Karel Appel Furniture

"Composition with Faces" Karel Christiaan Appel (1921-2006, Dutch) Netherlands, 1973 color serigraph on paper unsigned and unframed "see images for conditions: some waving and smal...

Gorgeous Karel Appel lithograph advertising a 1969 exhibition of Karel Appel Lithographs in Brussels, Belgium. This lithograph is signed in pencil by ...

An original acrylic painting on board titled “Tete” by Karel Appel. Executed in 1968. Hand signed lower right. The composition features a boldly abstracted face rendered with thick, gestural brushwork and saturated areas of green, blue, pink, yellow, and white. Energetic lines and layered color create a sense of immediacy and movement consistent with Appel’s expressive approach. Appel was a founding member of the CoBrA movement, and this painting reflects the group’s emphasis on spontaneity, color, and expressive form. Provenance: From a private estate in Birmingham, MI. Originally acquired from the J.L. Hudson Gallery in 1972 (see documentation in listing). Dimensions: 26.25”h x 19.25”w x 1.5”d (framed) / 21"h x 13.5"w (painting size). Condition: The surface shows intentional texture, visible brushstrokes, and areas of impasto consistent with Appel’s working method. Condition appears consistent with age and materials, with no visible structural damage. Full condition reports available upon request. Karel Appel (1921–2006) was a Dutch painter and sculptor and a founding member of the CoBrA art...

Early Karel Appel abstract lithograph, épreuve d'artiste, or E/A artist proof dated 1950. A rare 9/24 rendition of an abstract work by Appel in browns, greys, purples, blacks and gol...

Vibrant and highly expressive color lithograph from Dutch CoBrA master Karel Appel's celebrated Cats portfolio, circa 1978. Rendered in Appel's unmistakable energetic style, the comp...

Large Scale Color Lithograph, by Karel Appel, Netherlands, circa 1980s. It is hand signed and numbered by the artist, from a very limited edition of only 100, this example is numbere...

Product Description: This print by Karel Appel was designed for the 200 years birthday of the United States. The print has been made by Mourlot in Paris. Looking at this painting ma...

This lithograph was done by the well known Karel or Karl Appel of the Netherlands in 1973 in his Modernist style. The print is done in vivid colors and is pencil marked "EH" on the b...

Karrel Appel Signed and numbered 49/100 dated 1971 Lithograph B.1921.d2006 was a dutch painter sculpture,founder of Avant-Garde movement,this picture is matted and framed.

A striking and vibrant serigraph titled Mother and Child by the celebrated Dutch CoBrA artist Karel Appel (1921–2006), dated 1972. Once you know the title, the composition reveals it...

This is a wonderful colorful abstract lithograph number 6 of 175 and signed at right side probably done in 1980s.

Super rare and impressive pair of large cotton ''gordijnstof' curtains, designed in 1963 by world renowned Dutch painter and sculptor Karel Appel (1921-2006) for the textile company Hermann Hartman & Co of Amsterdam. This extremely rare, original repeat print textile is documented in the Stedelijk museum's textile collection under object nubmer KNA 1998, please see image 2. Each curtain measures 56.7" X 83.85" (144cm X 213cm). 'Gordijnstof' translates as "curtain fabric" confirming that this textile was originally designed by Appel specifically for use as curtains however being of such an impressive dimension these examples could equally be used as wall hangings ,as photographed, or mounted on both sides of a screen or mounted and framed as an art work in its own right , a practice which is becoming increasingly commonplace as high end textile designs by important artists are becoming increasingly valued , appreciated and sought after in the marketplace. Appel's paintings and sculptures can be found in the collections of some of the world's most prominent museums including the Museum of Modern art in New York and Tate Modern ,London. Each curtain is of a very impressive scale with each measuring 56.7 " (144 cm) X 83.85" (213cm). The curtains are signed on the banding KUNSTENAAR DESSIN ONTWERP Karel Appel, HARTMAN PRINT, AMSTERDAM. Another of Appel's designs for Hermann Hartman,Amsterdam can be found in the collection of the national textile museum in Holland. Please see image 9. Even a small sample of this 1963 textile in good condition would be hard to find today but to find two large scale Appel curtains intact and in beautiful unfaded condition with no staining or fraying must be next to unique today. This is a very rare find and certainly a unique opportunity. Image 10 shows Karel Appel in his atelier in New York in 1966. Provenance: These curtains come from the private collection of a retired Professor from Oxford,UK. Biography: Karel Appel was an Expressionist Dutch painter. He was a member of the famous Cobra, the European group of the late 1940s to early 1950s, which promoted spontaneous expressionism and abstract features in painting. Appel's paintings incorporate applications of vibrant, violent colors often possessing a primal, childlike quality or a schizophrenic innocence. Later in life, Appel turned to creating figurative sculptures. Examples of his work can be seen in the Museum of Modern Art, New York City, Boymans-Van Beuningen Museum, Rotterdam, and other collections. Expressionist painter Karel Appel made a name for himself in the world of painting by creating a majestic collection of highly distinguishable work for which he became internationally renowned. From the start, art curators could not ignore Appel's work, which has been exhibited at major museums around the world, including New York's Museum of Modern Art, the Manhattan-based Guggenheim Museum, the Museum of Fine Arts in Boston and the Tate Gallery in London. Though Appel is widely recognized as one of the best-known Dutch Expressionist painters of all time, he was also a passionate printmaker, sculptor, and ceramicist. Karel Appel’s childhood and early life Christiaan Karel Appel was born on April 25, 1921, in his parents’ house at 7 Dapperstraat, Amsterdam. His father, Jan Appel, owned a barbershop. His mother, born Johanna Chevalier, was a descendant of French Huguenots. Karel Appel had three brothers. He studied art from 1940 to 1943 at the Rejksakademie van Beeldende Kunsten, the Royal Academy of Fine Arts during the German occupation and befriended young painter Corneille and, some years later, Constant. His parents opposed his choice to become an artist, leading him to leave home. This was also necessary to hide himself from the German police so that he would not be picked up and sent to Germany to work in the weapon industry. Appel produced his first real painting on canvas, which was a still life of a fruit basket at the age of fourteen. On his fifteenth birthday, his wealthy uncle Karel Chevalier gave him a paint set and an easel and some lessons on painting. Career. In 1946, his first solo show was held in Groningen, Netherlands. He also participated in the Jonge Schilders exhibition at the Stedelijk Museum of Amsterdam nd created a buzz in the art world, as it generated a huge scandal and many objections in the press and public. About this time, Appel was influenced first by Pablo Picasso and Henri Matisse, then by the French brute-art artist Jean Dubuffet. In 1947, he started sculpting with various used materials and painted them in bright colors such as white, red, yellow, blue and black. Karel Appel became the member of Nederlandse Experimentele Group in Holland along with the young Dutch painters Anton Rooskens...

Polychrome Acquatint and Carborundum Untitled (Plate IV from Five Night Faces in Broadway) by Karel Appel Signed: "Appel 75 E.A." for Artist Proof N...

Lively screen print from 1974 by Artist Karel Appel (1921-2006): expressive and bold composition and colors. Pencil signed: 'Appel' and '74'. Dimensions are 75 x 55 cm. In 1956 Ap...

Bursting with expressive color and surreal whimsy, this lithograph by acclaimed modernist Karel Appel captures a seemingly playful encounter between a rhino and a monkey—yet there’s ...