Joseph-Emmanuel Zwiener Wall Decorations

Handsome pair of 19th century Italian wall vitrines. Each petite cabinet features beautiful marquetry, bronze ormolu, glass door and single shelf.

Very rare and excellent condition, This all-handcrafted cabinet with a stunning decor of foliate carving and inlaid, Eastern style motifs is completely original and can be used for all kinds of purposes. It must have taken a highly skilled artisan several weeks to design and create this architecture inspired piece of wall furniture. It also comes with Arabic calligraphy on the drawer, but unfortunately we don't know the meaning of the word(s) or phrase. This unique, single door cabinet with its beautiful patina and its marvelous look and feel is as stable/strong as the day it was made and the pair of metal hooks on the back makes it very safe and easy to mount on your wall. If you are decorating a home or business with an Eastern interior then this late 1800s cabinet...

Fantastic tall heavy brass curio display cabinet for the table or wall by Edward Alden with open ring finial, in the style of Tommi Parzinger. Has nice wa...

This stunning vitrine is dripping with antique elegance and character! Made in the style of Louis XVI in France circa early 1900’s. The incredible bookmatched veneer has gained a vib...

An antique French Louis XVI vitrine offers mahogany construction in demilune form having shaped and mirrored backsplash over single do...

Louis XVI style marble and ormolu bronze mounted mahogany vitrine display table with mirrored interior , supported by four tapering legs . The vitrine is in great condition . Minor w...

A very imposing late 19th Century French Louis XVI style bombe fronted glass Vitrine, having gilded ormolu scrolling foliate mounts, hand painted panels to the sides and door depicti...

A good quality pair of French Louis XVI style break fronted, Rococo style ormolu mounted vitrines, each with adjustable shelves, three glazed doors to each, with storage behind the b...

Exclusive French vitrine in Louis XVI style. Finely engraved and moulded bronze. Solid beechwood. Three sided glassed, one drawered body on conical legs. Profile- framed flecked Mar...

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

Rare pair of Louis XV style gilt-bronze mounted curved shape vitrines attributed to J.E Zwiener. Glazed on all sides, they open with two doors framed by gilded and chiseled Rocaille style foliated bronze mounts. Resting on four cabriole legs ending with lion’s paws, the whole is covered by a « brèche de Benou » marble top. This model was probably designed by L. Messagé. Joseph-Emmanuel Zwiener was born in Germany in 1849. In 1880 he sets up his extensive workshops in rue de la Roquette in Paris where he creates many original pieces of furniture. He imitated practically every style, ranging from ‘’Boulle’’ to Louis XVI and including extraordinary personal interpretations of the Louis XV ‘’exuberant’’ style. He participated in the 1889 Universal Exhibition, held in Paris, and was awarded the gold medal for his remarkable copy of that most famous piece of furniture, Louis XV’s desk. The catalogue of the exhibition included a wonderful elegy qualifying the work as perfect : « No criticism what-so-ever could be made ». As that other famous cabinet-maker François Linke, Zwiener had most of his bronzes modelled by Léon Messagé whose work was considered as being of the best possible quality. Léon Messagé is a renowned designer and sculptor who integrated in his ornaments related to the Rocaille asymmetry, new lines and shapes announcing the “Art Nouveau” style. But even though, Messagé found inspiration with these 18th century artists, such as Nicolas Pineau or J. A. Meissonier, he didn’t simply copy their work and showed great originality, even extravagance, with some designs contained in "Cahier des dessins et croquis style Louis XV". He realized numerous sketches on grey paper before the execution of a reduced or life sized model of his ornaments, made of wax or terra-cotta. From 1885, Léon Messagé started working with important Parisian cabinet...

Louis XVI style Ormolu mounted kingwood Vitrine, Paris, circa 1900, Beautiful quality, with lift top beveled glass top, the case fitted with fo...