Judy Gilmer Art

Kirsten Jackson creates vibrant abstract paintings filled with sunny color blocks, showcasing her contemporary and original style. Fiercely independent, this Australian artist aims t...

Masri Hayssam (Lebanese, Italian, born 1965) "Symphony" 2019 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and the back of the paint...

"Changing Seasons" - Red Over Blue Tribute to Mark Rothko in Acrylic on Paper A bright abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Draw...

Masri (Lebanese, born 1965) "Memories I" 2018 Acrylic paint, Oil paint, Mixed Media, Canvas, Stretcher bars The artist signed the back of the painting. "Memories I" by Masri is a st...

Sveta Hessler (Russian, born 1973) "Love for Meadow VII" 2025 Acrylic paint, Gel, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. The artist notes th...

Masri Hayssam (Lebanese, born 1965) "Challenge 16" 2019 Oil paint, Acrylic paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right and the back of the painting....

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Lesley Anne Spowart (American, born 1957) "Friendship Garden" 2021 Acrylic Paint, Paper, Mixed Media, Canvas The artist signed the back of the painting. Friendship Garden by Lesley ...

44.5 x 29.25 ins (113 x 74.3 cms) Edition of 108 Signature:Signed "R. Motherwell" in pencil lower left Inscriptions:Numbered in pencil lower left; some impressions have artist's chop mark lower left Publisher:The Juilliard School...

Masri Hayssam (Lebanese, Italian, born 1965) "Travedo" 2020 Oil Paint, Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right and the back of the paint...

Vintage Latin American School Original Minimalist Painting of Artist’s Self Portrait in Acrylic on Paper Oustandingminimalist self portrait by California-based Latin American artist, Ricardo de Silva (American/Brazil, 20th C). The artist has represented himself is a stylized manner, yet is quite recognizable due to his beard and dark curly hair. He is wearing red clothing that contrasts nicely against the dark background. Unsigned, but was acquired with a collection of the artist's work. No frame. Paper size: 19"H x 16"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was born in Brazil and grew up in Los Angeles. He was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg...