Karl Struss Art

This is an exclusive limited edition black and white giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This series of black and white photographs captures the ...

5th January 1957: Two young Fulham football fans Freda and Frank Hearn dressed in their club's colours of black and white, wait to board an 'Ipswich Sp...

Gorgeous Joan (1931) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A woman in white two-piece bathing suit water skiing cir...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11712 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Slim Aarons Last-minute Adjustments 1955 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity A young woman has last-minute...

A set of traffic lights on Park Avenue in New York City. Slim Aarons Pulitzer On The Beach Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aa...

Soho Waiters Race, 1955 Waiters carrying half bottles of champagne set off on the annual waiters' race from Soho Square to Greek Street, in London's Soho, 1955 Estate stamped and...

An abandoned car rusts quietly by the seaside, a relic of times past... This print captures the serene decay of a vehicle along a tranquil coast. A forgotten car stands as a testament to nature's reclamation. "Coastal Ruin..." "Time's Relic..." "Nature's Claim..." "Automotive Ghost..." "Forgotten Journey..." "End of the Road..." "Lost and Found..." "Remnants by the Sea..." "Rust Reverie..." "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Two men sailing their yacht 'Eel II' in Jamaica. Slim Aarons Spring Break Black and White Photography Slim Aarons Estate Edition Numbered and stamped by the Slim Aarons Estate. Cert...

Slim Aarons Jean Patchett For Saks Fifth Avenue Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity American model Jean Patchett wearing a...

Ravishing Rampling 1966 Limited Edition Estate Signature Stamped print The exquisitely beautiful young Charlotte Rampling at The Pair of Shoes, a casino in London, 7th September 19...

An urban landscape where manmade structure meets nature, evoking a sense of quiet introspection... Silent and steadfast, the weathered bridge stands against time, blending with nature's embrace... This is a study in geometry, shadows, and time, this piece captures the quiet strength of a forgotten underpass. "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...