Joseph Bolegard Art

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 19 INCHES X 23 INCHES** John Bates Noel British, (1870-1927) On the Avon & In the Berwin Valley Oil on canvas, pair, both signed, also signed & inscribed verso Image size: 12 inches x 16 inches (each) Size including frame: 19 inches x 23 inches (each) John Bates Noel was born John Noel Bates in Worcester in 1870. He was the son of the landscape artist David Bates (1840-1921) but later on changed his professional name to avoid confusion. The family lived in Worcestershire as well as in Birmingham and it was highly likely that he was encouraged and taught by his father as their subject matter and style bear similarities, although John’s compositions tend to be more fluid and looser. By the turn of the century Noel was living in Malvern where he also taught art. He specialised in painting the rugged landscapes in and around the West Midlands, Worcestershire and North Wales. He exhibited at the Royal Academy from 1893-1909 and at the Royal Birmingham Society of Artists between 1892-1919. He also exhibited works at some of the major galleries of the time including the Manchester City Art Gallery and the Walker Art Gallery, Liverpool. The building in the painting 'On the Avon' is believed to be that of St Margaret's Church at Wolston in Warwickshire. The structures at the front of the church appear to be thatched hay ricks, which are similar to ones seen in an old postcard of the church seen from the river Avon...

Comes with a certificate of authenticity signed by the artist. Also comes with a high quality frame.

A wonderful and rare surviving cover painting by the American artist Charles Martin (1848 - 1934), who was an active illustrator and editorial cartoonist on the East Coast in the ear...

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966), dedicated lower right, 'Made for Ruth M.' and painted circa 1945. Titled verso 'Birds in Flight', additionally...

Wonderfully vibrant Taos, New Mexico landscape painting by unknown artist , Circa 1940. Unsigned. Unframed. Image size: 6"H x 8"W.

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a watercolor and gouache beach scene three young men bathing...

FÉLIX ALARCÓN Spanish, 1840 - 1905 MORNING WALK THROUGH THE PLACE OF THE CONCORD signed "F. Alarcón" (lower left) oil on canvas 19-3/4 X 25-7/8 inches (...

Signed lower right, 'Buk' for Eduard Buk Ulreich (American, 1889-1966); additionally titled verso 'Consort' and dated 1954 with inscription, 'by the one and only buk, made for Ruth'....

Day at the Beach - Realistic Figurative Illustration in Gouache Original figurative illustration of people at the beach by Charles Ross Kinghan (American, 1895-1984). Several women are looking at someone's foot, as if there is a splinter being removed. Three of the women are closer, with their heads in the frame. Two of them have are standing with their backs to the viewer. Between the women, the viewer can catch glimpses of other activities on the beach. Possibly a sketch for Good Housekeeping Magazine. Signed "Charles Ross" in the lower right corner. (Charles Ross Kinghan) Acquired with other signed estate works by the artist. Presented in a new cream mat. Mat size: 16"H x 13"W Board size: 14"H x 11.75"W Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign Works. He studied at the Chicago Academy of Fine Art in 1916, the American Academy of Art in Chicago, the Audubon School of Art and the Art Institute of Chicago. He was a pupil of Carl Scheffler, J. Wellington Reynolds, and H.A. Oberteuffer. He taught at the Art Institute of Chicago and at the American Academy of Art in Chicago. He was an illustrator for McCalls, Good Housekeeping, Saturday Evening Post, Colliers, and many others, including American Artist magazine. He was author and illustrator of Rendering Techniques for Commercial Art and Advertising (1956) and of Ted Kautzky...

Predominantly recognized as a self-taught painter, he also worked in architectural murals, sculptures, ceramics, prints and drawings. Vigas is one of Venezuela’s best-known painters...

"I am an experimental painter. I have been working on my craft since 1996. I start work with a conceptual point of entry and then work intuitively, in dialogue with the work. The art...

Childhood, a reoccurring theme in Darlene Cole’s work, is represented by prepubescent girls and boys, engaged in some type of action. Without adult supervision, these activities confer on Cole’s children an adult-like aura, empowering them. The artist cites Neil Postman’s 1982 book about the decline in innocence in American culture The Disappearance of Childhood as a text that informs her work. In it, Postman argues that communications technology, such as the invention of the television and later, the Internet, contributed to children losing their innocence, thus transforming them into young adults. A source of inspiration for Cole are the works of the Pre-Raphaelite Brotherhood, a group of English painters, poets and critics, founded in 1848. They studied nature attentively, employed vivid colours and depicted unconventional-looking women. Just like in Pre-Raphaelite works, the girls in Cole’s paintings embody enigma, distance, and beauty. The past, in general, is a great source of inspiration for the artist. Cole’s cottage, or ‘artist’s retreat’ as she calls it, was built at the beginning of the 20th century. Since she kept all the original furniture and linens intact, the cottage, on the side of a lake, seems to belong to the past. Nature, another omnipresent theme in Cole’s work, is in many works represented by flowers, such as pink David Austin roses...