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Kate Snow

Kate Snow is a painter and printmaker in Cleveland, OH. She began exhibiting in 2015, and her work has since been shown across the United States and in Germany. Her work is included in a number of private and public collections including, Baker Hostetler, MetroHealth Hospitals, and Westin Hotels. She has been awarded residencies at the Grafikwerkstatt in Dresden, Germany, Brush Creek Foundation for the Arts in Saratoga, WY, The Studios of Key West in Key West, FL., and The Jentel Foundation in Banner, WY. In 2018 Kate was commissioned by the Cleveland International Film Festival to design and create the filmmaker awards for that season. Most recently she was a recipient of the 2021 Ohio Arts Council Individual Excellence Award from the state of Ohio.
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View from a Great Height, abstract geometric painting, dots

View from a Great Height, abstract geometric painting, dots

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache, Handmade Paper, Graphite

Finding a Way...Like Water, abstract geometric painting, dots

Finding a Way...Like Water, abstract geometric painting, dots

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache, Handmade Paper, Graphite

Mixed Squares, abstract geometric painting, grid

Mixed Squares, abstract geometric painting, grid

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache, Handmade Paper, Graphite

Green Bricks, abstract geometric painting, grid

Green Bricks, abstract geometric painting, grid

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache, Handmade Paper, Graphite

Disintegrating (with a Measure of Grace), abstract geometric painting, dots

Disintegrating (with a Measure of Grace), abstract geometric painting, dots

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache, Handmade Paper, Graphite

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By Donise English

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Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. 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I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Category

2010s Abstract Geometric Kate Snow

Materials

Canvas, Gouache, Archival Paper, Color Pencil, Graphite

Charmion Von Wiegand - Intersecting Magic Square gouache on board, signed Framed
Charmion Von Wiegand - Intersecting Magic Square gouache on board, signed Framed

Charmion Von Wiegand - Intersecting Magic Square gouache on board, signed Framed

By Charmion von Wiegand

Located in New York, NY

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the a...

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1960s Abstract Kate Snow

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By Donise English

Located in Hudson, NY

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2010s Abstract Geometric Kate Snow

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Untitled Mid-Century Modern Geometric Abstraction

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By Rolph Scarlett

Located in New York, NY

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Mid-20th Century Abstract Geometric Kate Snow

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Untitled Geometric Abstraction - unique signed and inscribed work -framed
Untitled Geometric Abstraction - unique signed and inscribed work -framed

Untitled Geometric Abstraction - unique signed and inscribed work -framed

Located in New York, NY

Paul Pagk Untitled Geometric Abstraction, 1989 Gouache and watercolor on paper Signed, dated and inscribed "A Jacqueline". Frame included Excellent unique work on paper by contempora...

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1980s Abstract Geometric Kate Snow

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Superman (Abstract Geometric Grid Painting in Light Grey & Blue, Framed)
Superman (Abstract Geometric Grid Painting in Light Grey & Blue, Framed)

Superman (Abstract Geometric Grid Painting in Light Grey & Blue, Framed)

By Donise English

Located in Hudson, NY

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

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2010s Abstract Geometric Kate Snow

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Balancing Act 1 (Abstract painting)
Balancing Act 1 (Abstract painting)

Balancing Act 1 (Abstract painting)

By Tracey Adams

Located in London, GB

Balancing Act 1 (Abstract painting) Gouache, graphite and ink on Rives paper - Unframed This work (unframed) incorporates graphite, ink, and gouache, and is a combination of intuit...

Category

2010s Abstract Kate Snow

Materials

Paper, India Ink, Gouache, Graphite

Ellen Hackl Fagan, Molecules of Music, 2014, Enamel, Acrylic, Clay Board

Ellen Hackl Fagan, Molecules of Music, 2014, Enamel, Acrylic, Clay Board

By Ellen Hackl Fagan

Located in Darien, CT

Ellen Hackl Fagan creates works of art focused on building a visual language. Molecules of Music is a large acrylic painting based on crowd sourced input of viewers pairing sounds from the Do Re Mi musical scale to colors. 260 people submitted their opinions on color to sound matches. Language is a recurring theme in Fagan's work, ranging from interactive, ColorSoundGrammar works to painting, sculpture, lost languages...

Category

2010s Abstract Geometric Kate Snow

Materials

Enamel

"Under the Circumstances" - Abstract Geometric Composition in Gouache on Paper
"Under the Circumstances" - Abstract Geometric Composition in Gouache on Paper

"Under the Circumstances" - Abstract Geometric Composition in Gouache on Paper

Located in Soquel, CA

Subtly colored abstract geometric composition by J. Swidler (20th Century). A grid of 15 squares has been laid out in pencil, each square divided into different sections. Some of the...

Category

1980s Abstract Geometric Kate Snow

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Nerve Center

Kory TwaddleNerve Center, 2018

$1,150

H 24 in W 36 in D 0.3 in

Nerve Center

By Kory Twaddle

Located in Kansas City, MO

Artist : Kory Twaddle Title : Nerve Center Materials : Acrylic, gouache, postage stamps, and mixed media on paper Date : 2018 Dimensions : 24 x 36 x 0.3 inches Kory Twaddle is a Ka...

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Previously Available Items
High Summer, impressionistic landscape painting

High Summer, impressionistic landscape painting

By Kate Snow

Located in New York, NY

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Category

2010s Contemporary Kate Snow

Materials

Linen, Oil, Panel

Early Light, impressionistic landscape painting

Early Light, impressionistic landscape painting

By Kate Snow

Located in New York, NY

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Category

2010s Contemporary Kate Snow

Materials

Oil, Panel

Red Sky, impressionistic landscape painting

Red Sky, impressionistic landscape painting

By Kate Snow

Located in New York, NY

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Category

2010s Contemporary Kate Snow

Materials

Oil, Panel

Three Yellow Bricks, abstract geometric painting, grid

Three Yellow Bricks, abstract geometric painting, grid

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. 14 x 11 inches unframed, 19 x 15 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-im...

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache, Handmade Paper, Graphite

Brick Wall (in Need of Repair), abstract geometric painting, grid

Brick Wall (in Need of Repair), abstract geometric painting, grid

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. 12 x 24 inches unframed, 16.25 x 28.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache, Handmade Paper, Graphite

Two Bodies, abstract geometric painting, dots

Two Bodies, abstract geometric painting, dots

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. 30 x 24 inches unframed. 35 x 27 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-im...

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache, Handmade Paper, Graphite

Reds, abstract geometric painting, grid

Reds, abstract geometric painting, grid

By Kate Snow

Located in New York, NY

Gouache on Rives BFK paper. 30 x 22 inches unframed, 34 x 26 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache

Blues, abstract geometric painting, grid

Blues, abstract geometric painting, grid

By Kate Snow

Located in New York, NY

Gouache on Rives BFK paper. 30 x 22 inches unframed, 34 x 26 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed bound...

Category

2010s Abstract Geometric Kate Snow

Materials

Paper, Gouache

Yellows, abstract geometric painting, grid

Yellows, abstract geometric painting, grid

By Kate Snow

Located in New York, NY

Gouache on Rives BFK paper. 30 x 22 inches unframed, 34 x 26 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

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2010s Abstract Geometric Kate Snow

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Paper, Gouache

They Say, "We Are -Fearless- -Brave- Foolhardy"
They Say, "We Are -Fearless- -Brave- Foolhardy"

They Say, "We Are -Fearless- -Brave- Foolhardy"

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. Framed.

Category

2010s Abstract Geometric Kate Snow

Materials

Gouache, Handmade Paper, Graphite

We -Exist- Thrive in Spite of the Noise
We -Exist- Thrive in Spite of the Noise

We -Exist- Thrive in Spite of the Noise

By Kate Snow

Located in New York, NY

Gouache and graphite on handmade paper. Framed.

Category

2010s Abstract Geometric Kate Snow

Materials

Gouache, Handmade Paper, Graphite

Kate Snow art for sale on 1stDibs.

Find a wide variety of authentic Kate Snow art available for sale on 1stDibs. You can also browse by medium to find art by Kate Snow in paint, oil paint, panel and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Kate Snow art, so small editions measuring 9 inches across are available. Customers who are interested in this artist might also find the work of Justin Wheatley, Catherine Picard-Gibbs, and Anna Ładecka. Kate Snow art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $875 and tops out at $4,600, while the average work can sell for $1,600.

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