Kazuo Shiraga Art

Paris Evening from the Rooftops of Paris set is a serigraph on paper with an image size of 26 x 20", signed ‘Kondakova’ lower right and numbered lower left. From the edition of 500 a...

"Westchester" is a serigraph on paper by Thomas McKnight, signed 'McKnight' lower right and numbered LI/C lower left. From the edition of 510 (there were also 200 Arabics, 10 PPs, 75...

Tea for two – Tod by Harry Bunce [2017] limited_edition Screen Print Edition number 146 Image size: H:25 cm x W:31 cm Complete Size of Unframed Work: H:41 cm x W:49 cm x D:0.3cm Sol...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

Three colour screenprint on white Rising Stonehenge deckle edge paper Signed in pencil lower right, numbered lower left 56 x 76 cm - Sheet size Edition of 250 published by Petro III...

Bistro 1900 is a serigraph on black paper with an image size of 24 x 36 inches, signed ‘Kondakova’ lower right and numbered lower left. From the edition of 525 and numbered 38/100 (there were also 200 Arabic on white paper, 25 APs, 100 Roman, and 100 on canvas). Framed in a contemporary, mahogany-style moulding. You might happen upon Bistro 1900 as you round a Parisian street corner leading onto a light-filled courtyard. The bistro door...

Enamel screen print on Somerset paper. Hand signed, dated and numbered on front by Russell Young. Image size 19.5 x 16 inches. Sheet size 27 x 22 inches. Edition of 27/30. Art...

Screenprint on paper Signed and titled in pencil Numbered from the edition of 75 Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 100 50...

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

The Long Memory is an 18-color screenprint on paper by the artist Betye Saar The Long Memory 1998 Signed and numbered, recto 18-color screenprint on paper (Edition of 100) 14.5 x...

Screenprint on paper Signed and titled in pencil Numbered from the edition of 100 Image size: 500 x 500 mm Paper size: 670 x 680 mm Image size: Height: 50cm (19.69 in) Width...

"Dragonissi" is a serigraph on paper by Thomas McKnight from his 'Aegean Sea Suite', signed 'McKnight' lower right and numbered XII/CC lower left. From the edition of 510 (there were...