is an original artwork realized by José Luis Rey Vila. Tempera and watercolor on paper. Hand-signed by the artist on the lower right. Glued on cardboard. Very good conditions. Very beautiful and expressive portrait representing Jesus Christ. The artwork is realized with mixed media (tempera and watercolor) and the brush strokes are very strong. José Luis Rey Vila (Cadice, 1900 – Paris, 1983) was a Spanish artist from Cadice. He studied at the School of Fine Arts of Cadice and of Barcelona. In 1921, he returned from North Africa with an album of drawings against politics. In Barcelona, he worked as illustrator and cartoonist for Ford and as illustrator for several art magazines. In 1936, he participated as an artist in the Social Revolution. He realized a watercolor album...
Category

1950s José Luis Rey Vila Art

Materials

Tempera, Watercolor

Horseman - Original Ink, Tempera and Watercolor by J.L. Rey Vila
By José Luis Rey Vila
Located in Roma, IT
Horseman is an original artwork realized by the Spanish artist José Luis Rey Vila in 1956. Tempera and watercolor on paper. Hand-signed on the low...
Category

1950s José Luis Rey Vila Art

Materials

Tempera, Ink, Watercolor

Knight with his Horse in front of an Obstacle - by J.L. Rey Vila
By José Luis Rey Vila
Located in Roma, IT
Knight with his Horse in front of an Obstacle is an original artwork realized by José Luis Rey Vila in the first half of the XX Century. Pen drawin...
Category

1950s José Luis Rey Vila Art

Materials

Pen

Silhouette of Horseman and Horse - Original China Ink Drawing by J.L. Rey Vila
By José Luis Rey Vila
Located in Roma, IT
Silhouette of Horseman and Horse is an original artwork realized by the Spanish artist José Luis Rey Vila in 1957. Black china ink on paper. Dated on the upper left. Unsigned. Very good conditions, except for little folds on the left corner. Interesting artwork representing a black horse with a horsemen silhouette. The strokes are very fresh and smart and define the volumes of the bodies. José Luis Rey Vila (Cadice, 1900 – Paris, 1983) was a Spanish artist from Cadice. He studied at the School of Fine Arts of Cadice and of Barcelona. In 1921, he returned from North Africa with an album of drawings against politics. In Barcelona, he worked as illustrator and cartoonist for Ford and as illustrator for several art magazines. In 1936, he participated as an artist in the Social Revolution. He realized a watercolor album...
Category

1950s José Luis Rey Vila Art

Materials

Ink

Horseman - Original Tempera and Watercolor by J.L. Rey Vila
By José Luis Rey Vila
Located in Roma, IT
Horseman is an original artwork realized by José Luis Rey Vila in 1956. Tempera and watercolor on paper. Hand-signed and dated on the lower left. Very good conditions. Very fresh and interesting artwork representin a horseman with a bright orange jacket from behind. The strokes of the pencil are very rapid and show a great ability of the artist and a high quality of the painting. José Luis Rey Vila (Cadice, 1900 – Paris, 1983) was a Spanish artist from Cadice. He studied at the School of Fine Arts of Cadice and of Barcelona. In 1921, he returned from North Africa with an album of drawings against politics. In Barcelona, he worked as illustrator and cartoonist for Ford and as illustrator for several art magazines. In 1936, he participated as an artist in the Social Revolution. He realized a watercolor album...
Category

1950s José Luis Rey Vila Art

Materials

Tempera, Watercolor

Horseman and Horse - Original Mixed Media by J.L. Rey Vila
By José Luis Rey Vila
Located in Roma, IT
Horseman and Horse is an original artwork realized by the Spanish artwork realized by José Luis Rey Vila. Tempera and watercolor on paper. Hand-signed on the lower right. Very good conditions. Glued on cardboard. Very fresh artwork representing a horse with a horseman, the strokes are very rapid and shows a great quality of the artist. José Luis Rey Vila (Cadice, 1900 – Paris, 1983) was a Spanish artist from Cadice. He studied at the School of Fine Arts of Cadice and of Barcelona. In 1921, he returned from North Africa with an album of drawings against politics. In Barcelona, he worked as illustrator and cartoonist for Ford and as illustrator for several art magazines. In 1936, he participated as an artist in the Social Revolution. He realized a watercolor album...
Category

Late 20th Century José Luis Rey Vila Art

Materials

Mixed Media

José Luis Rey Vila art for sale on 1stDibs.

Find a wide variety of authentic José Luis Rey Vila art available for sale on 1stDibs. You can also browse by medium to find art by José Luis Rey Vila in paint, watercolor, ink and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large José Luis Rey Vila art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Martine Barnard, Claude Howard Stuart, and Judith Yellin Ginat. José Luis Rey Vila art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $219 and tops out at $501, while the average work can sell for $390.

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