Jules Agard Furniture

Roger Capron (1922-2006) Stylized woman ceramic bottle "Lavande" signed by Roger Capron, Vallauris, 1950s Nice condition, with original glass bottle inside.  

Glazed ceramic Excellent condition. "Portanier" signed.

This is an Italian neo-classical Grand Tour ram’s head form stirrup cup. The composition is pottery with an almost bisque-like finish.

Fabulous design of a chocolate brown and gold Vallauris ceramic coffee set complete with coffee pot, sugar, creamer and ten cups and saucers circa 1...

PIERRE JULES MENE French, 1810-1879 "Valet de Limier" (1879) Patinated bronze Signed in cast "P.J. MÊNE", incised "F. BARBEDIENNE FONDEUR" to base Item # 109LWK22S This was the...

A magnificent oval ceramic dish by Robert Picault, adorned with a thistle motif, in perfect condition. Picault's personal pieces bear his full signature until 1962, while industrial ...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

Beautiful fruit bowl or centerpiece in braided enameled ceramic in the style of Jérôme Massier dating from the 1950s, produced in Vallauris, France. This bowl is covered with a very...

Vase "Bouquetière" to be fix to the wall, with stylised flower, signed Capron Vallauris on back 1950's.  

San Polo Venezia small ceramic feeding bird chicks sculpture. Italy 1950s Fully signed

French ceramic decorative bowl by the Frères Cloutier (circa 1970s). A charming decorative bowl created in one of the trademark colours of the Cloutier...

Vintage glass in very good condition. The bottle looks like it has just been taken out of the box. No jags, defects etc. Stopper have some cut - as on pictures. Only one unique piec...