Polish artist Joseph Hecht went to live in neutral Norway at the outbreak of World War I. Immediately following the armistice, Hecht traveled to Italy; and two years later to Paris, where he maintained a studio until his death. Hecht became a member of the Salon d'Automne, thereby gaining an entrée into the Parisian art world and the opportunity to exhibit his work regularly. At his Paris studio, he taught burin-engraving, the classic copper-engraving technique, to many artists including British surrealist painter and printmaker Stanley William Hayter. In 1926 Hecht published his first suite of six prints, l'Arche de Noë, which included a preface by the French symbolist Gustave Kahn and was exhibited in December that year at the Paris gallery Le nouvel essor. Hecht’s future collaborator, mystical poet and critic André Suarès wrote a laudatory catalog article. The imagery that Hecht had developed found renewed vigor in 1928 when Suarès and Hecht collaborated on the folio, Atlas. In 1927 Hecht’s support of Hayter's printmaking explorations led to the founding of the printmaking cooperative Atelier 17, which was to become perhaps the most influential printmaking studio of the 20th century, and which endures to this day in Paris as Atelier Contrepoint. The collaborative atmosphere and experimental techniques developed at Atelier 17 influenced numerous artists including Pablo Picasso, Marc Chagall, Alberto Giacometti and Joan Miró. In 1929, Hecht also became a founding member of another group, La Jeune Gravure Contemporaine, which staged annual group shows and was influential in maintaining a vibrant interest in printmaking. Between 1926–38, Hecht's engravings were published in various collections and his work was widely exhibited, gaining him critical acclaim. Hecht won two gold medals at the 1937 Paris World's Fair.
Asie (Asia) from the series Atlas — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Asie (Asia) from the series Atlas', engraving, 1928, edition c. 50, Tonneau-Ryckelynck & Plumart 162. Signed and annotated 'epreuve definitive' (final proof) in pencil...
Engraving
Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17
By Joseph Hecht
Located in Myrtle Beach, SC
Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...
Engraving
Page de Croquis: Tetes de Antilops
By Joseph Hecht
Located in Fairlawn, OH
Signed in pencil lower right recto Provenance: Elizabeth Carroll Shearer (1924-2014), Chesterland, Ohio, former President and Trustee of the Print Club of Cleveland which is an affiliate of the Cleveland Museum of Art. Her collectors mark of initials and a Sealyham Terrier...
Graphite
$4,050
H 27.25 in W 31.25 in
20th century drypoint etching figurative animal print horses sketch signed
By Claude Weisbuch
Located in Milwaukee, WI
"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...
Drypoint, Etching
$10,000
H 12.25 in W 19.38 in
Highlands Sheep; A finished study from the Highlands Series
By Rosa Bonheur
Located in Middletown, NY
A finished primary study for Bonheur's major oil paintings of the late 1850s, capturing the quiet, unadorned dignity of animals in their native environment. Circa 1855. Graphite and...
Handmade Paper, Graphite, Crayon
$850
H 12.6 in W 17.7 in
Afternoon nap (minotaur, centaur) - expressive line drawing
By Dmitrii Drugakov
Located in Fort Lee, NJ
Anxious morning (minotaur, centaur) - expressive line drawing on 140lb paper. His artistic style is rather difficult to describe, it can be named as "expressive romanticism". Usually...
Paper, Graphite
Paul Jouve (after) - Tiger - Original Engraving
By Paul Jouve
Located in Collonge Bellerive, Geneve, CH
Paul Jouve (after) - Tiger - Engraving 19 x 14 cm Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Copper engraving heightened with pochoir.
Engraving
$8,850
H 24.125 in W 20.5 in
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
By Pablo Picasso
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Drypoint, Aquatint
#4, 2007
By Joseph Piccillo
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...
Canvas, Graphite
$9,850
H 24.125 in W 20.5 in
The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
By Pablo Picasso
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Drypoint, Aquatint
Barnacle Geese Affrighted
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...
Handmade Paper, Drypoint, Etching
Ostend Horse
By Edmund Blampied
Located in Plano, TX
Ostend Horse. 1926-27. Drypoint. Appleby 125. 7 x 815/16 (sheet 9 1/8x 12 1/5). Proof B, apart from the edition 100. A rich impression with tonal wiping and drypoint burr, printed on...
Drypoint, Etching
#5, 2008
By Joseph Piccillo
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...
Canvas, Graphite
Walruses
By Ray H. French
Located in Fairlawn, OH
Walruses Engraving, 1952 Signed, dated, titled and numbered (see photos) Edition: 100, this from the second printing with the artist's initials in an edition of 25 (16/25) Condition:...
Engraving
Through the Storm.
By Edmund Blampied
Located in Plano, TX
Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...
Drypoint, Etching