Julian Walbridge Rix Art

Robertson K. Mygatt (American, 1862-1919) Green Field and Barn Oil on panel, 6 1/8 x 9 7/8 inches Framed: 10 x 15 inches The landscape painter and etcher Robertson K. Mygatt was born in New York City and studied at the Art Students’ League with John Twachtman...

A wonderful tonalist cityscape of New York City at night by American impressionist artist Frederick (Frank) Usher De Voll (1873-1941). De Voll was born i...

Signed Lower Right Known for his Tonalist-style landscape paintings, John Francis Murphy was referred to as the "American Corot" because of his similarity to the painting style of Camille Corot (1796-1875), one of the original Barbizon...

Jean-Charles Cazin Ploughing on the Hillside Signed lower left Oil on board 6 1/2 x 6 inches The son of a well-known doctor, FJ Cazin, he was born at Samer, Pas-de-Calais. After st...

This piece, "Winter Dusk", is a 16x20 winter landscape oil painting on canvas by artist Dennis Sheehan. Featured is view over a snow covered marshland during the evening hours. The w...

Charles Warren Eaton (1857 – 1937) The Shadow of Mount Rockwell, Glacier National Park, Montana, 1921 Oil on canvas 20 x 24 inches Signed lower right: CHAS WARREN EATON. Provenance: The artist The Macbeth Gallery, New York Private Collection Sotheby's New York, American Art, April 14, 1989 ConocoPhillips, Houston Simpson Galleries, Houston, Fine Art & Antiques, May 18, 2019, Lot 447 Exhibited: New York, The Macbeth Gallery, Paintings of Glacier National Park by Charles Warren Eaton, December 13, 1921 - January 2, 1922, no. 2. Literature: "Two Exhibitions at Macbeth's," American Art News, New York, Vol. XX, No. 10, December 17, 1921. A contemporary critic wrote that the paintings of Charles Warren Eaton appeal to “the dreamers who find in them the undiscovered scenes in which their fancy long has dwelt.” Eaton’s contemplative landscapes exude a spiritual quality that moves the observer into a similar frame of mind. He loved to depict the ethereal light of dawn and dusk in late autumn or winter, usually without any reference to human or animal figures or buildings. These Tonalist paintings, with their subdued palette and relatively intimate scale, marked a definite break with the fading popularity of the panoramic and romantic views of the Hudson River School painters. Charles Warren Eaton was born in Albany, New York to a family of limited means. He began painting while working in a dry-goods store. At age 22, he enrolled at the National Academy of Design in New York City and then studied figure painting at the Art Students League. By 1886, he was successful enough to quit his day job and make a living as a landscape painter. That year, he traveled to Europe with fellow Tonalist painters Leonard Ochtman and Ben Foster. In France, Eaton visited popular artist’s spots such as Paris, Fontainebleau and Grez-sur-Loing, and fell in love with the loose brushwork and moody style of French Barbizon painting. Returning to the United States, Eaton fell under the spell of George Inness, the foremost exponent of Barbizon style in the United States. In 1888, Eaton settled near Inness in Bloomfield, New Jersey, where Eaton lived until his death in 1937. In this period, he painted shadowy and ambiguous landscapes inspired by rural scenery in the northeastern United States. His signature theme was a cropped view of the branches, trunks, and foliage of a pine grove silhouetted against a delicately illuminated sunset or moonlit sky. He painted this vision so often between 1900 and 1910 that he picked up the sobriquet ‘‘The Pine Tree Painter.” After 1910, Eaton responded to the popularity of Impressionism by using brighter colors and painting sunlit daytime scenes. In 1921, he was hired to paint Glacier Lake, in Glacier National Park by the Great Northern Railroad Company as part of their ‘See America First’ campaign. He produced more than 20 paintings, among the artist's last works, that now poignantly remind viewers of the vast disappearing glaciers. Eaton tended to approach this mountain scenery from an oblique vantage point; he liked to capture small episodes, showing mountaintops nearly obscured by dramatically attenuated screens of fir trees. Eaton, like many Tonalist artists of his generation such as Henry Ward Ranger, John Francis Murphy, and Charles Melville Dewey...

This piece, "Mid Fall", by artist Dennis Sheehan is a 12x12 oil painting on canvas featuring a daytime landscape setting during autumn. Tree leaves are deep reds, purple, oranges an...

CHAUNCEY FOSTER RYDER (American, 1868-1949), Pasture Lands oil/canvas signed LR 31.5 x 39.5 image, 40.5 x 48.5 framed A wonderfully subtle tonalist painting by Ryder incorporating a farmer/farmhand probably moving cows about the pastures mid right in the scene. Ryder uses a subtle S design from lower left that zig zags up to the figure and cows. The painting shows Ryder's masterful use of abstract design and technique utilizing textures in his application of paint giving the painting life and interest. Original frame, some craquelure in sky, old surface. Bears Newhouse Galleries, possibly NYC, label verso. The painting hangs in my collection currently and would benefit from a cleaning and new varnish. It is a large museum quality oil painting. SHIPPING-This will need In Home Delivery service as it is too large for me to pack. The handling time is listed as 10 days but is dependent on who 1stdibs hires and their schedule to pick up and deliver. 3 -7 weeks is listed in the shipping section for this service. Buyer can also arrange for their own pick up. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

Contemporary Impressionist pastel of an autumnal woodland scene by Belgian artist Francis Besson. Signed to the very bottom right and presented in a simple gold contemporary frame un...

Signed lower right 'Jack Laycox' (American, 1921-1984); additionally signed, verso, titled, 'Gulls Near Carmel' and dated 1968. An exceptionally fine and atmospheric study of stor...

Charles Warren Eaton Autumn, New England Signed lower right Oil on canvas 30 x 36 inches Provenance Private Collection, Connecticut A contemporary critic wrote that the paintings o...

Bruce Crane (1857 - 1937) Autumn Landscape Oil on canvas 25 x 30 inches Signed lower right Robert Bruce Crane was an American painter. He joined the Lyme Art Colony in the early 190...