Josef Sudek Art

'Huston & Brando On Set' 1967 Director John Huston and actor Marlon Brando on the set of 'Reflections In A Golden Eye,' 1967. The two iconic movie stars on the set of the film in w...

'Quiet Moment' by Ed Feingersh Actress Marilyn Monroe relaxes on a couch in her hotel room at the Ambassador Hotel on March 24, 1955 in New York City, New York. A beautiful and mor...

George Platt Lynes 1948 Photograph #1 of Balanchine Ballet ‘Orpheus’. George Platt Lynes rare original vintage 1948 gelatin silver photograph (dated by the NY City Public Library) of nude dancers Francisco Moncion and Nicholas Magallanes in George Balanchine's iconic mid-20th Century ballet 'Orpheus'. Stamped on verso in dark blue ink at upper center, "GEORGE PLATT LYNES/145 EAST 52 STREET NEW YORK”. Photo shoot took place in NYC. Costumes and Set by ISAMU NAGUCHI. Photo is 7 5/8 x 9 1/4 inches, soft satin finish in excellent condition. This photograph is from Francisco Moncion's original collection given to him by George Platt Lyons. It is one of 14 different poses in the 'Orpheus' series. 8 different photographs are remaining for sale and are available on request. All are original Platt Lyons gelatin silver prints original to Moncion's collection and are stamped by the photographer. Photographs from this celebrated series are in the permanent collections of the Metropolitan Museum of Art (NYC), Museum of Modern Art (MOMA, NYC), the NYC Public Library, and many university art archives. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Orpheus represents a major 20th Century artistic collaboration between composer Igor Stravinsky, choreographer George Ballanchine, and artist/designer Isamu Naguchi. Orpheus is a thirty-minute neoclassical ballet composed by Igor Stravinsky in collaboration with choreographer George Balanchine in Hollywood, California in 1947. The work was commissioned by Ballet Society, later renamed New York City Ballet, which Balanchine founded with Lincoln Kirstein. Sets and costumes were created by Isamu Noguchi. Noguchi’s lyre harp from the production became the symbol of the New York City Ballet. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel...

Pete Townshend of the Who Madison Square Garden New York 1979 Large Oversize limited Estate edition (ed size 15 only this size) silver gelatin print. numbered and signed by the Estate on reverse stamped with blond embossed Archive stamp on front paper size 40x30" inches / 101 x 76 cm Certificate of authenticity supplied. unframed Framing available on request Ships securely from London England OTHER SIZES AVAILABLE pls enquire About Michael Putland the photographer : Born in 1947, Michael grew up in Harrow where he took his first pictures at the age of nine before leaving school at sixteen to work as an assistant to various photographers including Time-Life photographer, Walter Curtain and the legendary motor racing photographer, Louis Klemantaski. In 1969 he set up his own studio and by 1971, he was the official photographer for the British music magazine Disc & Music Echo. His first assignment for them that year was to photograph Mick Jagger in London. From the editorial work for Disc and Music Echo, Sounds and later Smash Hits & Q magazine amongst others, to the 1973 tour with The Rolling Stones that led to a long-standing relationship working with the band, Michael has shot prodigiously including for major record labels including CBS, Warner, Elektra, Polydor, Columbia Records and EMI. Relocating to New York in 1977, it was here that Michael founded the photo agency, Retna. It has been said that Michael photographed everyone from Abba to Zappa … when looking at his archive this is actually true. Now living in East Sussex, recent 2016 exhibitions include “Off The Record” at The Lucy Bell Gallery in Hastings showing images both on and off stage including previously unseen contact sheets; whilst Ono Arte in Bologna, Italy is hosting a David Bowie show. Autumn 2014 saw Michael’s 50 year retrospective at the Getty Gallery in London: “A life in Music, 50 Years On The Road”. Snap Gallery in London’s Piccadilly Arcade regularly have a selection of Michael’s work on show. Michael continues to shoot the artists he most admires – likely to be jazz, classical and world musicians, who have always provided an alternative narrative to his rock music portfolio. “It has been a fantastic ride through an incredible period of music history, which combined my two great loves … music and photography. Little did I appreciate, when my Uncle Alan encouraged my photography back in the 1950s, that this would lead me to photographing nearly all of my heroes … and thrilled to be still finding new ones. A great never ending journey.” Michael Putland About The Who : Few rock & roll bands were riddled with as many contradictions as the Who. All four members had wildly different personalities, as their notorious live performances demonstrated: Keith Moon fell over his drum kit while Pete Townshend leaped into the air with his guitar, spinning his right hand in exaggerated windmills. Vocalist Roger Daltrey prowled the stage as bassist John...

This vintage silver gelatin contact print is signed in pencil on the front of the mount, with Portfolio One stamp and numbering in red crayon on the back of the mount. This print com...

This silver gelatin print with exemplary provenance is unsigned but bears several stamps from the artist's family on the back of the mount, including the authentication stamp of Adam...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print Paper size: 11 x 14 in. Image size: 7 1/2 x 11 1/2 in. "Fangio is exiting a slow corner and looks ov...

Innovative, provocative, inimitable - these are just a few of the words to describe America's boldest photographer. Arthur Fellig, better known as Weegee (1899-1968) was a ground-breaking, successful (and notorious) photojournalist. His images shot on the streets of New York City are iconic and influential. In the 1930s he became the first New York City press photographer to obtain permission to install a police radio in his car. This allowed him to follow the city's first responders and to document their duties; responding to fire, crime, debauchery and of course, murder. By the early 1940s Weegee was experiencing fatigue with crime reportage. Ironically, this was also the point when he finally began experiencing professional validation and acclaim, to the point of being a minor celebrity. Notably in 1941 he was included in The MoMA's seminal "50 Photographs by 50 Photographers" (curated by Edward Steichen). The museum would also acquire five Weegee photographs...

Flooded Mall (1934) - Silver Gelatin Fibre Print (Photo by H. F. Davis/Getty Images) A man crossing a stretch of floodwater with the help of two chairs after a storm caused floodi...

This vintage silver gelatin print is signed and dated in pencil mount recto, and again mount verso. Printed in 1961 for inclusion in "Fifteen Photographs" (edition of 50). Mounted to...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

This early contact print is signed in pencil on the front of the mount with the artist's stamp on the back of the mount. One of Morley Baer’s greatest seascapes, this image was taken...